McCrae's Own was the 'Heart of Midlothian Battalion' mentioned all too briefly in Martin Middlebrook's classic book The First Day on the Somme. Raised in Edinburgh shortly after the start of the Great War, it was perhaps the finest unit in Lord Kitchener's volunteer army - a brotherhood of sportsmen, bound together by their extraordinary colonel and their loyalty to a quaintly named Association Football club, the famous Gorgie 'Hearts'. McCrae's were blooded in the Battle of the Somme, losing three-quarters of their strength on the first day alone. The Colonel himself was invalided home. In time the battalion recovered. It came of age at Arras, endured the muddy horror of Passchendaele, and held the line unbroken in the face of furious German attacks on the Lys in 1918. For almost a century their story remained untold. It was all but lost forever. Now, after 12 years of exacting historical detective work, Jack Alexander has reclaimed the 16th Royal Scots for posterity. In this stirring book he draws upon interviews with veterans and a unique archive of letters, diaries and photographs, assembled from the families of more than 1, 000 of Sir George McCrae's men.
McCrae's Own was the 'Heart of Midlothian Battalion' mentioned all too briefly in Martin Middlebrook's classic book THE FIRST DAY OF THE SOMME. Raised in Edinburgh shortly after the start of the Great War, it was perhaps the finest unit in Lord Kitchener's volunteer army - a brotherhood of sportsmen, bound together by their extraordinary colonel and their loyalty to a quaintly named Association Football club, the famous Gorgie 'Hearts'. McCrae's were blooded in the Battle of the Somme, losing three-quarters of their strength on the first day alone. The Colonel himself was invalided home. In time the battalion recovered. It came of age at Arras, endured the muddy horror of Passchendaele, and held the line unbroken in the face of furious German attacks on the Lys in 1918. For almost a century their story has remained untold. It was all but lost forever. Now, after 12 years of exacting historical detective work, Jack Alexander has reclaimed the 16th Royal Scots for posterity. In this stirring book he draws upon interviews with veterans and a unique archive of letters, diaries and photographs, assembled from the families of more than 1, 000 of Sir George McCrae's men. Who was the Colonel? How did the players come to enlist? Where did they fight? Where did they die? What became of the survivors? Why were they forgotten? Who was the handsomest man in the world?
At the end of the First World War, Germany was demonised. The Treaty of Versailles contained a 'war guilt' clause pinning the blame on the aggression of Germany and accusing her of 'supreme offence against international morality'. Thirteen Days rejects this verdict. Clive Ponting also rejects the thesis that Europe in 1914 had reached such a boiling point that war was bound to erupt and the theory that the origins of the War lay in a mighty arms race. He argues that the War occurred primarily because of the situation in the Balkans, while he gives full weight to Austria-Hungary's desire to cripple Serbia instead of negotiating, and to Russia's militaristic programme of expansion. Clive Ponting begins with a dramatic recreation of the assassination in Sarajevo on 28 June. He then examines how things spiralled out of control during the weeks that led to war. The tension builds as his story criss-crosses the capital cities of Europe and describes developments day by day, and, latterly, hour by hour. The First World War destroyed the old Europe. Nearly nine million soldiers were killed and twenty-one million wounded; over ten million civilians died. By the end of the War, three great European empires - Germany, Austria-Hungary and Russia - had disintegrated. Why did the War happen? In 1914, the states of Europe had been at peace for forty years, and every diplomatic dispute had been resolved peacefully. Thirteen Days describes failures of communication, fateful decisions and escalating military moves; it is an extraordinary narrative of personalities and diplomacy in the dying weeks of an era in which telephone networks were in their infancy and governments relied on telegrams in code and face-to-face meetings of ambassadors.
At the end of the First World War, Germany was demonised. The Treaty of Versailles contained a 'war guilt' clause pinning the blame on the aggression of Germany and accusing her of 'supreme offence against international morality'. Thirteen Days rejects this verdict. Clive Ponting also rejects the thesis that Europe in 1914 had reached such a boiling point that war was bound to erupt and the theory that the origins of the War lay in a mighty arms race. He argues that the War occurred primarily because of the situation in the Balkans, while he gives full weight to Austria-Hungary's desire to cripple Serbia instead of negotiating, and to Russia's militaristic programme of expansion. Clive Ponting begins with a dramatic recreation of the assassination in Sarajevo on 28 June. He then examines how things spiralled out of control during the weeks that led to war. The tension builds as his story criss-crosses the capital cities of Europe and describes developments day by day, and, latterly, hour by hour. The First World War destroyed the old Europe. Nearly nine million soldiers were killed and twenty-one million wounded; over ten million civilians died. By the end of the War, three great European empires - Germany, Austria-Hungary and Russia - had disintegrated. Why did the War happen? In 1914, the states of Europe had been at peace for forty years, and every diplomatic dispute had been resolved peacefully. Thirteen Days describes failures of communication, fateful decisions and escalating military moves; it is an extraordinary narrative of personalities and diplomacy in the dying weeks of an era in which telephone networks were in their infancy and governments relied on telegrams in code and face-to-face meetings of ambassadors.
Bringing together Sigmund Freud, Osip Mandelstam, Lloyd George, Bertrand Russell, Isaac Rosenberg, Sigfried Sassoon, Vera Brittain -voices famous and unknown - Peter Vansittart takes us through the course of the Great War, juxtaposing letters from the trenches with music-hall songs, and the words of poets and politicians. Linking the public and the personal, the history with the myth, his rich and unorthodox anthology forms a moving image of everything that went into the War, and culminated in its 'scalding waste of spirit'.