Written on the Wind (1956) is one of classical Hollywood's most striking films & ranks among Douglas Sirk's finest achievements. An intense melodrama about an alcoholic playboy who marries the woman his best friend secretly loves the film is highly stylised psychologically complex & marked by Sirk's characteristic charting of the social realities of 1950s America. This first single study of Written on the Wind reassesses the film's artistic heritage & place within the wider framework of contemporary American culture. Incorporating original archival research Peter William Evans examines the production promotion & reception of Written on the Wind exploring its themes
- of time memory space family class & sex
- as well as its brilliance of form. Its vivid aesthetics powerful performances & profound treatment of human emotions make Written on the Wind a masterpiece of Hollywood melodrama.