Guaranteed to bring out the chef in anyone, this gorgeous red apron is part of the exclusive National Gallery Cookbook range, which celebrates the many delicious recipes from the National Gallery's own award winning restaurant. Since opening in 2006, National Dining Rooms has established itself as a favourite, not only with National Gallery visitors, but with a broad spectrum of food lovers from all over London. It offers a great British dining experience & culinary treasures to complement the artistic treasures within the Gallery. made from
100% cotton.
Features a large patch pocket for utensils on the front. One size. Machine
Washable.




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Writers & narrators Nicholas Penny is a British art historian. From 2008 to 2015 he was Director of the National Gallery in London. Marc Woodhead lectures at the National Gallery, the National Portrait Gallery & the Wallace Collection. James Heard, Louise Govier & Jo Ryhmer are also art historians. The National Gallery houses some of the world's greatest paintings, from early Renaissance altarpieces to the radical new approaches of Van Gogh, Cezanne & Picasso. This DVD introduces the National Gallery & its collection, & acts as a virtual guided tour & an overall introduction to the history of Western European painting. Dr. Nicholas Penny, the National Gallery's former Director, welcomes you & explains some of the history of the building & collection, then four experts lead you through private tours: Marc Woodhead explores early Renaissance painting, from gilded altarpieces to the stunning realistic portraits of Jan van Eyck James Heard guides us around sixteenth century art, from the High Renaissance mastery of Michelangelo, Raphael & Leonardo da Vinci, to the brilliant Venetian colours of Titian. Louise Govier focuses on seventeeth century art, from Caravaggio's intense religious paintings to Rembrandt's self-searching portraits, & the virtuoso techniques of Rubens & Velázquez. Jo Rhymer looks at paintings from the eighteenth & nineteenth centuries, including Constable, Turner & the Impressionists. Extras on the Visitor's Guide DVD include behind the scenes footage of conservation work & the National Gallery's scientific department, & a closer look at the distinctive mosaic floors designed by Boris Anrep. ...

Create your own bespoke print of Geertgen tot Sint Jans’s The Nativity at Night from our collection. About this painting The Nativity at Night, possibly about 1490 © The National Gallery, London This painting joined our collection in 1925 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

The figure on the left is a midwife. In the background an angel announces the birth of Christ to the shepherds. This was the central predella panel of an altarpiece by the Master of the Castello Nativity in Prato (Museo del Duomo). Two other predella panels of the altarpiece have been identified (Philadelphia, Johnson Collection). The altarpiece came from the church of SS Giusto e Clemente at Faltugnano ...

This is an early painting in which the influence of Lombard artists (including those in the circle of Leonardo) is combined with that of Ferrarese 15th-century painters such as Ercole de' Roberti. It is somewhat unusual for the adoring shepherds to be represented by only one prominent figure, but see also Titian's ' Holy Family & a Shepherd'. ...

This work was painted as the high altarpiece of the church of S. Alessandro, Brescia. The solemnity of the central scene of the Nativity is relieved by a vision of rejoicing angels occupying the upper part of the panel. On either side, panels depict Saint Alexander (lower left) & Saint Jerome in penitence (lower right) with his lion, a stone & a crucifix. Above these lateral panels are Saint Gaudioso (upper left) & Saint Filippo Benizzi (upper right). The strongly Venetian character of Romanino's work is most apparent in the heroic & richly coloured figure of Saint Alexander (Alessandro), who is in the place of honour, at the right hand of the Holy Family, as befits the patron saint of the church. Centre panel 265 x 117.2 cm; lower side panels 159.5 x 64.2 cm & 159.1 x 64.8 cm; upper side panels 74.2 x 64.9 cm & 74.2 x 65.2 cm. ...

The design, which is probably Venetian in origin, is known in several versions. One has been attributed to Tintoretto. This picture may have been executed in the Veneto. The date is uncertain. ...

The painting is probably a mature work of about 1740, but nothing is known about its origin. The subject is unusual, though not unique, in combining the themes of the Nativity & the Trinity. A similar, though not identical, subject was treated by Murillo in his painting ' The Two Trinities' in the National Gallery. ...

In a shed before a cave are seen the Virgin & Child with Saint Joseph, God the Father between two angels, John the Baptist, Saint Stephen & possibly a shepherd, Saints Jerome & Nicholas. On the left pilaster of the frame are shown Saints Gabriel, Peter & Francis; on the right are the Virgin Annunciate, Saints Paul & Lucy. On the predella panels (1849.2) are depicted the Agony in the Garden; the Betrayal of Christ; Christ on the Cross; the Deposition & the Resurrection; & coats of arms, including those of the Cerretani of Siena & Piccolomini. ...

The 12 main panels of the altarpiece, one of the largest to be commissioned in 14th-century Florence, are in the National Gallery Collection. The predella shows scenes from the life of Saint Peter & is dispersed in different collections. The painting was commissioned for the church of San Pier Maggiore in Florence, probably by the Albizzi family. The accounts of 1370 show that a certain Niccolò, probably Niccolò di Pietro Gerini, designed the altarpiece. It was probably painted by Jacopo di Cione & assistants. It was completed in 1371. In the centre of the composition are Christ & the Virgin, dressed in white & gold, & seated upon a canopied throne surrounded by angels. The panels to each side are densely crowded with saints; to the left a prominent Saint Peter carries a model of San Pier Maggiore. The middle tier of the altarpiece, which would have been supported by heavy buttresses, showed (from left to right) the Nativity, the Adoration of the Kings, the Resurrection, the Maries at the Sepulchre, the Ascension & Pentecost. In the three pinnacles above, the Trinity appeared in the centre with adoring angels on each side. A later, more fluent, Florentine version of the theme is ' The Coronation of the Virgin' by Lorenzo Monaco. ...