In April 1204, the armies of Western Christendom wrote another bloodstained chapter in the history of holy war. Two years earlier, aflame with religious zeal, the Fourth Crusade set out to free Jerusalem from the grip of Islam. But after a dramatic series of events, the crusaders turned their weapons against the Christian city of Constantinople, the heart of the Byzantine Empire and the greatest metropolis in the known world. The crusaders spared no one in their savagery: they murdered and raped old and young - they desecrated churches, plundered treasuries and much of the city was put to the torch. Some contemporaries were delighted: God had approved this punishment of the effeminate, treacherous Greeks; others expressed shock and disgust at this perversion of the crusading ideal. History has judged this as the crusade that went wrong. In this remarkable new assessment of the Fourth Crusade, Jonathan Phillips follows the fortunes of the leading players and explores the conflicting motives that drove the expedition to commit the most infamous massacre of the crusading movement.
In April 1204, the armies of Western Christendom wrote another bloodstained chapter in the history of holy war. Two years earlier, aflame with religious zeal, the Fourth Crusade set out to free Jerusalem from the grip of Islam. But after a dramatic series of events, the crusaders turned their weapons against the Christian city of Constantinople, the heart of the Byzantine Empire and the greatest metropolis in the known world. The crusaders spared no one in their savagery: they murdered old and young, they raped women and girls - even nuns - in their frenzy. They also desecrated churches and plundered treasuries, and much of the city was put to the torch. In celebration of the victory, a prostitute from the crusader army climbed onto the altar of the Hagia Sophia and gyrated to obscene songs; barbarism cloaked in the mantle of religious warfare had swept aside one of the great civilisations of history. Some contemporaries were delighted: God had approved this punishment of the effeminate, treacherous Greeks; others expressed shock and disgust at this perversion of the crusading ideal. History has judged this as the crusade that went wrong and even today the violence and brutality of the western knights provokes deep ill-feeling from many Greek Orthodox towards the Catholic Church. In this remarkable new assessment of the Fourth Crusade, Jonathan Phillips doesn't just follow the fortunes of the leading players, but explores the conflicting motives that drove the expedition to commit the most infamous massacre of the crusading movement and looks at the experience of crusading from the perspective of a knight.
The plays of Shakespeare, the Authorized version of the Bible and the Book of Common Prayer, all produced in the late 16th/early 17th centuries, are the three dounding texts of the English nation and its language. Not only do they share a beauty and a power of style which have never been equalled: their influence on Anglophone culture remains profound. Originally produced by Archbishop Cranmer and his allies to bolster the Tudor secession from Catholicism, the Pray Book rapidly took on a life of its own. Until the present century, most Anglicans knew long stretches of the text by heart. It invaded the style of 17th-century p oets and even 19th century novelists like George Elliot. It still colours our language and our way of feeling today, though we hardly know it. In recent years the Prayer Book has been under attack by modernizers and radicals within the church itself. On the 450th anniversary of its first appearance, the time has come to proclaim the value of this work once more and to recognize it for what it is: a liturgical and literary masterpiece.