In this radical & wide-ranging reassessment of Renaissance art, Jerry Brotton & Lisa Jardine examine the ways in which European culture came to define itself culturally & aesthetically in the years 1450 to 1550. Looking outwards for confirmation of who they were & of what defined them as civilized`, Europeans encountered the returning gaze of what we now call the East, in particular the powerful Ottoman Empire of Mehmed the Conqueror & Suleyman the Magnificent. ” Global Interests” explores these historical interactions by offering new & exciting accounts of three often neglected art objects: portrait medals, tapestries & equestrian art. The portability of medals & tapestries, & the transportability of, & esteem accorded to, pure-bred Eastern horses made them frequently exchanged objects, &, as such, highly revealing of the cultural currents flowing between Occident & Orient. The authors provide fascinating new responses to some of the most iconic paintings of the period, including the work of Pisanello, Leonardo, Durer, Holbein & Titian.” Global Interests” also offers a timely reassessment of the development of European imperialism, focusing on the Habsburg Empire of Charles V, & concludes with a consideration of the impact this history continues to have upon contemporary perceptions of European culture & ethnic identity.