The Cokin Split Field filter means that you can focus very close to a subject & retain the same clarity for the background. This is achieved by placing a diopter (close-up lens) in one half of the lens frame. The other half has no lens so you can focus on the background object as normal while the diopter focuses on the close-up subject. By turning the filter you determine what is close & what is background. ...

This Gradual Neutral Grey reduces the total amount of light reaching the film without affecting the colour balance. It restores the balance between the main subject & the foreground/background. ...

This Gradual Neutral Grey reduces the total amount of light reaching the film, but without affecting the colour balance. It restores the balance between the main subject & the foreground/background. ...

Progressive graduation from the bottom to the top of the filter, same colour & tone than 121. According to the classic rules of landscape layout, the sky occupies 3/5 of the space above the line of horizon, whether real or imaginary. In photography, this is interpreted by major differences in luminosity between the sky & the rest of the image. COKIN Graduated Filters, by reducing the difference, re-balance the luminosity between the upper & lower part of the image. They put an end to disappointment from washed-out skies & underexposedlandscapes. Since the sky & the clouds are changeable & varied, Cokin Graduated Filters invite you to imitate them in your own interpretation of colours. ...

The Cokin P121L is a very light gradual filter, with the same colour but lighter tone than standard 121. The P121L Gradual Grey reduces the total amount of light reaching the sensor without affecting the colour balance. It restores the balance between the main subject & the foreground/background. ...

The Cokin P1215 filter has a progressive graduation from the middle to the top of the filter, with the same colour as tone the 121 filter. ...

Gradual filter which eliminates the greenish tones of shooting under fluorescent lighting such as strong white tubes. It is recommended to place the colored part of the filter on the light source. The uncolored part can be placed here on the window to better catch daylight. ...

This ND plain filter reduces the amount of light reaching the film, but without affecting the colour balance. Equivelant to a 1 stop Shutter speed/ Aperture decrease. ...

Without altering colours, the Cokin P153 NDX4 Neutral Density Filter corresponds to a loss of light equivalent to two stops, allowing you to gain the 2 apertures you need to allow you to play with backgrounds, distance & depth of field, or to use a slower shutter speed you need to give an impression of motion. ...

This ND plain filter reduces the amount of light reaching the film, but without affecting the colour balance. Suitable for a 3 stop Shutter speed/ Aperture decrease. ...