In Britain today the output of excellent ceramics seems more eclectic than elsewhere. Drawn from the Diane and Marc Grainer Collection, this title presents a stylish and wide-ranging survey that comprises examples of clay art by one hundred major artists, covering the period from the late 1980s through 2009.
Scott looks at ceramicists who use clay as a canvas on which to paint as opposed to those who use paint to decorate their pots. Both Picasso and Miro have painted on clay, but today many more ceramicists are using clay as the canvas on which they can achieve their artistic aims.
Covers the various aspects of contemporary ceramic practice and includes work of all scales from a few centimetres in size to vast room-sized installations. With over 600 illustrations, this comprehensive survey is suitable for ceramists, students and collectors alike.
The use of wax, paper, clay and other materials to prevent the altering or contaminating of work surfaces is popular. This book discusses the techniques of masking and resist and gives guidance as to how best to use various materials and firing methods to achieve a wide range of finishes.
Looks at the ceramic surface in the context of the vessel and platter that includes the non-functional, the metaphoric, the narrative and the sculptural. It covers areas of methodology and techniques for making, decorating and firing, along with the full spectrum of clays and firing temperatures.
Bold, sophisticated, engaging, and startlingly modern, Buncheong ceramics emerged as a distinct Korean art form in the 15th and 16th centuries, only to be eclipsed on its native ground for more than 400 years by the overwhelming demand for porcelain. This work presents scholarship on Buncheong's history, manufacture, use, and overall significance.
Designed as a follow-up to Kiln Building", this book offers radical new ideas and different approaches to an old subject. The book is not intended to be a complete guide to building kilns, instead it provides basic essential guidelines for the beginner."
The Turkish pottery at Iznik, ancient Nicaea, supplied the Ottoman court with luxurious vessels and splendid tiles to decorate newly founded palaces, mosques and other buildings. This book illustrates examples that are drawn from the British Museum, acknowledged to have the collection of Iznik in the world, including the famous Godman Bequest.
Plates and chargers can serve as more than just places to put your food: they can be glorious art to show off on a table, sideboard or dresser. This title features 500 pieces that range from the utilitarian yet beautifully glazed plate to dramatically decorated work and they're crafted from a variety of materials - including pristine porcelain.
Well-known and respected within the ceramics community in Britain, Hazel Johnston's pottery displays a rare elegance and refinement. Existing at a confluence where the English studio pottery tradition meets early modernism, combined with a quiet Asian influence, the work has an unforced naturalistic quality of breathtaking purity and simplicity.
Macro-crystalline glazes present a difficult challenge for a potter. In this manual, Peter Ilsley reveals his researches and techniques in practical detail, and 13 other potters tell how they have met the challenge of crystals. There are colour pictures of crystal pots, old and new.
Presents some of the best figurative studies created by more than 250 contemporary ceramists from around the world, spanning a multitude of artistic styles, from realistic to abstract, representational to surreal, and starkly minimalist to flamboyantly narrative.
Paper clay is easy to use, as it is much stronger and will take much more abuse than normal clay. It is extremely strong in the unfired state which means changes and repairs can be made at almost every stage of the making process. This 2nd edition features images in colour, and a chapter explores the possibilities of large-scale work in depth.
Redefining his artistic career as a skilled potter, master draftsman, and accomplished china painter, Kurt Weiser has created a singular body of work that provides insight into the mind. This work presents an artist's journey that mirrors the evolution of American studio ceramics since 1975.
Large-scale ceramics demand a number of considerations that do not concern most ceramicists: kiln size, assembling, weatherproofing and installation are some of the things that must be taken into account. This book discusses these issues as well as giving advice on obtaining and handling commissions.
Kate Malone is a ceramic artist. In the first part of this study, Kate and her co-author discuss her work. In the second part, Kate discusses her techniques, the difficulties of making large ceramics, crystalline glazes, studio practice and the practicalities of taking on public commissions.
This ground-breaking book looks at the use of ceramic art as a confrontational tool, where artist's work comments on social issues. It is essentially a massive overview of the ceramic scene from this perspective, showcasing typical pieces of work by ceramic artists alongside their statements explaining their approach.
After years in the doldrums, there has been a resurgence of interest in the figurative ceramics among artists, galleries and the public. In this work, well-known ceramic artist Michael Flynn looks over the past 25 years and selects 100 of the most important artists working with ceramic figures.
Ceramics have kept pace with - or even led - new movements in art. This book covers Europe, Scandinavia, Russia, the USA and Japan, and appraises the work of exceptional individuals - including Taxile Doat, Bernard Leach, Isamu Noguchi, Hans Coper, Lucie Rie and Pablo Picasso.
Shoji Hamada was one of the key figures behind the development of studio pottery in the 20th century. Awarded the Order of Culture by his native Japan, his influence was also felt in both England and the USA. This book profiles the work of the artist and the legacy he left.
A step-by-step guide to repairing pottery and porcelain, from a simple plate to a complex figurine. It gives advice on materials to use, methods and techniques of joining, and how to disguise the join afterwards. The guide also covers how much work to do in terms of conservation and restoration.
Fantasy took over his life, in a world of battles ruled by his teddy bear, Alan Measles. Here, he tells his own story. Early childhood in Chelmsford, Essex is a rural Eden that ends abruptly with the arrival of the violent milkman who becomes his stepfather, leading to constant swerving between his parents' houses.
A discussion of painted vases. This book uses examples to explore the archaeological use of vases as chronological indicators, the use of the various shapes, their scenes of myth and everyday life and what these tell us, the way in which we think about their makers, and how they are treated as museum objects and archaeological evidence.
While imported Chinese porcelain had become a valuable commodity in Europe in the 17th century, local attempts to produce porcelain long remained unsuccessful. At last, the secret of porcelain was uncovered, and in 1710, the first European porcelain was manufactured in Saxony. This illustrated book explores the early years of Meissen porcelain.
Collects the breadth and range of ceramic techniques. This title includes a guide to forming techniques, from pinch, coil, slab and wheel to mold-making, slip casting and extrusion, with sections on slip decoration, embossing and glazing, glaze recipes and applications.
This book is considered the ultimate book in this area because it covers all kiln types including gas, wood, oil, electric and various combinations, as well as being packed with plans, drawings and advice. It covers everything you need to know about kilns.
A guide to the scientific principles involved in firing kilns for potters. The structure of fuel burning kilns are discussed, as are the processes involved in firing materials, in an attempt to aid the artist in predicting the effects the process will have on an object. The author also covers some problem diagnosis tips.
This book is aimed at those in ceramics who wish to move into print and transfers. Printmaking allows reproduction of both photographic and 'hand drawn' imagery, pattern and text onto the surface of two and three-dimensional ceramic objects through the creation of transfers.
Using middle-range temperatures (cone 6) to fire pottery has advantages and disadvantages. In this work, the author details developments in firing at this temperature. He also discusses: glazes (including special effects), brush on glazes, coloured slips, and glaze stains, including recipes.
The beautiful qualities of porcelain and bone china have fascinated patrons, collectors and makers alike for centuries. The two materials are often perceived as one and the same clay, for they both possess qualities of whiteness, strength and translucency.
Ceramics from this era have always been prized by both Asian and Western collectors for their purity of form and glaze, and their inventiveness of decoration. Admired in China since the thirteenth century, they are still avidly collected throughout the world today.
One of the most important ceramic concerns in Staffordshire in the early nineteenth century, examined here for the first time. This book presents entirely new research which identifies a long-forgotten factory, the wares of which have been generally admired but were previously unattributed.
Presents an illustrated guide to the provenance, technique, history, and ancient traditions of Chinese ceramics. This book appeals to collectors, connoisseurs and students of Chinese ceramics, as well as to those with an interest in Asia's cultural heritage.
A textbook on ceramic technology and a chronicle of the developments made by the European Ceramic Work Centre (EKWC). It is a practical book which looks at materials, methods and equipment, using the results of various artists' projects to illustrate the text.
This book not only shows how to use a clay extruder but also how an international group of artists have taken what is an industrial tool and used it to provide work of an extremely high quality. It is useful too for the production of clay objects that can be decorated by handicapped people
Presents a comprehensive history of ceramics from Islamic lands. This book provides a whole framework for the understanding and study of Islamic ceramics. It is of great interest to the general reader, as well as being a useful reference work for students and specialists.
Clearly explains and demonstrates the techniques involved and shows how they can be adapted for the studio workshop. Examples of the work of an international group of artists are used to illustrate the breadth and versatility of the work that can be created. The images in this second edition have been updated to colour.
Intended as a general introduction to Italian Renaissance ceramics - each piece illustrated is chosen from amongst the finest and characteristic of the major centres of production including Florence, Siena and Urbino. The techniques and processes of Renaissance Maiolica are briefly discussed.
Mould making used to be thought of primarily as an industrial technique. However, artists in many fields are finding it a useful tool in creating their works of art. This guide explains how to make and use moulds of varying complexities, for both industrial and artistic use.
In this book, Gwen Heeney shows that what was once an industrial technique - brickmaking - now holds an interest for many ceramic artists, due to a growth in architectural ceramics since the 1990s. Practical advice about tools, firing and transport is covered as well as finished projects.
A dictionary of materials and techniques for craft potters. It covers the sources and character of materials, the behaviour of clays and glaze materials during forming and firing processes, forming methods and glaze construction, and explanations of terminology and historical developments.
A reference for all ceramic artists and designers, packed with information and glaze recipes. Each of the glazes is reproduced pictorially so that readers can see the colour and surface responses it has to offer, and each is accompanied by a brief description, the firing range, and suggested uses.
This book is a handy guide to setting up a pottery workshop. It covers not only fundamental questions such as types of premises, design and layout of the workshop, equipment and materials, and how to make simple tools, but also questions of marketing and promotion, legal considerations and finance.
Fourth revised edition contains articles on new trends such as paperclay, the use of print and mixed media are included as well as a lot of material on decorative terminology not found elsewhere. New photographs and illustrations make this a handy reference book for all potters.
Hessenberg looks at the wide range of ceramics - pots, statues, tiles, fountains - that can be used in gardens and landscape design and discusses the problems inherent in the making of them for outdoors - installation, weatherproofing, vandalism while still producing attractive pieces of work.
This handbook covers the complications of making lights and fountains. Combining an attractive design in clay with the technicalities of electricity and pumps is actually quite difficult, and this handbook aims to explain and simplify for the beginner.
A manual of how to install your electric kiln and what to do if something goes wrong with it. This book is also a guide on how to make the best use of your kiln to achieve the effects you want. It mostly deals with oxidation but there is also a section on reduction firing.
Mastering clays and glazes is a feat of both art and science, and navigating everyday issues in the pottery studio requires an understanding of both fields. Whether choosing a high-fire clay or applying a high-impact engobe, this title explores the art and science of ceramics.
Written by two leading conservators, this title explains the various stages of the conservation process. Step-by-step instructions and examples show how staining may be removed, cracks stabilized, pieces rebonded, moulds taken, areas retouched, lustres applied and gilding restored.
This beautiful book tells the story of Chinese ceramics exported to Europe, the Middle East and South-east Asia from the 14th to the 19th century. Superb new photography reveals over 200 stunning pieces and illustrates the extraordinary range of styles and decorative patterns of Chinese export porcelain.
This book is aimed at the beginner through to intermediate level offering a complete course in pottery. The book is structured in an easy way following the whole process from start to finish, and using clear step-by-step images to help guide the reader throughout.
Showing how to combine other materials with ceramics, this illustrated handbook examines the best methods of combining and fitting these materials together - including some inside the kiln. Covering the practicalities and specific problems that occur when trying to put different materials together, it uses many contemporary artists' work.