The artist Mark Hearld finds his inspiration in the flora & fauna of the British countryside: a blue-eyed jay perched on an oak branch; two hares enjoying the spoils of an allotment; a mute swan standing at the frozen water's edge; & a sleek red fox prowling the fields. Hearld admires such twentieth-century artists as Edward Bawden John Piper Eric Ravilious & Enid Marx & like them he chooses to work in a range of media
- paint print collage textiles & ceramics. Workbook is the first collection of Hearld's beguiling art. The works are grouped into nature-related themes introduced by Hearld who narrates the story behind some of his creations & discusses his influences. He explains his particular love of collage which he favours for its graphic quality & potential for strong composition. Art historian Simon Martin contributes an essay on Hearld's place in the English popular-art tradition & also meets Hearld in his museum-like home to explore the artist's passion for collecting objects his working methods & his startling ability to view the wonders of the natural world as if through a child's eyes.