
With INLAND EMPIRE David Lynch--creator of such mind-bending works as ERASERHEAD & LOST HIGHWAY--delivers his most avant-garde abstract & impenetrable vision yet A three-hour fever nightmare of a film INLAND EMPIRE takes the basic structure of Lynch's 2001 masterpiece MULHOLLAND DRIVE & spins it even further out of control A blonde actress (Laura Dern) is preparing for her biggest role yet but when she finds herself falling for her co-star (Justin Theroux) she realizes that her life is beginning to mimic the fictional film that they're shooting Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production 47 which was never finished due to an unspeakable tragedy & that's the only the beginning Soon a seemingly endless onslaught of indescribably bizarre situations flash across the screen a sitcom featuring humans in bunny suits a parallel story set in a wintry Poland a houseful of dancing hookers screwdrivers in stomachs & much much more By the time the film's electrifying closing-credit sequence arrives even diehard Lynch fans will be gasping for air Laura Dern's multi-fractured performance is downright heroic She gives the film the human grounding that it so desperately needs Not for the fragile or timid INLAND EMPIRE is a full-blown assault to the senses