The Cokin Centre Spot WA Incolour 2 has a large hole. The filter is best for use with wide-angle through to standard lenses. The smaller the aperture, the sharper the edges of the hole will be. Filter density 2. The Centre Spot Incolour 2 filter is available for use with standard or telephoto lenses. ...

The Cokin Centre Spot WA Incolour 2 has a large hole. The filter is best for use with wide-angle through to standard lenses. The smaller the aperture, the sharper the edges of the hole will be. Filter density 2. The Centre Spot Incolour 2 filter is available for use with standard or telephoto lenses. ...

The Cokin Centre Spot WA Green has a large hole. The filter is best for use with wide-angle through to standard lenses. The smaller the aperture, the sharper the edges of the hole will be. The Centre Spot Green filter is available for use with standard or telephoto lenses. ...

The Cokin Dreams 2 filter has small circular lenses which create a second image around an unaltered central image. The second image appears more or less as a distinct halo, depending on the focal length, the aperture, & the background. The Dreams 2 filter has a density of 2. ...

The Cokin Split Field filter means that you can focus very close to a subject & retain the same clarity for the background. This is achieved by placing a diopter (close-up lens) in one half of the lens frame. The other half has no lens so you can focus on the background object as normal while the diopter focuses on the close-up subject. By turning the filter you determine what is close & what is background. Cokin Split Field filters are available in 3 different 3 dipoter strengths, & this 111 is the weakest of the three at +1 dipoter. ...

This Gradual Neutral Grey reduces the total amount of light reaching the film without affecting the colour balance. It restores the balance between the main subject & the foreground/background. ...

This Gradual Neutral Grey reduces the total amount of light reaching the film, but without affecting the colour balance. It restores the balance between the main subject & the foreground/background. ...

Progressive graduation from the bottom to the top of the filter, same colour & tone than 121. According to the classic rules of landscape layout, the sky occupies 3/5 of the space above the line of horizon, whether real or imaginary. In photography, this is interpreted by major differences in luminosity between the sky & the rest of the image. COKIN Graduated Filters, by reducing the difference, re-balance the luminosity between the upper & lower part of the image. They put an end to disappointment from washed-out skies & underexposedlandscapes. Since the sky & the clouds are changeable & varied, Cokin Graduated Filters invite you to imitate them in your own interpretation of colours. ...

The Cokin P121L is a very light gradual filter, with the same colour but lighter tone than standard 121. The P121L Gradual Grey reduces the total amount of light reaching the sensor without affecting the colour balance. It restores the balance between the main subject & the foreground/background. ...

Cokin graduated ND filters are just the ticket for landscapes where the sky is particularly bright -and thus susceptible to being over-exposed
- or when you want a darker, moodier sky. The filter retains normal colour balance across the visible spectrum, with a progressive graduation from the middle to the top of the filter. For those familiar with the Cokin line, the P121M filter has the same colour as the 121 filter, but a lower tone.
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