In books lauded as brilliant, exhilarating and profound, Roberto Calasso has revealed the unexpected intersections of ancient and modern through topics ranging from Greek and Indian mythology to what a legendary African kingdom can tell us about the French Revolution. In this first translation of his most important essays, Calasso brings his powerful intellect and elegant prose style to bear on the essential thinkers of our time, providing a sweeping analysis of the current state of Western culture.'Forty-nine steps' refers to the Talmudic doctrine that there are forty-nine steps to meaning in every passage of the Torah. Employing this interpretative approach, Calasso offers a 'secret history' of European literature and philosophy in the wake of Nietzsche, Marx and Freud. Calasso analyses how figures ranging from Gustav Flaubert, Gottfried Benn, Karl Kraus and Martin Heidegger to Walter Benjamin, Franz Kafka, Bertolt Brecht and Theodor Adorno have contributed to, or been emblematic of, the current state of Western thought. This book's theme, writ large, is the power of the fable - specifically, its persistence in art and literature despite its exclusion from orthodox philosophy. In its breadth and the nature of its concerns, The Forty-nine Steps is a philosophical and literary twin to the widely praised Marriage of Cadmus and Harmony. Combining erudition with engaging prose and original insights, Calasso contributes a daring new interpretation of some of the most challenging writers of the past 150 years.
Translated, this correspondence, from 1863-76, is unique in the history of French literature. Never have two great writers set down their ideas so candidly and over so long a period on the most varied topics, including the genesis of their own writings, a commentary on the Paris theatre, gossip from the literary world and their own domestic lives.
From 1930 until shortly before his death he shared with countless readers, listeners and viewers his remarkably catholic passions for books, people and places. COMING HOME gathers together a selection from over four decades of his writings about buildings, townscape and landscape, together with appreciations of writers, artists and archi-tects, ranging from Evelyn Waugh, Pugin and T. S. Eliot to R. S. Thomas, Frederick Etchells and Jacob Epstein. Candida Lycett Green's prefaces to each section of this book provide invaluable insight into the con-text in which these pieces were written by one of the century's most eloquent champions of beautiful, unusual and often unloved places and buildings.
Orwell has become one of the most potent and symbolic figures in western political thought. Even the adjective 'Orwellian' is now a byword for a particular way of thinking about life, literature and language yet, despite this iconic status, the man who was born Eric Blair in 1903 remains an enigma. Drawing on a mass of previously unseen material, D J Taylor offers a strikingly human portrait of the writer too often embalmed as a secular saint. Here is a man who, for all his outward unworldliness, effectively stage-managed his own life; who combined chilling detachment with warmth and gentleness, disillusionment with hope; who battled through illness to produce two of the greatest masterpieces of the twentieth century. Moving and revealing, Taylor's Orwell is the biography we have all been waiting for, as vibrant, powerful and resonant as its extraordinary hero.
The Vagrant Mood is a brilliantly varied and colourful collection of essays. From Kant to Raymond Chandler; from the legend of Zurbaran to the art of the detective story; from Burke to Augustus Hare, Somerset Maugham brings his inimitable mastery of the incisive character sketch to the genre of literary criticism
So Virginia Woolf described the 'common reader' for whom she wrote. This is her second series of essays, first published in 1932. Here she turns her brilliant eye on Lord Chesterfield's letters, the novels of George Gissing, the poetry of Donne: we meet Dr Burney and Beau Brummell, Christina Rossetti, Geraldine Jewsbury, Jane Carlyle, Mary Wollstonecraft and many others. This is an informal, informative and witty celebration of our literary and social heritage by a writer of genius.
Eclectic and illuminating, these essays are the last that Maugham published. Ranging from an appreciation of Goethe's novels, to an encounter with an Indian holy man, with a considered analysis of the form at which Maugham himself excelled - the short story - they present the enduring views and opinions of this eminent writer.
Dr Johnson's friendships with the leading women writers of the day was an important feature of his life and theirs. He was willing to treat women as intellectual equals and to promote their careers: something ignored by his main biographer, James Boswell. Dr Johnson's Women investigates the lives and writings of six leading female authors Johnson knew well: Elizabeth Carter, Charlotte Lennox, Elizabeth Montagu, Hester Thrale, Hannah More and Fanny Burney. It explores their relationships with Johnson, with each other and with the world of letters. It shows what it was like to be a woman writer in the 'Age of Johnson'. It is often assumed that women writers in the eighteenth century suffered the same restrictions and obstacles that confronted their Victorian successors. Norma Clarke shows that this was by no means the case. Highlighting the opportunities available to women of talent in the eighteenth century, Dr Johnson's Women makes clear just how impressive and varied their achievements were.
'This brilliant collection of essays should be a feast for his admirers, as well as for those who approach his dazzling oeuvre for the first time-Calvino is not only constantly and supremely intelligent; he is constantly and supremely faithful to his narrative imagination' Guardian
The Vagrant Mood is a brilliantly varied and colourful collection of essays. From Kant to Raymond Chandler; from the legend of Zurbaran to the art of the detective story; from Burke to Augustus Hare, Somerset Maugham brings his inimitable mastery of the incisive character sketch to the genre of literary criticism