Teachers who want to cut lesson planning time should welcome this series. The new editions are revised in line with the new literacy framework & bring you new models. Writing Models aims to help teachers cover every sort of writing type they need; fine tune lessons by following key teaching points for each model; & deliver the new literacy units to pupils of varying ability using different versions of the same model. Each book in the series gives you: A bank of easy-to-use photocopiable models for writing covering poetry narrative & non-fiction Key teaching points for each model Simpler & harder examples for differentiation The newly revised second edition for Year 4 has been fully updated & restructured in line to deliver new units from the new framework &

Includes:: new writing models. Lesson planning has never been easier! The second edition of Writing Models Year 4 contains: Stories with historical settings; Stories from other cultures (new) & Stories that raise issues & dilemmas (new) Poems to explore form & Performance poems (new) Stories set in imaginary worlds & Plays (new) Newspaper reports (new); ICT-texts (new) & Persuasive writing including a model based on a DVD (new)

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Drawing on his extensive experience of poetry workshops & courses Peter Sansom shows you not how to write but how to write better how to write authentically how to say genuinely what you genuinely mean to say. This practical guide is illustrated with many examples. Peter Sansom covers such areas as submitting to magazines; the small presses; analysing poems; writing techniques & procedures; & drafting. He

Includes:: brief resumes & discussions of literary history & literary fashions the spirit of the age & the creative process itself. Above all his book helps you learn discrimination in your reading & writing
- so that you can decide for yourself how you want your work to develop whether that magazine was right in returning it or if they simply dont know their poetic arse from their elbow. Writing Poems

Includes:: sections on: Metre rhyme half-rhyme & free verse. Fixed forms & how to use them. Workshops & writing groups. Writing games & exercises. A detailed annotated reading list. Where to go from here. Glossary of technical terms. Writing Poems has become an essential handbook for many poets & teachers: invaluable to writers just starting out helpful to poets who need a nuts-&-bolts handbook a godsend to anyone running poetry courses & workshops & an inspiration to all readers & writers who want a book which re-examines the writing of poems.




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Do I hear you say that romance is dead? Not for the millions of readers who find escape between the covers of a paperback novel.. . If you think that writing romantic fiction is a quick way to make a fortune forget it. Often the novel thats so easy to read & slips down as easily as a blancmange has taken a good deal of skill on the part of the author to achieve that very impression. In this comprehensive guide successful novelist Jean Saunders shows you the way to go about it including Tips from the Top from some of our best-selling novelists such as Jilly Cooper & Catherine Cookson who offer their writing advice. The most glittering names in romantic fiction had to start somewhere & none of us was born a writer however glamorous that may sound. Its a craft that can be learned & one that can bring immense pleasure & satisfaction to the writer as well as the reader. So lets get started & between these covers you will learn: How to structure a romance open chapters & write love scenes; How to do authentic research for historical or contemporary romance; How to submit manuscripts to publishers; How to survive the sting of rejection; How to break into the lucrative American romance market & more. ...

Written by trusted author Geoff Barton this new edition of a classroom favourite has been completely rewritten to support the latest Key Stage 3 requirements. The book offers skills-based writing support with a variety of engaging tasks for students of all abilities. Stand alone activities & resources can be easily built into existing lesson plans or serve as handy cover lessons. ...

Its clear to most members of Midsomer Worthys Writers Circle that asking bestselling author Max Jennings to talk to them is a little ambitious. Less clear are the reasons for secretary Gerald Hadleighs fierce objections to seeing the man -- a face from his past -- again. Astonishingly Jennings accepts the invitation but before the night is out Gerald is dead. Summoned to investigate Chief Inspector Barnaby finds that Geralds life is as much of a mystery to his neighbours as his violent death. The key is surely their illustrious guest speaker -- but where is he now? ...

Written on the Body is a secret code only visible in certain lights: the accumulation of a lifetime gather there. In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes never unfold too much tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book. ...

Written on the Wind (1956) is one of classical Hollywood's most striking films & ranks among Douglas Sirk's finest achievements. An intense melodrama about an alcoholic playboy who marries the woman his best friend secretly loves the film is highly stylised psychologically complex & marked by Sirk's characteristic charting of the social realities of 1950s America. This first single study of Written on the Wind reassesses the film's artistic heritage & place within the wider framework of contemporary American culture. Incorporating original archival research Peter William Evans examines the production promotion & reception of Written on the Wind exploring its themes
- of time memory space family class & sex
- as well as its brilliance of form. Its vivid aesthetics powerful performances & profound treatment of human emotions make Written on the Wind a masterpiece of Hollywood melodrama.

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The Dewsbury Desperadoes are on their way to Pontefract for a gig at the Allied Butchers' & Architects' Club. The Girl with the Chestnut Eyes is on her way to somewhere. & Raymond is heading for Gulag Grimshy. Raymond Marks is a normal boy from a normal family in a normal northern town. His dad left home after falling in love with a five-string banjo; his fun-hating grandma believes she should have married Jean-Paul Sartre: '1 could never read his books but y' could tell from his picture there was nothing frivolous about John-Paul Sartre.' Felonious Uncle Jason & Appalling Aunty Paula are lusting after the satellite dish; frogs are flattened on Failsworth Boulevard; & Sickening Sonia's being sick in the majestic cathedral of words. Raymond Marks is a normal boy from a normal family in a normal northern town. Until on the banks of the Rochdale Canal the Flytrapping craze begins & for Raymond & his mam nothing is ever quite so normal again. In Raymond prize-winning & internationally acclaimed playwright Willy Russell has created an unforgettable character to rival his Shirley Valentine & educated Rita. The Wrong Boy is his extraordinary first novel. ...

The fantastic debut novel from Headlines latest thriller talent. Nine hundred & seventy three days. Thinking. Planning. Waiting for the perfect moment. Former Marine James Bishop will only have one opportunity to make his prison break. & one chance to prove that he isnt responsible for the murders that put him inside. Three years ago Bishop was the leader of an elite close protection team hired to protect a millionaire & his daughter. After being attacked Bishop regained consciousness to find seven bodies strewn throughout the millionaires Long Island mansion
- including those of his two charges
- & a mountain of evidence guaranteed to send him down for murder. But to find out who set him up & why Bishop needs to be free. & now the time has come to make his move. Prepare yourself for the most exciting debut thriller of the year...

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A gripping Quick Read from the master of the race against time thriller. Have you ever been in the wrong place at the wrong time? You are hiking in the Scottish highlands with three friends when you come across a girl. She is half-naked has been badly beaten & she can't speak English. She is clearly running away from someone. Do you stop to help her? Even if it means putting your friends' lives
- & your own
- in terrible danger?

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