The 17th and 18th centuries saw a 'flowering' of botanical illustration and witnessed the production of some of the greatest books of plant illustration ever produced. In this lavishly illustrated new book, Celia Fisher has selected over 100 of the most beautiful flower images from this period.
Jean-Honore Fragonard was a French painter whose manner is distinguished by remarkable facility, exuberance, and hedonism. His series of works known as the 'Allegories of Love' display an atmosphere of intimacy. This volume presents an analysis of the compositions, iconography and sources of the Allegories in their historical and artistic context.
Investigates the financial worlds of painters in Baroque Italy. Exploring the many variables that determined the prices asked or received by painters, this book offers major insights into the social lives, psychological disposition, and economic circumstances of a wide range of major and minor artists.
A study of the satirical print in seventeenth-century England from the rule of James I to the Regicide. It considers graphic satire both as a particular pictorial category within the wider medium of print and as a vehicle for political agitation, criticism, and debate.
The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the Wurzburg Residenz in Germany and the Royal Palace in Madrid. This book states that Tiepolo was more than a dazzling intermezzo in the history of painting.
The 18th century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the Wurzburg Residenz in Germany. This work states that Tiepolo was more than a dazzling intermezzo in the history of painting.
Sir Thomas Lawrence (1769-1830) was the pre-eminent portraitist of the Regency period. This book explores Lawrence's political friendships and allegiances along with his exceptional role as witness to significant historical events and contrasts these with his remarkable ability to depict the charm and innocence of childhood.
Brightly hued, highly finished, and relatively large in scale, pastels in the 18th century were regarded as a type of painting and displayed like oils. This is a companion book to an exhibition at the Metropolitan Museum, that presents over 40 exquisite works by French, Italian, English, Swiss, and American artists.
The art of Spain and Spanish America during the seventeenth century is overwhelmingly religious - it was intended to arouse wonder, devotion, and identification. This book argues for a fundamental reappraisal of the cultural role of the Church based on an analysis of the specific devotional and ritual contexts of Spanish art.
In response to conquests in mid-18th-century wars, Britons developed a keen interest in how their colonies actually looked. This book examines the country's early imperial landscape art from a comparative perspective. It offers an historical analysis of how British visual culture entwined with the politics of colonization.
Tells the story of five painters at the centre of events in Revolutionary France: Jacques-Louis David and his first cohort of precocious pupils, including the meteoric Jean-Germain Drouais and the gifted but deeply troubled Anne-Louis Girodet. This book interprets in a way the relationships between these men and the paintings they created.
Jean-Baptiste Oudry (1686-1755) was one on the most popular artists of his generation, working not only with paints but also as a tapestry designer and highly respected illustrator. This volume focuses on the series of life-size portraits he painted of the animals in Louis XV's royal menagerie at Versailles.
The 18th-century painter Johan Zoffany (1733-1810) was an astute observer of the many social circles in which he functioned as an artist. This catalogue investigates his sharp wit, shrewd political appraisal, and perceptive social commentary - all achieved while presenting his subjects as delightful and sophisticated members of polite society.
Presents an overview of the development of Neo-classicist and Romantic art in Europe and North America. This work discusses European painting between two revolutions: the development of painting in France from Jacques Louis David through to Jean-Auguste-Dominique Ingres and his antipode, Eugene Delacroix.
A catalogue that presents 135 paintings - works by artists from England, Ireland, Scotland, and Wales. It includes portraits from the famed War Gallery created by English painter George Dawe, who was awarded a prestigious commission to produce more than 300 images of Russian generals for the Gallery of 1812 in the historic Winter Palace.
In past centuries the romantic myth has arisen that Rembrandt had a special bond with Jews. In his paintings and etchings people sometimes even saw traces of Jewish mysticism (Kabbalah). This title unravels this myth using examples that have played a major role in promoting this.
Known primarily as a great painter, Bartolome Esteban Murillo (1617-1682) was also one of the best draftsmen of the 17th century. Although his devotional paintings seem to have been created effortlessly, they are the result of careful thought and study. This title presents the catalogue of his works.
A study of portrait miniatures in enamel from the Gilbert Collection. It proceeds from 17th-century portrait miniatures by German, French and Swiss enamelists to late-19th-century examples by Henry Bone and other English artists. It includes discussion of their techniques and tools.
Hendrick Avercamp (1585-1634) was the first artist to specialize in painting winter landscapes that feature people enjoying themselves on the ice. Scenes of skating, sleigh rides, and outdoor games on frozen canals and waterways bring to life the energetic pastimes and day-to-day bustle of the Golden Age.
Golden accompanies the first major exhibition in the United States of one of the finest private collections of 17th-century Dutch and Flemish paintings in the world. This title represent a wide range of subjects such as land and water, cityscapes and landmarks, still lifes, foreign travels, and burghers, peasants, and painters.
The British Museum collection of delftware, which was established in the later part of the 19th century, is one of the finest in the world. It is especially notable for the number of pieces bearing dates and for those which document historical personages and events. This book features 120-150 items from this extensive collection.
Claude Lorrain (1604-82) is known as the father of European landscape painting. This book, which accompanies a major exhibition of Claude's work at the Ashmolean Museum, Oxford and the Stadel Museum, Frankfurt, sets out to re-appraise his work and look at it through fresh eyes.
Illustrated with images of fine and decorative arts objects in the White House collection related to George Washington and his presidency, including personal possessions, portraits, paintings, sculpture, documents, ephemera and commemorative objects - symbols not only of the man but of the nation that revered him.
Benjamin Franklin caused a sensation when he arrived in Paris in December 1776 seeking support for America's struggle for independence: artists scrambled to portray him. The best-known image of Franklin was first conceived in 1778 by Jean-Antoine Houdon. This title investigates the making of Houdon's 1779 marble bust of Franklin.
Part of the TASCHEN's "Basic Genre" series, this work talks about the 18th century's Neoclassicist movement. With its white marble sculptures, inspired by the art of the ancient world, this movement has helped Greek art to remain vivid in our memories.
A study of painting in Italy during the 17th and 18th centuries, including the works of "minor" artists such as Ferrau Fenzoni and Francesco Foschi. The collection begins and ends with two great paintings - Caravaggio's "St Catherine" and the "Death of Hyacinthus", by Giambattista Tiepolo.
Reaching an apogee of 6, 000 members in the years just before the American Civil War, the Shaker movement was the most enduring, and successful utopian society established in America. This book presents an array of fine examples of Shaker furniture, household objects, textiles, religious drawings, and items made to sell to the 'world's people'.
Details some 750 titles. This work provides sections on newspaper mastheads, book cover designs, copy-book covers, maps and large single prints. It is suitable for the Bewick aficionado, book historian, historian of popular art in the eighteenth century, and also for the provincial printing enthusiast or admirer of engraving on wood or on copper.
Examines the Society of Artists of Great Britain from its origins to its demise in 1791. This book looks at the politics and personalities behind the public exhibitions to uncover the profound impact on the history of British art. It analyses the motivations behind the exhibitions and explores the competing interests that shaped their development.
Offers the first-ever historical descriptions of the foundation of the "Museo Profano" inside the Vatican in 1761. Using the palace records from the Vatican's Secret Archives, Ruprecht demonstrates that the Vatican museum was the brainchild of J.J. Winckelmann, the so-called father of Art History.
Offers an opportunity to become acquainted with Jan Vermeer's paintings and with daily life in seventeenth-century Holland. In this work, readers will learn about the Golden Age of Dutch artistry, the culture and community of Delft, and how Vermeer revolutionized the style and content of portraits and still-lifes.
In the midst of a resurgence of pride in Ireland's history during the 18th century, William Burton, later Conyngham (1733-1796), strove to emulate his British counterparts in producing albums of engravings illustrating the beauties of the country's heritage. This catalogues more than 600 drawings, which he was known to have secured by about 1780.
In 1650, Jacob van Ruisdael (1628-1682) travelled to the border region of the Netherlands and Germany in search of inspiration. The result was a series of paintings of Bentheim Castle. This publication has been produced to accompany the exhibition 'Greetings from Bentheim, Jacob van Ruisdael' in the Mauritshuis, The Hague.
Antoine Joseph Dezallier d'Argenville (1680-1765) was so bewitched by seashells that he authored one of the world's most spectacular books dedicated to seashells. This title features engraved frontispiece based on a drawing by the King of France's principla painter, Francois Boucher (1703-1770).
At the age of seventy-two, Mary Delany, nee Mary Granville (1700-1788), embarked upon a series of nearly a thousand botanical collages, or 'paper mosaics', which would prove to be the crowning achievement of her rich creative life. This book reveals the complexity of her engagement with natural science, fashion and design.
Provides an invaluable insight into the workings and mentality of late Georgian society, as seen through the eyes of renowned satirist Thomas Rowlandson.Coincides with the exhibition of the same name at the Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, January 14th, 2011 - March 13th, 2011.
View-painting in eighteenth-century Venice began with the emergence of Luca Carlevarijs and ended with the death of Francesco Guardi in 1793. This title presents an overview of the artists then working in the city, and draws on the latest research and scholarship to illuminate the complex stylistic relationships between them.
This series isolates authentic works from the great volume of Rembrandt-like paintings produced by his pupils and followers. The fifth volume covers his small-scale history and genre works, revealing fresh understanding of the painter's artistic evolution.
The brilliant age of Louis XIV saw the creation of a collection of unusually large prints - some of which measure as much as fifteen square feet when assembled. This title presents a survey of the print works of Charles Le Brun, and court painter to Louis XIV.
Features a list of wallpaper manufacturers in all their various guises; stationers, paper stainers, paper hanging manufacturers, paper hangers, even Thomas William Paul fancy cabinet maker & paper stainer. This book also describes the manner in which wallpaper was printed using hand-carved wooden blocks.
George Stubbs is rightly recognised as one of the greatest and most original artists of the eighteenth century. This is the catalogue of Stubbs' paintings and drawings. The catalogue entries are preceded by a study of Stubbs' art and career that sets his work in context.
Despite his untimely death in 1667 at the age of thirty-seven, Gabriel Metsu left a substantial oeuvre of history paintings, portraits, still lifes, and a large number of exquisite genre scenes. This book presents the information for Metsu's life and his network of connections, and details the complete range of his work.
Presents a study of Georgian easel painting in connection with Russian and European art. This book defines basic artistic and stylistic tendencies of Georgian easel painting in relation to its contemporary Russian and European painting on the basis of the application of typological and comparative methods.
This book explores the development of artists' biographies in the cultural context of eighteenth- and early nineteenth-century Britain. It argues that the proliferation of a myriad biographical forms mirrored the privileging of artistic originality and difference within an art world that had yet to generate a coherent 'British School' of painting.
The 35 paintings that have come down to us from the hand of Jan Vermeer (1632-1675) place him beside Rembrandt and Frans Hals as one of the great masters of the golden age of Dutch art. This book features Vermeer's pictures showing middle-class women about their daily business.
The seventeenth century was the beginning of a new era of commercialism, in which artists increasingly catered to affluent collectors. This title highlights the most important artists, works, concepts, and theories of the period, accompanied by 400 full-colour illustrations.
In the sixteenth century, the humanist values and admiration for classical antiquity that marked the early Renaissance spread from Italy throughout the rest of the continent. Part of the "Art through the Centuries" series, this volume is divided into three sections that discuss the important people, concepts, and artistic centres of this period.
A collection of around sixty watercolour engravings produced during the reign of Louis XIV. It allows us to familiarise ourselves with some of the plants brought back from distant lands, and to understand the contribution they made to scientific research, as well as their beneficial properties.
In the latter half of the 18th century, Johannes Wiedewelt (1731-1802) played a pivotal role in introducing an early form of Neoclassicism in Danish sculpture, by creating a large number of monuments for many different purposes. This book aims at reassessing Wiedewelt's role in the service of art, art theory, academic education, and design.
When Napoleon I first came to power in 1799, in order to glorify his regime, he encouraged French furniture-makers, silversmiths, jewelers and porcelain and textile manufacturers to produce gorgeous objects, which were produced in antique styles. This manner came to be known as the Empire Style. This book is a compendium of the Empire Style.
While the Baroque style had dominated the previous century, a new sensibility - the Rococo - emerged during the early 1700s. The Rococo style, characterized by delicately curving forms, pastel colour, and a lighthearted mood began in French architectural and interior design. This book explores artists and artistic concepts of the 18th century.
As the favoured artist of an enterprising Parisian elite, Robert is a prophetic case study of the intersection between aesthetics and modernity's dawning business culture. This study interprets Hubert Robert's paintings of urban ruins as manifestations of a new consciousness of time.
John Martin (1789-1854) is one of the most extraordinary figures in British art. His large-scale, dramatic paintings, encompassing catastrophe, war, apocalypse and nature on an epic scale, were the disaster movies of their day, connecting with a wider and diverse audience. This title presents a comprehensive reassessment of Martin's career.
Presents the seven known panels, 60 paintings, drawings, and prints by Rembrandt and his pupils. This title includes essays that offer insights into the production of panels and their relationship to other works in Rembrandt's oeuvre; how he changed the meaning and status of the canonical image of Christ in northern European art; and much more.
This text explores key motifs of style in the design of Palladian villas in early Georgian England, such as Marble Hill and Stourhead, and in 18th-century America. The book incorporates the decorative arts, and developments of consumer products of the period.
Emerging out of Baroque as a more relaxed style, Rococo was dominant in interiors, decorative art, and painting throughout Europe in the 18th century. With sentiment and emotion prevailing over reason, Rococo was a dramatic and theatrical style. This book contains a selection of the most important works pertaining to this style.
Features caricatures of the famous and the unknown, including: Adam Smith, James Hutton, Vincent Lunardi in his balloon, Lachlan McBain, a roasting jack vendor, Lord Monboddo, the skating minister, Robert Johnston and Sibilla Hunt, the most corpulent shopkeepers in Edinburgh, Margaret Sutter, a hawker of salt, Deacon Brodie, and, Henry Dundas.
Gabriel Metsu (1625-1667) employed an unusual variety of styles, techniques, and subjects, making him a particularly difficult artist to characterize. This book offers a portrait of the age through Metsu's patrons and his wide network of contacts and colleagues in Amsterdam, as well as analysis of Metsu's technique as a draftsman and as a painter.
Offers a catalog raisonne of the collection of over 300 British watercolours and drawings in the Lady Lever Art Gallery, which holds the decorative arts collections in the United Kingdom. This book illustrates the flowering of British watercolour school in the 18th century and follows its development through the 19th to the early 20th centuries.
Rembrandt used the achievements of his teachers, predecessors and contemporaries to develop and realise his own artistic aims and abilities, and it was to these too that he owed his basic artistic impulses. This book deals with his images and metaphors.
Examines Joseph Wright's remarkable impact on the artistic climate of the city of Liverpool, on its cultural institutions, and on the other artists working there. The Merseyside network of merchants, bankers, and amateur and professional artists that Wright encountered in the years around 1770 is identified as his true historical milieu.
Examines the making of the first modern catalogue - La galerie electorale de Dusseldorff. This book showcases this one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum.
This book traces world journeys of early modern visual images from Europe to distant parts of the world - India, Japan, China, Brazil, Chile - and their return, altered but still recognizable, and ready to be reused with an awareness of their recent travels.
Provides an account of changing attitudes to religious art from the Reformation and Counter-Reformation, and through the Enlightenment. This book explores the motivations of private collectors and how they exhibited their pieces and analyzes changing Catholic and Protestant attitudes toward art.
Presents an informative introduction to the tradition of French landscape painting. Featuring full-colour illustrations, this title highlights the key moments of the French landscape tradition from its emergence in the 1600s to its pre-eminence in the 1800s.
Presents a critical analysis of the visual representation of Canadian children since the seventeenth century. Recognising the importance of methodological diversity, this title discusses understandings of children and childhood derived from depictions across a wide range of media and contexts.
Tells the story of portrait-painting by Indian artists from the 16th to the 19th century. Beginning in the Mughal court under emperor Akbar and encompassing portraiture in the Rajput courts and the Company period, this title explores the role of portraiture in India, and the development of styles, techniques and subjects.
Hugely popular in their own time, the 'Dutch Italianates' fell out of favour in the late 19th and early 20th centuries. However, for the founders of Dulwich Picture Gallery, they were names to mention in the same breath as Rembrandt and Ruisdael. This book celebrates Dutch Italianate vision, and also tells the story of Dulwich Picture Gallery.
Precisely rendered to dazzle the eye with their botanical accuracy, the sumptuous arrays of fruit and flowers by Dutch painter Jan van Huysum (1682-1749) were among the most avidly collected paintings of the 18th century. This little book explores two of Van Huysum's most important still-life paintings, Vase of Flowers and "Fruit Piece".
Part of a series of guides to the National Gallery's collection. Following the success of "The National Gallery: Manet to Picasso", this book focuses on 38 masterpieces of Dutch painting, all made between 1600 and 1740. It addresses the formation of the collection and development of Dutch painting in what has become known as its 'Golden Age'.
Fully illustrated, this book on the "Black Paintings" is a controversial narrative that gives fresh interpretations of the artist's intention behind these grotesque works and shows how this period of Goya's work anticipated Surrealism and other aspects of 20th century artistic vision.
Portraits and genre scenes by the great Dutch painter Frans Hals (1582/83-1666) are celebrated for their immediacy and dazzling brushwork. His dramatic compositions and bold brushwork brought his subjects to life in an unprecedented way. This book showcases eleven major works by Hals from the Metropolitan Museum's collection.
Offers a fresh consideration of the image of the sea in British visual culture during a critical period for both the rise of the visual arts in Britain and the expansion of the nation's imperial power. This work begins in the year 1768, which marks the foundation of the Royal Academy and the launch of Captain Cook's first circumnavigation.