Everyone interested in architecture will find this book an indispensable companion to the discovery and appreciation of the astonishing number of Celtic, Saxon, Norman and medieval buildings and monuments which are still to be seen throughout britain and Ireland. While providing a brief historical background to each period, it is mainly a comprehensive guide to the development and use of the wide range of surviving secular and ecclesiastical buildings, including church furnishings.
Illustrated with over 350 black and white photographs by the late Edwin Smith and accompanied by a glossary of architectural terms and a gazetteer covering thousands of sites in England, Scotland, Wales and Ireland, it is an invaluable work of reference as well as an invitation to travel and to explore. This is the first book in a three-volume survey of architecture in Britain and Ireland.
Why was heraldry so important to the families for whom houses were built? How does the layout of a house reveal the values of the people who lived in it? By reading the architectural features of a house - even simple items such as windows, doors, chimneys and staircases - we can learn so much about the past. Interiors, as well as exteriors, have a story to tell, with floor layouts and contents of rooms revealing much about the people who built and lived in them. We can also read the iconography of a house: its symbols and images, spanning subjects such as classical mythology, religion and British history. Heraldry too is an essential tool for understanding much of the details found in country houses, from coats of arms to crests, or fireplace decorations and ceiling bosses. Through all this, we gain a glimpse into the social world of the families who lived there - and discover that the stories of many country houses are inextricably linked by marriage, royalty or political or military service.
Richly illustrated with stunning photographs from the unique archive of Country Life magazine, this book is a joy for all those who want to learn more about our heritage, art and architecture, and the essential characteristics of a classic country house.
Why are we so fascinated by ruins? Do we see them as jig-saws and riddles or romantic evocations of the damage of Time, complete with crumbling stone and ivy? Do they stir us to remember past glory or warn against future arrogance? In this elegant, provocative book, the brilliant young art-historian Christopher Woodward looks back to the start of the cult in the eighteenth century, when follies were built in English landscape gardens, artists and writers thrilled to Rome's poetry of decay, and in Paris the great chef Careme even served blancmanges shaped like classical ruins. He takes us from Troy and Pompei to Sicilian palaces and Nazi fantasies, and whirls us forward to modern times - to the shattered Statue of Liberty in Planet of the Apes, to Florida's Museum of Natural Phenomena, designed as a court-house dumped upside-down by a hurricane and to Chelsea Flower Show's brand-new 'Millennium Ruin'. Even the decay of an ordinary house can be as moving as the collapse of a temple - with its fascinating stories and characters, and its telling illustrations, In Ruins is full of strange delights and startling surprises, exploring the mysterious, melancholy charm of eternal fragments.
Why are we so fascinated by ruins? Do we see them as jig-saws and riddles or romantic evocations of the damage of Time, complete with crumbling stone and ivy? Do they stir us to remember past glory or warn against future arrogance? In this elegant, provocative book, the brilliant young art-historian Christopher Woodward looks back to the start of the cult in the eighteenth century, when follies were built in English landscape gardens, artists and writers thrilled to Rome's poetry of decay, and in Paris the great chef Careme even served blancmanges shaped like classical ruins. He takes us from Troy and Pompei to Sicilian palaces and Nazi fantasies, and whirls us forward to modern times - to the shattered Statue of Liberty in Planet of the Apes, to Florida's Museum of Natural Phenomena, designed as a court-house dumped upside-down by a hurricane and to Chelsea Flower Show's brand-new 'Millennium Ruin'. Even the decay of an ordinary house can be as moving as the collapse of a temple - with its fascinating stories and characters, and its telling illustrations, In Ruins is full of strange delights and startling surprises, exploring the mysterious, melancholy charm of eternal fragments.
Why are we so fascinated by ruins? Do we see them as jig-saws and riddles or romantic evocations of the damage of Time, complete with crumbling stone and ivy? Do they stir us to remember past glory or warn against future arrogance? In this elegant, provocative book, the brilliant young art-historian Christopher Woodward looks back to the start of the cult in the eighteenth century, when follies were built in English landscape gardens, artists and writers thrilled to Rome's poetry of decay, and in Paris the great chef Careme even served blancmanges shaped like classical ruins. He takes us from Troy and Pompei to Sicilian palaces and Nazi fantasies, and whirls us forward to modern times - to the shattered Statue of Liberty in Planet of the Apes, to Florida's Museum of Natural Phenomena, designed as a court-house dumped upside-down by a hurricane and to Chelsea Flower Show's 'Millennium Ruin'. Even the decay of an ordinary house can be as moving as the collapse of a temple - with its fascinating stories and characters, and its telling illustrations, In Ruins is full of strange delights and startling surprises, exploring the mysterious, melancholy charm of eternal fragments.