'There was this terrible trough in the mid-70s: England didn't qualify forthe 1974 World Cup, Miss Hall our English teacher left school, and the Faces split.' Billy BraggDo you remember The Faces? The group that was born out of the ashes of the legendary sixties band the Small Faces, but with the addition of Ron Wood on guitar (later to join the Stones) and Rod Stewart on vocals. Last Orders, Please is the first biography of the band who have acquired legendary status in the annals of rock 'n' roll history. It's also a book about Britain in a forgotten era - the early seventies. Not the seventies of Glam Rock, Sweet and Gary Glitter, but the real seventies of the three day week, trade union strikes, blackouts, the IRA, steak, chips and warm beer. In these difficult times it was the Faces - a soulful, goodtime band who drank and played hard, who didn't dress to impress, but just got on with the job - that the working class adopted as its own. In the days before football was fashionable the Faces played soccer on stage on TOTP. In 1974 this was a near-political act that confirmed The Faces as truly a people's band, and they are still loved, and revered to this day.
Ever since the piano was invented, people have longed to own one. By the nineteenth century the big, unwieldy instruments were everywhere: they shrank in the heat of the colonies, swayed on steamships and sang in the drawing room of every genteel home. Some of these old pianos have become treasured family heirlooms, some just firewood. But others have led a more itinerant life, occasionally finding their way to a secret, glass-roofed workshop in Paris where they are lovingly restored by a piano repairer with a passion for his job.When T. E. Carhart came upon Luc and his atelier, his life changed. As he explored the Eldorado of pianos in Luc's back room, absorbed Luc's wisdom on life and music and finally found the baby grand of his dreams, he rediscovered his deep love for this most magical of instruments.In this wonderfully atmospheric book, full of Parisian life, the story of a musical friendship and a mutual obsession is intertwined with reflections on how pianos work, their glorious history and the people who care for them, from the most amateur pianist to the tuners and craftsmen who make the mechanism sing.
The charts are the evening news of the music industry. Collected here, they show the rapid rise or demise of each single as it enters the charts, either winning over a large audience or just making music for its own smaller group of fans. Top 40 Charts is required reading for every music buff, and for anyone else who'd like to know what song was number one on their birthday or any other memorable day.
With every Top 40 singles chart from 1960 to the present day, this is the definitive chart book. Includes the song title, act, record label and total number of weeks on chart for every single, as well as a detailed history of the pre-1960s charts,
Published using data from the Official Charts Company.
This essential and highly acclaimed guide, now updated and revised in its fifth edition, explains the possibilities and pitfalls of the British music industry, from the developments in new media, privacy, sponsorship and sampling to the expanding role of the internet and the dominance of digital music.
Drawing on her extensive experience as a media lawyer, Ann Harrison offers a unique, expert opinion on the deals, the contracts and the business as a whole. She examines in detail the changing face of the music business and provides absorbing case studies of huge stars such as Robbie Williams, Ms Dynamite and Elvis Presley. Fascinating, practical and comprehensive, this is the bible for the music industry and indispensable reading for any musical entrepreneur.
KOBBE'S COMPLETE OPERA BOOK has been the opera-lover's bible from its first appearance in its seventy-fifth year, it has been subjected to the most thorough revision in its history. THE NEW KOBBE'S OPERA BOOK has been redesigned and extended, numerous existing entries have been completely rewritten, and the book now incorporates some 200 new operas. The total number of works covered is now nearly 500, including important new works like John Adams' NIXON IN CHINA, Harrison Birtwistle's GAWAIN and Thomas Ades's POWDER HER FACE, and a number of half-forgotten works that are now undergoing revival. 46 new composers are featured. Lord Harewood's strongly individual commentaries, together with his unparalleled knowledge of and enthusiasm for opera, are complemented by substantial contributions from his co-editor Antony Peattie. The NEW KOBBE is a guide in volume to virtually every opera the reader is likely to come across.
When Donna Leon, the acclaimed author of the best-selling Commissario Guido Brunetti series, is not conjuring up tales of crime and corruption in Venice, she is listening to opera. Over the years, Leon has noticed that her favourite composer, George Frideric Handel, filled his operas with arias that make reference to animals; rich in symbolism, the perceived virtues and vices of the lion, bee, nightingale, snake, elephant, and tiger, among others, resonate in his works.
'People say I made the Stones. I didn't. They were there already. They only wanted exploiting. They were all bad boys when I found them. I just brought out the worst in them'Andrew Loog Oldham was nineteen years old when he discovered and became the manager and producer of an unknown band called The Rolling Stones. His radical vision transformed them from a starving south London blues combo to the Greatest Rock 'n' Roll Band That Ever Drew Breath, while the revolutionary strategies he used to get them there provoked both adulation and revulsion throughout British society and beyond. An ultra-hip mod, flash, brash and schooled in style by Mary Quant, he was a hustler of genius, addicted to scandal, notoriety and innovation. Brian Epstein had hired him to break The Beatles, but it was his thrilling work with the Stones that turned him into a legend and introduced sex and hype to an austere, conservative industry. A ferociously brilliant, near-mythical svengali-figure to many, a manipulative upper-class thug to others, he quickly established himself as the most mercurial and anarchic impresario of the decade.Stoned is Andrew Loog Oldham's astonishing story told in his own words, with contributions from Mary Quant, Pete Townshend, Vidal Sassoon, Nik Cohn, Lionel Bart and many other friends, colleagues and associates.
Born without social instincts many people take for granted, brought up in a troubled environment and possessed with an extraordinary musical talent, Mike Oldfield was thrust into the spotlight at the tender age of nineteen. His first album Tubular Bells went on to sell fifteen million copies worldwide and catapulted him into a stardom he was ill-equipped to cope with.
From growing up with an alcoholic mother, to his feelings of alienation and struggles with depression, this book takes Mike from his early years, through his staggering fame, his broken marriages, years as a recluse, his rebirth experience at a controversial Exegesis seminar and beyond. Mike Oldfield has been on a journey few of us could ever imagine, and offers a message of hope to anybody who feels they live on the edge of society.
1.-Love Me Do2.-From Me to You3.-She Loves You4.-I Want to Hold Your Hand5.-Can't Buy Me Love6.-A Hard Day's Night7.-I Feel Fine8.-Eight Days a Week9.-Ticket to Ride10.-Help!11.-Yesterday12.-Day Tripper13.-We Can Work It Out14.-Paperback Writer15.-Yellow Submarine16.-Eleanor Rigby17.-Penny Lane18.-All You Need Is Love19.-Hello, Goodbye20.-Lady Madonna 21.-Hey Jude22.-Get Back23.-The Ballad of John and Yoko24.-Something25.-Come Together26.-Let It Be27.-The Long and Winding Road
No other city in the world is as well known or loved for its vibrant and definitive musical history as Liverpool. In 2002, Guinness World Records: British Hit Singles voted Liverpool 'World Capital of Pop', recognising that Liverpool's homegrown talent has produced more number one hit singles per capita than anywhere else in the world. In 2008, Liverpool will celebrate its crown as European Capital of Culture.
Fifty years after Jetty Paerl took to the Lugano stage and burst into 'The Birds of Holland', the Eurovision Song Contest is still luring 450 million of us to the sofa on that special Saturday night in May. But where once we settled down to admire the 'top-quality original songwriting' that the contest was inaugurated to showcase, throughout the long post-ABBA decades Eurovision has come to entertain us for all the wrong reasons: we chortle at its magnificent foolishness, its stubborn reinforcement of the crudest national stereotypes, at a scoreboard shamelessly corrupted by cross-border friendship and hatred.
And as post-modern connoisseurs of showbiz meltdown, our focus has shifted from the blandly competent winners to the spangled, hapless, table-propping losers, those left to wander the lonely, windswept summit of Mount Fiasco. The gold standard of farcical failure, the benchmark of badness, to score nul points is to suffer international ignominy and find sympathetic understanding replaced by brutal guffaws.
Remorseful of his own longstanding contributions to the latter chorus, yet darkly fascinated with those lives shadowed by the entertainment world's most grandiose humiliation, Tim Moore sets off to track down the thirteen Eurominstrels who have come and gone without troubling the scorers since Norway's Jahn Teigen twanged his silver braces and leapt splay-legged off the Palais des Congres stage in 1978.
From Lisbon to Lithuania, from the Black Sea to the Baltic, Moore travels the continent to hear their extraordinary stories - 'poignant, ludicrous and heartwarming in almost equal measure' - recounting as he does so the no less improbable history of Eurovision itself, a towering cathedral of cheese that can nonetheless claim responsibility for keeping Norway out of the EU and catalysing the overthrow of a Portuguese dictatorship.
'The only plan right now is to kill everybody' Joey Jordison, drummerIgnoring every rule in the book and more besides, Slipknot are a notoriously controversial band who combine a talent for outrage with their music. Reminiscent of the outlandishness of punk, 'nu metal' has become the fastest growing area in rock, with Slipknot selling over 2 million copies of their debut album. And yet Slipknot spit, swear and risk injury night after night in their extraordinary live performances. Incredibly, their apparel of masks and boiler suits, which they refuse to remove, means that their fans still do not know what they look like. Jason Arnopp, the first British journalist to interview Slipknot face to mask, describes the transformation of the Des Moines crew into unorthodox mega stars. Featuring an introduction by the legendary Gene Simmons of Kiss, this biography will be the first published on the band either in the UK or America and will include exclusive interviews and in-depth information on the mysterious nine masked men.
From Spandau Ballet and Kajagoogoo to Half Man Half Biscuit and Guns and Roses, the 1980s music scene is here in all its glory. The OfficialUltimate 80s Pop Quiz will spark arguments at dinner tables and pub quizzes up and down the country. Questions include:
1) Who had a top five hit in October 1982 with 'Starmaker'? a) Bananarama b) The Kids from Fame c) Modern Romance
2) What was U2's debut number one single, a 1988 chart-topper? a) The Fly b) With or Without You c) Desire
3) Who had a No. 1 hit in 1980 with 'Working My Way Back to You
X-Factor judge, Louis Walsh, has managed acts such as Westlife, Girls Aloud, Shayne Ward and G4. He formerly steered Boyzone to chart topping success and also propelled Ronan Keating to solo stardom. Now he plans to guide other budding pop stars to superstar success with his Fast Track to Fame.
Louis has succeeded in notching up a staggering 28 number one singles through his stable of artists and has starred alongside Simon Cowell and Sharon Osbourne on X-Factor for three years. Now he is sharing his expertise with a new generation of pop wannabees.
Fast Track to Fame takes us through the A-Z of the music business (or from A is for Agents to X is for X-Factor) with the honest truth of how the pop industry really works. The book is peppered throughout with contributions and anecdotes from many of Louis's stars, stories of their own successes and setbacks, and lavishly illustrated with exclusive colour photographs. Essential reading for anyone, of any age, dreaming of becoming a star.
The Foo Fighters emerged from the morass of suicide and potent musical legacy that was Nirvana to establish themselves - against all odds - as one of the most popular rock bands in the world. Deflecting early critical disdain, Dave Grohl has single-handedly reinvented himself and cemented his place in the rock pantheon. This is his story, from his pre-Nirvana days in hardcore band Scream to his current festival-conquering status as a Grammy-winning, platinum-selling grunge legend reborn.
Across the seven Foo Fighters albums, the whole sordid yet legendary Nirvana tale, the pre-history in the nascent Seattle scene and right up to date via Grohl
When Shane, Kian, Mark, Nicky and Bryan celebrated the beginning of 2001 in true Irish style, they had no idea of the adventures that lay ahead. Eddie Rowley, co-author of Ronan Keating's bestselling autobiography Life is A Rollercoaster, followed Westlife on their biggest ever world tour. From Dublin where they attempted their first dance routine ('look lads, no stools') via Wembley to the Far East, it was a mad whirl of hotels, screaming girls, late night parties and McDonald's hamburgers. It was their most expensive tour ever, and certainly the most exhausting! Along the way we witness the ups and downs of the boys' lives in the sometimes dangerous, sometimes lonely goldfish-bowl world of pop. And through it all we get to see in unprecedented detail the true personalities that make up the phenomenon that is Westlife. A rip-roaring read and the most penetrating look yet at the UK's most successful boy band- ever.
In this fascinating dual biography the eminent musicologist Stephen Citron takes on our two leading contemporary contributors to the lyric stage. His aim has not been to compare or judge one's merits over the other but to trace, through their works and those of their contemporaries, the path of and changes to the musical as an artform.Citron offers a unique insight into each artist's working methods, analysing their scores - including their early works and works-in-progress. As with Citron's other critically-acclaimed books - lives of Noel Coward, Cole Porter and Oscar Hammerstein - significance is given to the impact that their yourthful training and private lives have had upon their amazing creative output. Beginning with Sondheim's lyrics-only works, such as West Side Story and Gypsy through his scores for Company, A Little Night Music, Sweeney Todd, Sunday in the Park and Passion, all these milestones of musical theatre are explored. Lloyd-Webber's musical contribution, from his early work The Likes of Us to Jesus Christ Superstar, Evita, Cats, The Phantom of the Opera, to Whistle Down the Wind is also thoroughly analysed.Sondheim & Lloyd-Webber is essential reading for anyone interested in the contemporary theatre.
Black Sabbath are one of the most outrageous yet longest-lived bands in the history of rock 'n' roll. This informative, idiosyncratic and beguiling book paints a vivid picture of their colourful early history - interwoven with all the most crucial news stories of the time: from Vietnam to Bloody Sunday and the space programme.
Where Rat Salad diverges from routes taken by most rock biographies, however, is in its detailed analysis of the band's first six albums. These chapters - think Ian MacDonald's Revolution in the Head meets Spinal Tap - occupy about half the book and persuasively explain the appeal of the music, its compositional artistry and its frequently audacious inventiveness.
Original and passionate, Rat Salad embraces a remarkably diverse cast of characters - from Ozzy Osbourne himself and the other members of the band through to Edith Sitwell, Breugel the Elder, John Milton and Doris Day. The author's hand looms large in the piece. We see him both as a boy and man - from schoolboy ingenue to inveterate devotee - as he looks back at a life populated with love, sex, drugs and death played out against a backdrop of crucifixes and power chords.
The Swinging Sixties, the trashy Seventies, the money-grabbing Eighties.... . there is a neat bunch of cliches for every era. But the Nineties' What the f**k was that all about? The Nineties has been an ongoing pop war -- a battle between nostalgia and experimentalism. It has been a decade where every shade of option has been stretched to the extreme. And all the time pop has mirrored this beautifully turbulent decade. In this book, John Robb will be running with zeitgeist and shooting from the hip. Writing from the middle of the maelstrom -- dropping E's in the middle of the acid-house explosion; observing the epock-moulding Manchester scene; sharing a hot, humid night with Nirvana as the first journalist to interview the group wjose influence would dominate the decade. He watches the return of the rock festival and the rise fo Oasis from mouldy backroom rehearsals to the stadium rock of Maine Road. Riot Grrrls, Trip Hop, Big Beat, Jungle, Speed Garage, the Glasgow Underground. There is far too much to include here! But Robb also takes in the other aspects of Nineties pop culture, from the fall of the Berlin Wall (he was there) to the new technology; from the death of politics to Girl Power; from TV talk show (as a former star of the Vanessa show.... . ) to the incredible rise of the combat trouse. Get strapped in for a wild ride.
Containing primary interviews with all the band members and Iggy himself, as well as other key characters, this biography provides a collection of exclusive and captivating eye-witness accounts of this most important of rock bands.
The influence of The Stooges on the world of punk and rock
Born and raised in a council house on Birmingham's notorious Balsall Heath under the watchful eye of their staunchly socialist, folk singer father, Robin and Ali Campbell were to become members of the most successful reggae band in the world, a career that has spanned four decades.
But this is not the autobiography of a pop band legend, but rather the story of two working class brothers crashing and burning and fighting back against the odds. It is the story of growing up in the 1960s to the sounds of Motown and ska, folk music and skiffle and radical politics and - most importantly - the new and infectious sound reggae that was to capture the ears of these two teenage kids from the Midlands.
Instilled by their father from an early age to always do things their own way the brothers - in between dead end jobs and the dole office - put together a band that would show Balsall Heath what reggae was all about. Mismanagement, drink, drugs, divorce, paranoia and jail terms would dog the band and threaten to destroy it all - including the brother's relationship and yet they come to amass record sales in excess of 50 million, with nearly 50 hit singles to their credit - from 'Red Red Wine' and 'Don't Break My Heart' to 'Homely Girl' and 'I Got You Babe'.
Music: Facts and Trivia is the book you've been looking for. A massive compendium of intriguing, unbelievable, absurd, surprising and shocking facts from the world of music. This fun and infromative book is an easy-to-read goldmine - dipping into it will delight music lovers, fact-finders and anyone excited by a passion for miscellany.
This is the remarkable story of how the Glastonbury Festival, that started as a party in a Somerset field in the 1970s, went on to become one of the world's most famous music festivals.
The tales are told in the words of everyone involved with the festival, from Michael and Emily Eavis and Arabella Churchill to Glastonbury village residents and local policemen. There is also a wealth of celebrity contributions: we hear from David Bowie, Normal Cook, Fran Healy, Chris Martin, Billy Bragg and John Peel, to name just a few.
It adds up to a fascinating slice of popular history, telling the full story of this much loved festival.
'I WAS THERE WITH THESE TWO GIRLS ONCE; THEY WERE STRIPPERS. THEY SAID 'DAVE, WE'D LIKE YOU TO GO UPSTAIRS, THE TWO OF US, WITH YOU. ' SO I SAID, 'OKAY'. IT WAS ANGUS, AND IT WAS HOT AND SWEATY AND HUMID, AND WE COMMENCED TO DELIVER THE GROCERIES AT 138 BEATS PER MINUTE OR MORE. ONE OF THE GIRLS HAD $1500 IN SINGLES AND FIVES AND TENS, HER END-OF-THE-WEEK TIPS AND PAY AND EVERYTHING IN HER G-STRING. NOBODY NOTICED, YOU KNOW, WHEN THE G-STRING CAME UNDONE -- WELL, I NOTICED -- NOBODY NOTICED THE MONEY, LIKE, FLOATING AROUND. I WOKE UP AT SOME POINT AROUND DAWN, THE TWO OF THEM WERE ASLEEP, AND ALL THREE OF US WERE COVERED WITH MONEY, EVERY SQUARE INCH OF SKIN HAD A DOLLAR BILL PASTED TO IT -- THERE WAS NOTHING BUT. THE WHOLE BED WAS COVERED WITH BILLS. OUR BODIES WERE COVERED WITH BILLS. THERE WAS BILLS IN MY UNDERWEAR. TAKE A LITTLE PICTURE OF THAT. ' So begins perhaps the ultimate rock autobiography. Throughout the late-seventies and eighties Van Halen were the archetypal American rock group. Whats more they were also the highest paid band in the history of show business, taking a cool $1 million for a night's work at a festival in 1983 and making the Guiness Book of Records.
Stephen Colegrave and Kevin Harris have turned their years of experience working in the music industry into the definitive guide to its every aspect. From creating your own white label to negotiating a multi-million pound contract, from a Saturday job at your local HMV to becoming MD of BMG, it's all here. This will be the first edition of an annual series. With yearly editorial and listing updates, it will become to the music industry what The Writers and Artists Yearbook is to the publishing industry. With interviews from key people in the industry as well as predictions for the future and comment on past trends, this will be a unique and indispensable yearbook. Each section will be led by an informative editorial, followed by tips on how to work in the industry and accurate up-to-date listings.
Black Sabbath are one of the most outrageous yet longest-lived bands in the history of rock 'n' roll. This informative, idiosyncratic and beguiling book paints a vivid picture of their colourful early history - interwoven with all the most crucial news stories of the time: from Vietnam to Bloody Sunday and the space programme.
Where Rat Salad diverges from routes taken by most rock biographies, however, is in its detailed analysis of the band's first six albums. These chapters - think Ian MacDonald's Revolution in the Head meets Spinal Tap - occupy about half the book and persuasively explain the appeal of the music, its compositional artistry and its frequently audacious inventiveness.
Original and passionate, Rat Salad embraces a remarkably diverse cast of characters - from Ozzy Osbourne himself and the other members of the band through to Edith Sitwell, Breugel the Elder, John Milton and Doris Day. The author's hand looms large in the piece. We see him both as a boy and man - from schoolboy ingenue to inveterate devotee - as he looks back at a life populated with love, sex, drugs and death played out against a backdrop of crucifixes and power chords.
When Sam Cooke was shot dead in a cheap motel in Hollywood, he was one of America's most successful pop stars. He left a world in which he had been born poor and had become very rich from the success of such records as 'You Send Me' and 'A Wonderful World', yet his body lay unrecognised in a morgue for two days. This biography follows Cooke's life in a racist America where his voice was one of the first to reach beyond the segregated audiences and command a white following, Cooke himself becoming a player in the fledgling civil rights movement. This award-winning biography is a full and sometimes shocking story of a man whose songbook is revered by great performers such as Otis Redding, Rod Stewart and Aretha Franklin.
6 july 1957; St Peter's parish church, Woolton; a garden fete; an unlikely venue for rock'n'roll revolution, but, at 4:15pm. a performance by schoolboy skiffle band the Quarry Men (later rechristened Johnny and the Moondogs, then the Silver Beetles and finally.. . well, you know who) will alter the course of musical history. Do You Want to Know a Secret? takes a trivia-tastic look at the Beatles' life and legacy: from strange-but-true facts to urban myths shattered; from legendary readio and TV apperances to what you can hear if you listen really closely to their recordings; from improtant figures in the Beatles' lives to rampant surrealism in their lyrics. It's all here - the drugs, the madness, the MBE's.. . but above all the music. Packed with fascinating and offbeat facts and trivia, Do You Want to Know a Secret? is an accessible and original guide to a 1960's popular beat combo who just happened to change the world of music.. . forever. And a splendid time is guarenteed for all. This is an unofficial guide and was researched and written without the direct involvement of any of the members of the Beatles or their estates.
Ever since the piano was invented, people have longed to own one. By the nineteenth century the big, unwieldy instruments were everywhere: they shrank in the heat of the colonies, swayed on steamships and sang in the drawing room of every genteel home. Some of these old pianos have become treasured family heirlooms, some just firewood. But others have led a more itinerant life, occasionally finding their way to a secret, glass-roofed workshop in Paris where they are lovingly restored by a piano repairer with a passion for his job.When T. E. Carhart came upon Luc and his atelier, his life changed. As he explored the Eldorado of pianos in Luc's back room, absorbed Luc's wisdom on life and music and finally found the baby grand of his dreams, he rediscovered his deep love for this most magical of instruments.In this wonderfully atmospheric book, full of Parisian life, the story of a musical friendship and a mutual obsession is intertwined with reflections on how pianos work, their glorious history and the people who care for them, from the most amateur pianist to the tuners and craftsmen who make the mechanism sing.
Black Sabbath are one of the most outrageous yet longest-lived bands in the history of rock 'n' roll. This informative, idiosyncratic and beguiling book paints a vivid picture of their colourful early history - interwoven with all the most crucial news stories of the time: from Vietnam to Bloody Sunday and the space programme.
Where Rat Salad diverges from routes taken by most rock biographies, however, is in its detailed analysis of the band's first six albums. These chapters - think Ian MacDonald's Revolution in the Head meets Spinal Tap - occupy about half the book and persuasively explain the appeal of the music, its compositional artistry and its frequently audacious inventiveness.
Original and passionate, Rat Salad embraces a remarkably diverse cast of characters - from Ozzy Osbourne himself and the other members of the band through to Edith Sitwell, Breugel the Elder, John Milton and Doris Day. The author's hand looms large in the piece. We see him both as a boy and man - from schoolboy ingenue to inveterate devotee - as he looks back at a life populated with love, sex, drugs and death played out against a backdrop of crucifixes and power chords.