How Novels Work

Product Description

Never has contemporary fiction been more widely discussed & passionately analysed; recent years have seen a huge growth in the number of reading groups & in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column Elements of Fiction John Mullan examines novels mostly of the last ten years many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique setting recent fiction alongside classics of the past. Nick Hornbys adoption of a female narrator is compared to Daniel Defoes; Ian Mc Ewans use of weather is set against Austens & Hardys; Carole Shields chapter divisions are likened to Fanny Burneys. Each section shows how some basic element of fiction is used. Some topics (like plot dialogue or location) will appear familiar to most novel readers; others (metanarrative prolepsis amplification) will open readers eyes to new ways of understanding & appreciating the writers craft. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist. It is an entertaining & stimulating exploration of that ingenuity. Addressed to anyone who is interested in the close reading of fiction it makes visible techniques & effects we are often only half-aware of as we read. It shows that literary criticism is something that all fiction enthusiasts can do. Contemporary novels discussed include: Monica Alis Brick Lane; Martin Amiss Money; Margaret Atwoods The Blind Assassin; A.S. Byatts Possession; Jonathan Coes The Rotters Club; J.M. Coetzees Disgrace; Michael Cunninghams The Hours; Don De Lillos Underworld; Michel Fabers The Crimson Petal & the White; Ian Flemings From Russia with Love; Jonathan Franzens The Corrections; Mark Haddons The Curious Incident of the Dog in the Night-time; Patricia Highsmiths Ripley under Ground; Alan Hollinghursts The Spell; Nick Hornbys How to Be Good; Ian Mc Ewans Atonement; John le Carres The Constant Gardener; Andrea Levys Small Island; David Mitchells Cloud Atlas; Andrew OHagans Personality; Orhan Pamuks My Name Is Red; Ann Patchetts Bel Canto; Ruth Rendells Adam & Eve & Pinch Me; Philip Roths The Human Stain; Jonathan Safran Foers Everything Is Illuminated; Carol Shieldss Unless; Zadie Smiths White Teeth; Muriel Sparks Aiding & Abetting; Graham Swifts Last Orders; Donna Tartts The Secret History; William Trevors The Hill Bachelors; & Richard Yatess Revolutionary Road.