This is one wing of a diptych. The other wing is in the Lehman collection of the Metropolitan Museum of Art, New York. It shows Saint John the Evangelist & presumably the Magdalen. The work is sometimes attributed to Roberto d' Odorisio. The condition of ...
The incident is not described in the Gospels, but the lamentation over the dead Christ had become a traditional subject for depiction; unusually, this picture shows only women mourners. Christ rests on the Virgin's lap. Saint Mary Magdalene is probably th ...
This panel depicts two events from Christ's Passion, each conceived as a subject of visionary contemplation by a saint. In the left background the Deposition of Christ is paired on the right with Saint Francis’s reception of the stigmata – the marks of the wounds which Christ suffered on the cross. In the foreground, the dead Christ, supported by grieving angels, appears before Saint Jerome who beats his breast with a stone in penitence. The painting originally formed the right hand side of a diptych, bound in violet velvet with The Adoration of the Shepherds at the left. ...
The dead Christ, wearing the crown of thorns & displaying his wounds, is supported by two angels. Formerly catalogued as an early work by Giulio Cesare Procaccini (1574 - 1625) of Milan, most recently the painting has been attributed to the little know ...
This painting is likely to have been made in Venice, where Zoppo chiefly worked. The body of the crucified Christ is shown propped up in the tomb. Saint John the Baptist stands behind a parapet with another saint, wearing a long beard & a cowl, who plac ...
The body of Christ is supported by the Virgin Mary & Saint John the Evangelist. The dove of the Holy Ghost appears above the figures. This was probably painted to encourage meditation on Christ's Passion. The format of the picture may derive from Venet ...
This picture originally formed the upper part of an altarpiece in the Franciscan church at Montefiore dell' Aso near Fermo (in the Marches). A Virgin & Child from the original polyptych is now in the Musee Royaux des Beaux-Arts, Brussels. The signature on ...
This panel formed a lunette above the central panel of an altarpiece from the Laderchi chapel in S. Domenico, Faenza. ' The Baptism of Christ' formed the central part. Christ, wearing the crown of thorns & displaying the wound inflicted on his side during ...
The male saint on the left is Valeriano holding the blue & white standard of Forli. The male saint on the right is Mercuriale, first bishop of Forli, holding the red & white banner of the Guelphs. Between them the design is unusual, with Saint John, t ...
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The Dead Christ Supported By Angels Print
The dead Christ is supported by grieving angels. Bellini made such images both as individual works and as parts of altarpieces. This picture was probably for private meditation.
The dead Christ is supported by grieving angels. Bellini made such images both as individual works & as parts of altarpieces. This picture was probably for private meditation.
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The Dead Christ Supported By Angels National Gallery
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The Dead Christ Supported By Two Angels National Gallery
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The Dead Christ Supported By Saints National Gallery
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The Dead Christ Mourned By Two Angels National Gallery
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The Dead Christ Supported By The Virgin And Saint John National Gallery
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The Dead Christ With Angels National Gallery
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Individual - A single separate item or person.
Print - A mechanical process of putting text onto paper. It can also relate to a pattern on an item.
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