The Merchant of Venice is perhaps most associated not with its titular hero Antonio but with the complex figure of the money lender Shylock The play was described as a comedy in the First Folio but its modern audiences find it more problematic to categorise The vilification of Shylock 'the Jew' can be very uncomfortable for a post-holocaust audience & debates continue as to whether Shakespeare's portrayal of this complex man is sympathetic or anti-semitic John Drakakis' comprehensive introduction traces the stage history of the figure of the Jew & looks boldly at twenty-first century issues surrounding it He also explores other themes of the play such as fatherdaughter relations the power of money & the forceful character of Portia to offer readers an energetic original & revelatory reading of this challenging play