The central panel shows the Crucifixion, with background scenes relating to the Passion. Left wing: Christ led from the Praetorium. Right wing: Descent from the Cross. The donor in the central panel has been thought to belong to a Charterhouse, St Barthol ...

The Virgin Mary & John the Evangelist are shown on either side of the crucified Christ. On the wings, the donor & donatrix have unidentified coats of arms, partly rubbed out, with the letters 'W B' associated with the donor. In the background of the wings: left, the Way to Calvary, right the Resurrection. The Archangel Gabriel was originally on the reverse of the left wing, & the Virgin Annunciate on the reverse of the right wing. ...

This is one of Guercino's finest late works, imposing in composition, rich in colour & dignified in pose & gesture. It represents one of the twelve pagan sibyls, or seers, who were reputed to have foretold the coming of Christ. The Cumaean Sibyl predicted that Christ would be born of a virgin in a stable at Bethlehem. The inscription refers to the cross on which Christ was crucified. The painting was commissioned in 1651 by Gioseffo Locatelli of Cesena as a companion to the ' King David' now in the Spencer Collection, Althorp, but was bought by Prince Mattias de' Medici. Guercino painted a replacement for Locatelli, the ' Samian Sibyl', which is also in the Spencer Collection. ...

A woman sits surrounded by her luggage, which is in some disarray. A note made by Mancini in a copy of the 1908 catalogue of the Municipal Museum of Modern Art, Dublin, records that this painting was executed in Paris in 1877. ...

Louis (1729
- 1765), son of Louis XV of France (whom he predeceased) & Marie Leczinska, was the father of Louis XVI, Louis XVIII
...

The incident is not described in the Gospels, but the lamentation over the dead Christ had become a traditional subject for depiction; unusually, this picture shows only women mourners. Christ rests on the Virgin's lap. Saint Mary Magdalene is probably th ...

Create your own bespoke print of Guercino’s The Dead Christ mourned by Two Angels from our collection. About this painting The Dead Christ mourned by Two Angels, about 1617-18 © The National Gallery, London This painting joined our collection in 1831 With our custom print service, you can order your own fully customised reproduction from the National Gallery Collection & exhibitions. Choose your own size, print material & frames & have your masterpiece delivered straight to your door. ...

This panel depicts two events from Christ's Passion, each conceived as a subject of visionary contemplation by a saint. In the left background the Deposition of Christ is paired on the right with Saint Francis’s reception of the stigmata – the marks of the wounds which Christ suffered on the cross. In the foreground, the dead Christ, supported by grieving angels, appears before Saint Jerome who beats his breast with a stone in penitence. The painting originally formed the right hand side of a diptych, bound in violet velvet with The Adoration of the Shepherds at the left. ...

The dead Christ, wearing the crown of thorns & displaying his wounds, is supported by two angels. Formerly catalogued as an early work by Giulio Cesare Procaccini (1574
- 1625) of Milan, most recently the painting has been attributed to the little know
...

The dead Christ is supported by grieving angels. Bellini made such images both as individual works & as parts of altarpieces. This picture was probably for private meditation. ...