It was on the island of Patmos that Saint John wrote the Book of Revelation. Beside him rests his symbol, the eagle, holds the saint's ink pot. In the sky above is a vision of a woman & child ('the Woman clothed with the Sun') & the seven-headed drago ...
The words on Saint John the Baptist's scroll, ' Behold the Lamb of God', are taken from his Gospel. New Testament (John 1: 29 & 26). This work was previously attributed to Montagna, but is probably a late work by Buonconsiglio. It appears to have been pa ...
In the centre are shown the Virgin & Child enthroned. In the lower row, from left to right are Saints Bernardino, Anthony of Padua, Peter Martyr & John the Baptist. In the upper row are Saints Jerome, Catherine, the Pieta, Saint Sebastian & a female ...
The shutters of a triptych of which the central panel is a Virgin & Child with Angels, now in the Uffizi, Florence. On the left is Saint John the Baptist, carrying the lamb symbolising Christ. On the right is the early Christian martyr Saint Lawrence, c ...
The panel depicting the Virgin & Child was the central panel of a polyptych painted by Crivelli in 1476 as the high altarpiece for San Domenico in Ascoli Piceno, east central Italy. The polyptych was composed of the central panel & eight smaller panel ...
This panel formed the left wing of an Augustinian altarpiece. Saint John the Baptist's scroll is inscribed with his words from the New Testament (John 1: 29). The right wing of the altarpiece depicts ' Saint Mark & Saint Augustine'. It has been suggested ...
The Baptist is depicted filling his bowl with water from a spring. His cross, faintly indicated in gold, may be discerned in the shadows behind him. The subject, involving an under-dressed young male in wild scenery, is one which Leonardo made popular. Piazza worked at Lodi near Milan. ...
The saint is here shown in the wilderness & dressed in camel hair. New Testament (Matthew 3: 1-4; Mark 1: 4-6). For another depiction of the saint by Murillo see ' The Infant Saint John with the Lamb' This painting achieved some fame as a devotional image ...
Saint John the Baptist, wearing furs, with his reed cross lying beside him, points to the figure of Christ in the background at the extreme right. New Testament (Luke 3: 1-17). Mola painted this subject several times. For this painting a date of around 164 ...
This picture is one of the three paintings which formed the predella for Raphael's altarpiece the ' Ansidei Madonna' (dated 1505) in the church of S. Fiorenzo, Perugia. It was placed beneath the image of Saint John in the main altarpiece, who is here shown in the same costume. Below the Virgin & Child was a depiction of her betrothal & below Saint Nicholas one of his miracles: these panels seem not to have survived. On loan to the exhibition ' Magister Rafael Iohanis Santis. Gli esordi tra Urbino, Cittá di Castello e Perugia' at the Pinacoteca Comunale, Cittá di Castello, Italy from March to June 2006. ...
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Saint John The Baptist
The saint is shown in the wilderness, dressed in animal skins, holding a reed cross and drinking from a fountain. Once attributed to Caravaggio or one of his followers, the picture may have been painted in the mid-17th century, probably in Rome.
The saint is shown in the wilderness, dressed in animal skins, holding a reed cross & drinking from a fountain. Once attributed to Caravaggio or one of his followers, the picture may have been painted in the mid-17th century, probably in Rome.
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