Contains a collection of forty photographs drawn from the private collections of Mario Lanza's closest friend Terry Robinson, and the tenor's niece, the former actress Dolores Hart. This work examines Lanza's life and times, endorsed by the singer's daughter, Ellisa Lanza Bregman.
This study is a critical analysis of the performances and productions of the operatic festival established by Richard Wagner in 1876. Around this artistic history the book traces the institution's association with nationalism and racism, and its postwar liberation from its anti-semitic past.
An analysis of Wagner, his music, stage directions, prose and his influence on the culture of our age, with a discussion of the reasons for the reactions his work has provoked. Magee sheds light on Wagner's anti-semitic ideas and the way these were used by the Nazis for their own ends.
Begun by John Christie in 1934, the Glyndebourne Festival saw professional performances of opera in a purpose-built opera house adjoining the historic house on the site, near Lewes in East Sussex. The Festival quickly became a magnet for music lovers across the south of England and beyond. This book tells the story of the opera house on the Downs.
This collection features 301 letters between Giuseppe Verdi and his last most gifted librettist, Arrigo Boito. This edition contains a new introduction by Marcello Conati, improvements and updatings to the original edition and an appendix of undated correspondence.
A series of hardback books, each with two EMI compact discs. A marriage of music and words: each of these books provides the history of a famous opera and its composer, plus the complete libretto in its original language and an English translation with annotated commentary. This is a multi-media guide to understanding and appreciating opera.
Mozart wrote Idomeneo when he was twenty-four years old. It is one of most astonishing achievements of an altogether astonishing career. This guide explains the special nature of the music in an analysis of its themes and development, and places the opera in its context as an expression of the Enlightenment.
Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese 'opera' in locations around the Pacific Rim, including Hong Kong, Taiwan and California.
Andrea Bocelli has sold an astonishing 20 million recordings worldwide. Yet behind his success lies a story of personal triumph. Undeterred by losing his sight at the age of 12, he continued to pursue his childhood dream of becoming a famous tenor, using Braille musical scores and lyric sheets.
Celebrating 60 years from 1946 to 2006, Welsh National Opera begins with the first performance, and takes the reader through the years. It documents in photographs, the Welsh National Opera on the road, and its move to its home at the Welsh Millennium Centre. It pictures, in photographs, every production done by the company.
The operatic tenor Luciano Pavarotti has reached a level of superstardom usually only reached by film and pop stars. His concerts are attended by thousands, his records selling millions. This is a portrait of this extraordinary artist, covering the major events of his public and private life.
A series of hardback books, each with two EMI compact discs. A marriage of music and words: each of these books provides the history of a famous opera and its composer, plus the complete libretto in its original language and an English translation with annotated commentary. This is a multi-media guide to understanding and appreciating opera.
A package, in which each book provides the history of a famous opera and its composer, as well as the complete libretto in its original language and an English translation with annotated commentary. Inside the front and back cover of each book are 2 EMI music CDs containing a top performance of the opera.
A series of hardback books, each with two EMI compact discs. A marriage of music and words: each of these books provides the history of a famous opera and its composer, plus the complete libretto in its original language and an English translation with annotated commentary. This is a multi-media guide to understanding and appreciating opera.
The present edition contains a literal translation of the libretto opposite the original German text, a number of photographs covering a wide chronology to the present day, a comprehensive thematic guide, a bibliography and discography, as well as DVD and website guides.
Living Opera offers revealing interviews with two dozen top opera professionals working on and behind the international stage today. Singers, conductors, stage directors and opera-house directors reflect on why opera is important to them, why they have dedicated their lives to it and why it continues to fascinate audiences around the world.
A series of hardback books, each with two EMI compact discs. A marriage of music and words: each of these books provides the history of a famous opera and its composer, plus the complete libretto in its original language and an English translation with annotated commentary. This is a multi-media guide to understanding and appreciating opera.
A series of hardback books, each with two EMI compact discs. A marriage of music and words: each of these books provides the history of a famous opera and its composer, plus the complete libretto in its original language and an English translation with annotated commentary. This is a multi-media guide to understanding and appreciating opera.
The Arts of the Prima Donna assembles a star-studded yet well-balanced cast of contributors, whose essays combine theoretical approaches to text and narrative, and current theory on gender, performativity, and the commodification of the female body, with the growing understanding of the lives, careers, and performances of the female opera singer.
Offering insights into understanding what makes opera sound and look the way it does, this guide features simple information on the evolution of opera from the Baroque to the Romantic and all the way to the 20th century. The greatest composers and most beloved operas are covered in detail.
Opera portrays pieces in their historical context and highlights key events in the history of music, as well as important performances and interpretations. Arranged alphabetically by composer, this volume is a clearly organised reference work for fans of both classical and modern opera, from Verdi to Handel, and from Mozart and Britten to Puccini.
This book offers revealing interviews with two dozen top opera professionals working on and behind the international stage today. Singers, conductors, stage directors and opera-house directors reflect on why opera is important to them, why they have dedicated their lives to it and why it continues to fascinate audiences around the world.
Richard Wagner (1813-1883) was better known in the nineteenth century for his provocative musical eroticism. This title studies the composer and his works, showing how Wagner's obsession with sexuality prefigured the composition of operas such as "Tannhauser", Die Walkure, Tristan und Isolde, and "Parsifal".
In 1967, Luciano Pavarotti was an up-and-coming young tenor with a voice far more impressive than his stage technique or presence. So Decca, his record company, told him, 'Luciano, you're a real nice guy. So you need a real bastard to do your publicity.' Enter Herbert Breslin.
This volume provides the complete text of all the Gilbert and Sullivan operas which are still performed today, together with annotations covering "lost" songs, alterations and additions, obscure allusions, production points, and comments of interest. Each is placed within its historical context.
Beautifully illustrated and richly detailed, The Illustrated Encyclopedia of Opera examines the history and development of opera, from its roots in the theatrical choral dances of Ancient Greece, through the sublime compositions of Handel and Mozart and on to the groundbreaking works of Verdi, Wagner and beyond.
Claudio Monteverdi was the first important composer of opera. This work examines the composer's celebrated final works - "Il ritorno d'Ulisse" and "L'incoronazione di Poppea". It casts light on the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
A series of hardback books, each with two EMI compact discs. A marriage of music and words: each of these books provides the history of a famous opera and its composer, plus the complete libretto in its original language and an English translation with annotated commentary. This is a multi-media guide to understanding and appreciating opera.
Covering over 1500 singers from the origins of opera to the present day, this book is an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas, with more than 40 specially commissioned articles on contemporary singers. The most comprehensive guide to opera singers ever produced.
Published in celebration of Opera Australia's 50th-anniversary, this work presents an account of the people, and the range of talent they contribute to the company's success; and serves as a reminder of some of the challenges that confront the arts in Australia and as a tribute to those who provide the support required to ensure opera's survival.
Traces the history of opera in British Columbia from its colourful origins in touring companies, to the determined efforts of BC's opera pioneers who laid the foundations for two of Canada's most renowned opera companies, culminating with in-depth reporting on developments at Vancouver Opera and Pacific Opera Victoria.
A guide for opera enthusiasts and converts to this ancient rite. It explores 400 years of music drama from late-Renaissance Italy to works from contemporary names including Philip Glass and Thomas Ades. It helps you discover hundreds of classic and modern opera interpretations and learn about the lives of operatic masters.
Opera is often dismissed as outdated and excessive, and perceived to be characterised by excessive passions, sumptuous costumes, and ill-mannered divas. Revealing the diverse reasons behind opera's lasting appeal, this title introduces the agendas that have governed its composition, production and reception over the last four centuries.
This is a revised and updated edition of Julian Budden's monumental survey of the operas of Giuseppe Verdi. Hailed on publication for its extraordinary comprehensibility, it examines each of the operas in detail, giving a full account of its dramatic and historical origins and a critical evaluation. The text is supported by a wealth of musical illustrations.
In Death-Devoted Heart Roger Scruton argues that Tristan und Isolde has profound religious meaning. Blending philosophy, criticism and musicology, he shows the work is as relevant today as it was to Wagner's contemporaries. Scruton's analysis touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption.
Looks at the various manifestations of "The Little List Song". This title presents the history of this song, taking in previous performers such as George Grossmith, Martyn Green, Groucho Marx, Frankie Howerd and Eric Idle -not to mention poets as varied as John Hollander and Tim Rice.
Examines ways in which Britten's operas explored and articulated the inherent ambiguity and latent sexuality of music, particularly song, and suggests that they may illustrate his search for a public 'voice' which would embody, communicate, and perhaps resolve his private beliefs and anxieties.
Legendary Opera singer Maria Callas was a brilliant soprano adored for her staggering triumphs. But behind the public facade, Callas wrestled with lifelong personal demons. Consumed by her relationship with tycoon Aristotle Onassis, she was the queen of his jet-set world for nine years - until he met a widow named Jackie.
Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness.
Tells the tale of the complicated birth of this most American of operas. This title relates how key people - including investors and historians in addition to creative talent - turned Douglas Moore's idea into a reality and brought the story of the Tabors to millions of opera fans worldwide.
French opera is second only to Italian opera in the length, breadth and diversity of its history. This book provides an account of opera in France from its origins onwards. It looks at the leading composers, from Lully to Messiaen; at the development of French operatic form and style; and at the impact of French opera beyond France's borders.
This edition contains over twenty illustrations, a thematic guide and the texts of the libretti in the original with literal translations. There is also a bibliography, discography and DVD guide, together with a list of websites that will allow the reader to explore the opera further.
This book presents the current and future issues facing opera houses and opera companies. Problems in different environments need different solutions. In particular, it opposes the American method of managing cultural institutions, preferring a European one where public support and funds plays a major role.
The third part of a three-volume survey of the operas of Verdi, this study covers roughly a quarter of a century, in which Verdi produced his four last operas. It examines each opera in detail, with an account of its dramatic and historical origins and a critical evaluation.
Richard Wagner (1813-1883) was better known in the nineteenth century for his provocative musical eroticism. This title studies the composer and his works, showing how Wagner's obsession with sexuality prefigured the composition of operas such as "Tannhauser", Die Walkure, Tristan und Isolde, and "Parsifal".
Richard Wagner's "Die Meistersinger" has always called forth superlatives from those who have fallen under its spell. And yet Wagner's many-splendoured comedy has come under severe criticism for what has been called its 'dark underside, ' its 'fascist brutality, ' and its 'ugly anti-Semitism.' This work addresses that criticism.
Serving as a guide to the 175 most popular operas, this book consists of entries that set each opera within the context of its composer's career, outline the plot, discuss the music, and give relevant background information on the libretto, the staging, and the most famous and influential interpreters of the principal roles.
John Adams' opera, Nixon in China, is one of the most frequently performed operas in the contemporary literature. This title illuminates the opera and enhances listeners' and scholars' appreciation for this landmark work. It presents a detailed analysis of the music tied to historical and political contexts.
This work explores the relationship between opera and psychoanalysis. Ziezek and Dolar consider, for example, death in opera and orgasm (the little death for which opera may be imagined to be a substitution), as well as the heralded "death of opera" and its cultural function.
Traces the development of ENO from its earliest origins in the darkest Victorian slums of the Cut, where it was conceived as a vehicle of social reform, through two world wars, and via Sadler's Wells to its great glory days at the Coliseum and beyond.
A unique reference work containing over 2, 500 A-Z entries on operatic characters. Includes synopses for over 200 operas and operettas, as well as feature articles written by well-known personalities from the world of opera, including Placido Domingo and Dame Janet Baker. It is an essential book for anyone with an interest in opera.
Discusses ten of Richard Wagner's most beloved operas, illuminates their key themes and the myths and literary sources behind the librettos, and demonstrates how the composer's style changed from work to work. This book features musical examples from the scores, and various leitmotifs and their interrelationships.
Giuseppe Verdi is the famous Italian composer of opera. While he was sometimes criticized for writing music considered too "simple, his works have endured, and are still performed throughout the world. This volume is a guide to the Verdi's life and operas, containing New Grove" articles, a section on modern Verdi productions, and more.
Bel canto singing was a historical phenomenon which embraced the Italian opera of the 18th and 19th centuries. This is a translation of Rudolfo Celletti's "Storia del Belcanto", which offers a history of bel canto singing and the voice in operatic literature.
A unique reference work containing over 2, 500 A-Z entries on operatic characters. Includes synopses for over 200 operas and operettas, as well as feature articles written by well-known personalities from the world of opera, including Placido Domingo and Dame Janet Baker. It is an essential book for anyone with an interest in opera.
Encompasses some of Mozart's most popular works - Figaro, Don Giovanni, Cosi, Magic Flute, Seraglio, Clemenza di Tito - as well as lesser known works like Mitridate. This work includes a synopsis and commentary on each work, as well as background information on the three main genres in which Mozart wrote: opera seria, opera buffa, and Singspiel.
Tells the tale of the complicated birth of this most American of operas. This title relates how key people - including investors and historians in addition to creative talent - turned Douglas Moore's idea into a reality and brought the story of the Tabors to millions of opera fans worldwide.
Offers a view of opera buffa in the theatrical world of late-eighteenth-century Vienna. This book attributes opera buffa's success to its ability to provide 'sheer' pleasure and hence explores how the genre functioned as entertainment. It shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits.
The second part of a three-volume survey of the operas of Verdi, this study covers those works written during the decadence of the post-Rossinni period. It examines each opera in detail, with an account of its dramatic and historical origins and a critical evaluation.
Le nozze di Figaro is one of Mozart's best-loved and most enduring works. It established the thirty-year-old Mozart as an opera composer of the very first rank. Its combination of wit, acute psychological observation and sublime music has enthralled audiences ever since its premiere in Prague in 1786.