Atelier Interactive Artists' Acrylic dries without a plastic skin, unlike conventional acrylics, giving the artist a window of opportunity in which to rehydrate the paint for a limited time. Interactive is thick & buttery allowing you to apply thick impasto techniques or it can be diluted to create vibrant washes & glazes. Interactive is so unique it has a patent pending. For detailed information about Atelier Interactive Acrylics, how to use them, video demonstrations & downloadable pdfs filled with tips & techniques visit: www.chromaonline.com

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Atelier Interactive Artists' Acrylic dries without a plastic skin, unlike conventional acrylics, giving the artist a window of opportunity in which to rehydrate the paint for a limited time. Interactive is thick & buttery allowing you to apply thick impasto techniques or it can be diluted to create vibrant washes & glazes. Interactive is so unique it has a patent pending. For detailed information about Atelier Interactive Acrylics, how to use them, video demonstrations & downloadable pdfs filled with tips & techniques visit: www.chromaonline.com

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Atelier Interactive Artists' Acrylic dries without a plastic skin, unlike conventional acrylics, giving the artist a window of opportunity in which to rehydrate the paint for a limited time. Interactive is thick & buttery allowing you to apply thick impasto techniques or it can be diluted to create vibrant washes & glazes. Interactive is so unique it has a patent pending. For detailed information about Atelier Interactive Acrylics, how to use them, video demonstrations & downloadable pdfs filled with tips & techniques visit: www.chromaonline.com

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Atelier Interactive Artists' Acrylic dries without a plastic skin, unlike conventional acrylics, giving the artist a window of opportunity in which to rehydrate the paint for a limited time. Interactive is thick & buttery allowing you to apply thick impasto techniques or it can be diluted to create vibrant washes & glazes. Interactive is so unique it has a patent pending. For detailed information about Atelier Interactive Acrylics, how to use them, video demonstrations & downloadable pdfs filled with tips & techniques visit: www.chromaonline.com

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Regular Gel has a body like the Atelier paint itself. It moves under the brush much more easily than Heavy Gel (Impasto Gel) which is used for more exaggerated structure. Regular Gel is easy to use for painterly styles where you want to retain brush marks & texture. 250ml jar ...

The Longridge Autograph mount cutting system uses pioneering engineered blade technology. Available with burgundy-coloured anodized rails it features a guide rail, cutter stops, vertical & bevel cutters, a marker gauge, spare pencils & blades, a burnishing bone & instruction DVD, giving you everything required to get started in one box. The Autograph Midi mount cutting system is suitable for cutting up to A2 sized mounts & is designed to allow for left or right-handed use. It really is the most versatile & cost effective solution available today. Also available in Plus (A1) size. ...

The Longridge Autograph mount cutting system uses pioneering engineered blade technology. Available with burgundy-coloured anodized rails it features a guide rail, cutter stops, vertical & bevel cutters, a marker gauge, spare pencils & blades, a burnishing bone & instruction DVD, giving you everything required to get started in one box. The Autograph Midi mount cutting system is suitable for cutting up to A1 sized mounts & is designed to allow for left or right-handed use. It really is the most versatile & cost effective solution available today. Also available in Midi (A2) size. ...

Could there be a more stunning autumn scene for firing the imagination & encouraging the artist in you? Follow Geoff Kersey ...

Could there be a more stunning autumn scene for firing the imagination & encouraging the artist in you? Follow Geoff Kersey ...

If you want to take flower painting seriously, this is one of the best introductions you could wish for. The book begins with an extensive introduction to botanical painting, including the materials you will need & how to choose your subject as well as composition, drawing & the use of colour. This & the Six Stages of Painting that follow are far more than the usual preliminary remarks & are, in fact, some of the main meat of the book. By doing things this way, Michael only has to give you one set of demonstrations instead of 26, leaving the rest of the book free to concentrate on information specific to each plant rather than endless repetition. Each species is thus dealt with in two double-page spreads. The first will show you details of the flowers, leaves & stems & also a drawing of the whole plant. The second spread contains the painting instructions & the finished work side by side. This unusual approach works well in conjunction with the introductory sections & means that you are presented with all the information you need both efficiently & concisely. Many books on botanical illustration (the rather scientific art of flower painting) can bog you down in detail, but Michael Lakin has found a neat & innovative way round this that will make learning a pleasure. Book: Search Press
- Hardback
- 144 pages
- Colour throughout Author: Michael Lakin ISBN: 9781844485628


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