When the family business collapses, Beauty and her two sisters are forced to leave the city and begin a new life in the countryside. However, when their father accepts hospitality from the elusive and magical Beast, he is forced to make a terrible promise - to send one daughter to the Beast's castle, with no guarantee that she will be seen again. Beauty accepts the challenge, and there begins an extraordinary story of magic and love that overcomes all boundaries. This is another spellbinding and emotional tale embroidered around a fairytale from Robin McKinley, an award-winning American author.
When the family business collapses, Beauty and her two sisters are forced to leave the city and begin a new life in the countryside. However, when their father accepts hospitality from the elusive and magical Beast, he is forced to make a terrible promise - to send one daughter to the Beast's castle, with no guarantee that she will be seen again. Beauty accepts the challenge, and there begins an extraordinary story of magic and love that overcomes all boundaries. This is another spellbinding and emotional tale embroidered around a fairytale from Robin McKinley, an award-winning American author.
When the family business collapses, Beauty and her two sisters are forced to leave the city and begin a new life in the countryside. However, when their father accepts hospitality from the elusive and magical Beast, he is forced to make a terrible promise - to send one daughter to the Beast's castle, with no guarantee that she will be seen again. Beauty accepts the challenge, and there begins an extraordinary story of magic and love that overcomes all boundaries. This is another spellbinding and emotional tale embroidered around a fairytale from Robin McKinley, an award-winning American author.
In the year 2300 London is in ruins and in the hands of two warring families of ganglords, the Volsons and the Conors. To cement a truce Val Volson offers Conor the hand of his daughter Silivia, to her horror. The wedding is disrupted a msterious one-eyed prisoner who has been hanging upside down in a glass elevator shaft overlooking the banquet. The superstitious people are in no doubt that he is the god Odin and they watch in terror as he challenges themto see who can remove the special knife from the lift shaft. It is Silvia's twin brother who claims the knife and then returns to Conor. Val is killed and the three sons perish but Siggy is saved by Melanie, a pigwoman, though he has lsot Odin's knife to Conor in battle. In order to stop Silvia avenging her family's death, Conor has her legs broken to keep her prisoner, But Silvia has an ally in Cherry, a cat and shape-changer devoted to her mistress and together they plan the downfall of Conor, a plan that will also involve Siggy in taking a terrible revenge....
Sigurd has a fabulous but frightening future predicted: even to start, he must leave everything he knows to go and fight a dragon, and from there descend into the Underworld. Sounds bad enough, but when you know that the dragon lives on a futuristic, industrially-ruined moonscape that was once Hampstead Heath, the scene is set for a staggeringly brutal fight on an epic scale. Unhappily for him, he meets the love of his life in the underworld, and Sigurd's efforts to rescue his lover will cause huge heartache and grief for both of them, and also for everyone who ever meets them.
The first major retelling of the Greek myths and legends, A WONDER-BOOK was published in 1852. The American novelist Nathaniel Hawthorne was a friend of the poet Longfellow and had much earlier suggested they collaborate on a story for children based on the legend of Pandora's Box, but this never materialized. Hawthorne went ahead on his own, adding five other myths which he adapted very freely in a romantic and readable style, used deliberately to remove the classical tales from what he called 'cold moonshine. ' Hawthorne's book was criticized by adults for his bowdlerization, but it has always been popular with children and has attracted many illustrators, none more distinguished than Arthur Rackham who made his pictorial contribution in 1922.
Everyone in Kinvara is conscious that time is flying past, faster and faster - to such an extent that when JJ asks his mother what she would like as a birthday present she ask for more time. JJ dismisses this as mere wishful thinking, an impossibility, for who know where the time goes?
The Liddys have been musicians for generations and JJ is no exception but what he discovers is that a shadow from the past hangs over their family -did his great-grandfather murder the village priest? When he sets out to buy his mother time, he discovers the fate of a flute which will provide the key to both problems - it is the vital clue. He makes the transition to Tir na n'Og, the land of eternal youth, where the fairy people are also having a problem with time and it falls to his lot to locate the leak between the two parallel worlds. JJ finds where time goes!
Music proves to be the touchstone for communication between the fairy and the human domains and the book is saturated with the lure of Irish music for JJ`s whole existence is built round the ceili and each chapter relates to a tune, printed out as a heading so that the reader can also become a performer. As for the New Policeman, Larry O'Dwyer, he is an enigmatic figure who has a significant bearing on the plot but whose identity is kept a superbly guarded secret to the very last surprising moment.
Everyone in Kinvara is conscious that time is flying past, faster and faster - to such an extent that when JJ asks his mother what she would like as a birthday present she ask for more time. JJ dismisses this as mere wishful thinking, an impossibility, for who know where the time goes?
The Liddys have been musicians for generations and JJ is no exception but what he discovers is that a shadow from the past hangs over their family -did his great-grandfather murder the village priest? When he sets out to buy his mother time, he discovers the fate of a flute which will provide the key to both problems - it is the vital clue. He makes the transition to Tir na n'Og, the land of eternal youth, where the fairy people are also having a problem with time and it falls to his lot to locate the leak between the two parallel worlds. JJ finds where time goes!
Music proves to be the touchstone for communication between the fairy and the human domains and the book is saturated with the lure of Irish music for JJ`s whole existence is built round the ceili and each chapter relates to a tune, printed out as a heading so that the reader can also become a performer. As for the New Policeman, Larry O'Dwyer, he is an enigmatic figure who has a significant bearing on the plot but whose identity is kept a superbly guarded secret to the very last surprising moment.
A chilling, beautiful debut novel inspired by a haunting folk song about murder, witchcraft and revenge.
Beware of Long Lankin, that lives in the moss...
When Cora and her little sister Mimi are sent to stay with their elderly aunt in the isolated village of Bryers Guerdon, they receive a less than warm welcome, and are desperate to go back to London. But Auntie Ida's life was devastated the last time two young girls were at Guerdon Hall, and now her nieces' arrival has reawoken an evil that has lain waiting for years.
A haunting voice in an empty room. .. A strange, scarred man lurking in the graveyard.. . A mysterious warning, scrawled on the walls of the abandoned church... Along with Roger and Peter, two young village boys, Cora must uncover the horrifying truth that has held Bryers Guerdon in its dark grip for centuries - before it is too late for Mimi.
Intensely atmospheric and truly compelling, this is a stunning debut.
I am the great and mighty Zeus, mortal- give me one good reason why I shouldn't smite you here and now!'Alex's class are learning about the Ancient Greeks. That's why Alex makes a temple (out of loo rolls and a cornflakes box) for the Greek god Zeus. He doesn't expect the god himself to turn up, borrow his mum's nightie and demand a sacrifice at half-past five in the morning. Even worse, Zeus reckons it's time for another Trojan War - in the school playground! Zeus is on the loose-
JJ Liddy sometimes blames his unreliable temperament on the visit he made to Tir na n'Og, the land of eternal youth, when he was fifteen years old. It's perhaps not surprising that his children have also turned out to be a little eccentric, especially eleven-year-old Jenny. She forgets to go to school, can't bear to wear shoes, and spends entire days roaming the mountainside.
It's up there that she meets the ghost. He is guarding a pile of rocks known as the beacon, and when some archaeologists arrive to excavate it, they run into the strangest kind of obstruction.
But it is not people the ghost fears, and when the real enemy finally reveals itself, the future of the entire human race is threatened. Only Aengus Og and his fairy kin can help now.
Bansi O'Hara is visiting her granny in Ireland, when very strange things start to happen. First there is the swan that seems to be following them from the ferry, then the strange little man who appears in her bedroom and says he's a brownie called Pogo.
Things get even stranger when Bansi finds out that her birth fulfilled an ancient prophecy from Tir na n'Og, the land of the faeries, and that the wicked Lord of the Dark Sidhe wants to spill her blood on faery soil.
Bansi, Pogo and Tam, a handsome faery who can change into animal form, cross through the gate that separates the two worlds to try and make the prophecy come true for the good faery peoples. But the Dark Lord is waiting for them...
In this collection of fifty-one tales from the land of galloway, Alan Temperley pays tribute to the great Scottish tradition of storytelling.The tales are wide-ranging:heros, ghosts and solway smugglers;witches, martyrs, mermaids and fairies;reivers, monsters and colourful rogues. Here are Billy Marshall, King of the tinklers;Sawney Bean, the murderouscannibal;young Robert the Brube on the run in the heather;Trost, last of the Picts, who kept the secret of heather ale;the legend of Mons Meg;Claverhouse and Lagg, persecutors of the Covenanters;the famous poterguist of Rerrick;and many more. Simply told and unadorned, the stories bear the flavour of the region- mountain and forest, silver rivers and lochs, the wild Solway Firth, and some of the most beautiful rolling countryside in Britain. Origionally these traditional tales-ranging from rustic comedy to horrific murder-were told in crofts and rural cottages.They grew naturally out of the rich past and the land and the lives of the people-wonderful stories.And they are still as alive today as when they were first told.
The story of Robin Hood, said Roger Lancelyn Green can never die, nor cease to fire the imagination. Like the old fairy tales it must be told and told again, for it is touched with enchantment. Placing his hero's legendary history in the reign of Richard I of England. Roger Lancelyn Green has used as his sources the ballads, romances and plays, as well as the literary retellings of Noyes, Tennyson, Peacock and Scott. In this literary mosiac he has brought to life a character who is the archetypal outlaw and popular champion of the poor. Walter Crane, one of the masters of children's book illustration, created the drawing for a retelling of the Robin Hood story by Henry Gilbert. published in 1912.
Megan, Bella and Alice inhabit the isolated world of a girl's boarding school, Egerton Hall, buried deep in the English countryside. The Tower Room which they share is remote and high, and from it the three survey the everyday drama of school life. With only months to go until their final exams they are already sensing the dangerous delights awaiting them in the grown-up world. Megan feels a special poignancy about leaving school; orphaned soon after she came to Egerton Hall, she has virtually been brought up there as the ward of the science mistress.But it is Megan who looks down from the Tower Room that unforgettable morning, to meet Simon's inquisitive gaze. As Megan rushes to embrace her fate, her safe, cocooned world is transformed forever...
Loosely based on the Rapunzel fairytale, this highly original novel is the story of a sudden, unexpected, passionate relationship and the unforseen yet inevitable results of defying convention.
When the book opens Eve, who is the narrator, is just coming into consciousness. She has been given by God to the Serpent to raise. Her sense of wonder as the Serpent introduces her to life in Paradise is a strength of the book; she learns about nature, love and the way that the new and fascinating world works. When she comes into contact with God - who rears Adam - she is wary of his dominance and egotism.One day, becoming impatient to discover whether or not he`s designed the male and female to procreate properly, God rushes Adam and Eve into intercourse.The Serpent alone regcognizes the consequences of God`s act. `Until today Eve has felt...that the world was good...' but ' Adam as good as raped her.' Eve is devastated by the experience. Eve leaves the Garden to gain some distance from God and to discover what exists in the outside world; the Serpent accompanies her. They make several journeys - one to a volcano, one to a desert, one to a mountain range and one to the sea (where Eve swims out to sea against the instructions of the Serpent and nearly drowns.) On their return to the Garden, the roots of the apple tree of the Knowledge of Good and Evil begin to grow; the Serpent sensing that time is running out to teach Eve that love making is good, changes into a man and makes love to her with great sensitivity. After this she is prepared to accept her role as the mother of humankind. God is outraged by Eve's - and also Adams's - interest in the tree of knowledge. He is at his capricious worst: everything must bow to his wishes. They realise that if they are to have any freedom of will they must leave God and the garden. The Serpent warns them that this will involve future suffering but Eve feels she must develop and be her own person.They go forth...
The Tower Room: Loosely based on Rapunzel, this is the story of a sudden, unexpected, passionate relationship and the unforessen yet inevitable results of defying convention. When Megan glimpses Simon from her tower room, their worlds are changed forever.
Watching the Roses: A modern version of Sleeping Beauty, this is a haunting tale of treachery and betrayal. An ill-wishing has been placed on Alice, and it seems to be coming true.
Pictures of the Night: A retelling of the Snow White fairytale, this is a thirlling story of jealousy and enchantment. Is Bella's stepmother really as wicked as she believes?
The Tower Room: Loosely based on Rapunzel, this is the story of a sudden, unexpected, passionate relationship and the unforessen yet inevitable results of defying convention. When Megan glimpses Simon from her tower room, their worlds are changed forever.
Watching the Roses: A modern version of Sleeping Beauty, this is a haunting tale of treachery and betrayal. An ill-wishing has been placed on Alice, and it seems to be coming true.
Pictures of the Night: A retelling of the Snow White fairytale, this is a thirlling story of jealousy and enchantment. Is Bella's stepmother really as wicked as she believes?
The legends of King Arthur - the most revered hero of British Mythology - have been retold many times, but Roger Lancelyn Green's version has become a classic since its first publication in 1953. Using as his sources not only Malory's MORTE D'ARTHUR but other chronicles, poems and romances, he has made each adventure of Arthur's knights part of an overall pattern - the struggle of Arthur's kingdom, the realm of Logress, the model of chivalry and right, against the barbarism and evil that surrounded and at length engulfed it. So here are the stories of the sword in the stone, of the Green Knight, of the fatal love between Launcelot and Guinevere, of the quest for the Holy Grail, and of the final departing of Arthur to the Vale of Avalon. The illustrations are taken from an edition of MORTE D'ARTHUR published in 1893 with which Aubrey Beardsley first made a name for himself at the age of twenty.
Bansi O'Hara is visiting her granny in Ireland, when very strange things start to happen. First there is the swan that seems to be following them from the ferry, then the strange little man who appears in her bedroom and says he's a brownie called Pogo.
Things get even stranger when Bansi finds out that her birth fulfilled an ancient prophecy from Tir na n'Og, the land of the faeries, and that the wicked Lord of the Dark Sidhe wants to spill her blood on faery soil.
Bansi, Pogo and Tam, a handsome faery who can change into animal form, cross through the gate that separates the two worlds to try and make the prophecy come true for the good faery peoples. But the Dark Lord is waiting for them...