Description / construction: Low table with 3 superimposed tops, the upper 2 of which pivot. Tops are in 50mm thick panels finished in either oak veneer or lacquer. Metal base finished in Epoxy anthracite lacquer. 3 possible positions: 1 closed & 2 open, depending on whether just one top is unfolded, or two; in the latter case the overall

Dimensions are 137.1 x 130.9 cm. Designer: Pagnon & Pelhaître Our design is in our image: authentic & convivial, innovative & visionary. It is a great plesure to see our products dispersed in the midst of the lives of 'anonymous consumers' everywhere. 1977: graduated in decorative arts 1979: creation of Pagnon & Pelhaitre design 1983: First, Cinna 1985: Straty, Cinna 1987: Domus collection, Ligne Roset 1991: Dune living & bedroom furniture, Cinna (Roset group) 1992: Mobile, Cinna

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Description: Ligne Roset’s Rewrite desk is a little jewel of modernity & softness. The soundproofed bubble affords protection from both light & external noise & also dampens sounds emanating from within it. The natural, precious materials of which it is composed, walnut & Kvadrat Divina wool, reinforce the overall feeling of softness & security. The functional aspect is covered by a lacquered metal chest, fixed beneath the desk, which conceals transformers & electrical cables, & by a slit cable port in the top of the desk. Whilst staying connected, the user can isolate himself & construct for himself a very private space which is nonetheless still linked to the outside world... thanks to its rounded shape, the Rewrite desk can be located as a ‘point’ anywhere in the room, be it living room, bedroom or even a large hallway. Designer: Ronan & Erwan Bouroullec: Ligne Roset’s Ploum sofa was designed by Ronan & Erwan Bouroullec. They were born in Quimper, in 1971 & 1976 respectively. Giulio Cappellini discovered them in 1997, when their 'dis-integrated kitchen' was presented at the Salon du Meuble de Paris. From this meeting was born an uninterrupted collaboration, which was cemented by numerous projects from 1999 onwards. Today, Ronan & Erwan Bouroullec work regularly with a number of manufacturers such as Vitra, Cappellini, Issey Miyake, Magis, Ligne Roset, Habitat & Kréo. Elected 'créateurs de l'année' at the Salon du Meuble in 2002, they have been awarded, to name but a few, the New Designer Award of the New York International Contemporary Furniture Fair in 1999, the Grand Prix du Design de la Ville de Paris in 1998 & the first prize in the Biennale du Design de Saint-Etienne in 1998. They were also named Designers of the Year by Elle Décoration Japan in 2003. ...

Description: A resolutely urban graphic collection, easily accommodated & accessibly priced. The Rocher collection picks up on the trend for fractal design as characterised by its faceted construction. In actual fact the surface of the shell of the Rocher chair, a black or white envelope which does duty as seat, back & arms, seems to have been cut like a diamond. It sits on four chromed steel feet, which could equally be finished in black or white lacquer to match the shell. Easy on the eye, it combines easily with a large number of dining tables, be they classic or contemporary in style. ...

Description: Waste paper bin in folded sheet steel finished in satin-finish black or satin-finish white lacquer. Designer: Hertel & Klarhoefer: Peter Christian Hertel, born in 1968, & Sebastian Klarhoefer, born in 1966, have known each other since childhood. They studied architecture in Berlin & Venice, completing their studies in 1994, & in Berlin in 1996. Since 2001, Hertel & Klarhoefer have designed furniture & accessories for renowned brands such as Authentics, Classi Con, Elmarflötotto, Ligne Roset, Nils Holger Moormann & Zeitraum. ...

Description: A resolutely urban graphic collection, easily accommodated & accessibly priced. The Rocher collection picks up on the trend for fractal design as characterised by its faceted construction. In actual fact the surface of the shell of the Rocher chair, a black or white envelope which does duty as seat, back & arms, seems to have been cut like a diamond. It sits on four chromed steel feet, which could equally be finished in black or white lacquer to match the shell. Easy on the eye, it combines easily with a large number of dining tables, be they classic or contemporary in style. ...