Canon CG-A10 Dual Battery Charger for EOS C300 MKII The new CG-A10 charger powers up the BP-A30 & BP-A60 batteries for use with the EOS C300 Mark II. ...

Eizo CG248-4K 23.8" (60 cm) Hardware Calibration LCD Monitor Now you can enjoy the exceptional detail in high-resolution photographs that cannot be reproduced with a standard monitor. Alphanumeric characters & contours are also distinguished with excellent sharpness for the printing workflow. The 4K ultra-high-definition (UHD) screen (3840 × 2160) is four times the size of full HD (1920 × 1080), making it ideal for high-resolution photography or as a reference monitor for 4K video creation. Reproduce the sky blues & lush greens that standard s RGB monitors cannot with the monitor’s 99% Adobe RGB coverage. Images shot in RAW can be converted to Adobe RGB or images shot in Adobe RGB will be displayed correctly. The wide color gamut also ensures that the monitor covers 100% of the Rec. 709, EBU, & SMPTE-C standards as well as 93% of the DCI used in post production. Whether you are working with photo, video, or print, this monitor ensures faithful color reproduction for a multitude of creative industries. Automate your calibration with the built-in calibration sensor that eliminates the time & effort of an external calibration device. With the dedicated Color Navigator 6 & Color Navigator NX software, you can schedule the monitor to self-calibrate at specific times so you can always be sure that images are displayed with exceptional color accuracy. The monitor will stick to its preset schedule even if it is switched off or not connected to a computer. KEY

Features: Reproduces 99% of the Adobe RGB Color Space Built-In Calibration Sensor Inc Color Navagator V6 software Digital Uniformity from Corner to Corner 10-Bit Simultaneous Display Broadcast & Cinema Presets 4K Zoom Function Inc Monitor Hood shade  

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CG318-4K 31.1" (79 cm) Hardware Calibration LCD Monitor Quadruple the Resolution of Full HD. & Then Some. The Color Edge CG318-4K displays the DCI 4K standard (4096 x 2160) which is more than four times that of full HD (1920 x 1080). It's ideal for creating, editing, & referencing with 2D & 3D CGI, VFX, compositing, & color grading. Large 31.1" Screen Whether you are creating, editing, or checking your work, this screen offers ample space to focus on 4K content. At a dense 149 ppi, it’s suited for not only video but also photo retouching & printing. Reproduces 98% of DCI-P3 This wide-gamut monitor faithfully reproduces almost the entire DCI-P3 standard used in digital cinema. It also covers 100% of the Rec. 709, EBU, & SMPTE-C standards & 99% of Adobe RGB. What's more, it reproduces the sky blues & lush greens that standard s RGB monitors cannot. Self Calibration Sensor for Hassle-Free Maintenance Automate your calibration with the Self Calibration sensor that is housed within the monitor's top bezel & swings down onto the screen only when calibrating. This sensor eliminates the need for a third-party calibration device & works with EIZO’s Color Navigator 6 & Color Navigator NX software Colour Management Software For individual users such as photographers that require multiple options for monitor profiling & print matching. Colour Management Software For organizations that want to conduct color management from one location. True Blacks with 1500:1 Contrast Ratio In compliance with the DCI standard, the contrast ratio is a high 1500:1. This produces true blacks that are otherwise difficult to display on a typical LCD monitor. Even when viewing the screen from an angle in a dimly-lit studio the dark tones retain their depth. Also, you can prioritize a high brightness & contrast ratio over the screen brightness uniformity by pressing a button on the front of the monitor. Uniformity from Corner to Corner Fluctuations in brightness & chromaticity on different parts of the screen are a common trait of LCD monitors. To counteract this, EIZO's patented digital uniformity equalizer (DUE) technology ensures a Delta-E difference of 3 or less across the screen when the monitor leaves the factory. DUE also counterbalances the influences that a fluctuating ambient temperature may have on color temperature & brightness to ensure stable image display. 10-Bit Simultaneous Display With 10-bit simultaneous color display* from a 16-bit look-up table, the CG318-4K can show more than one billion colors simultaneously. This is 64 times as many colors as you get with 8-bit display which results in even smoother color gradations & reduced Delta-E between two adjacent colors. *A graphics board & software which support 10-bit output are also necessary for 10-bit display. Equipment that supports Deep Color is necessary with the HDMI inputs. ...

Panasonic CGA-D54SE 5400mah LI-ION Battery. ...

Eizo CH6 Monitor Hood for CS230 Monitor This light-shielding hood effectively prevent glare on the monitor's screen caused by ambient lighting. ...

Chamber Clean™ has been specifically developed to aid in the reduction of dust within the chamber area. It not only cleans away dust & oils that accumulate on the walls & mechanisms but also provides anti-static properties to reduce further build up. Chamber Clean™ is specifically formulated to have the following characteristics: Antistatic
- to prevent dust accumulation Cleaning
- helps remove stubborn flecks, dust & liner fabrics Lubricant
- to reduce flecks by reducing friction Chamber Clean™ solution is filtered to less than 0.2 micron, 40 times smaller than 8 micron pixel size. Visible Dust does not recommend using other cleaning solutions which may contaminate the sensor.  


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Calumet's Background Paper has a high-quality, fine-tooth nonreflecting surface that enhances your photography. Just add a background stand & these rolls instantly become sweeps. We make an extra effort to make sure your background paper arrives safely. Calumet Background Paper is wrapped in a plastic sleeve to trap out moisture & dirt, then packed in a sturdy tube or carton for maximum protection during shipping. Note: While every effort was made to ensure accurate colour reproduction of the products shown here, some variances may occur on screen. ...

Calumet's Background Paper has a high-quality, fine-tooth nonreflecting surface that enhances your photography. Just add a background stand & these rolls instantly become sweeps. We make an extra effort to make sure your background paper arrives safely. Each 2.72m wide background paper is wound on a tough, rigid core for extra support. Calumet Background Paper is wrapped in a plastic sleeve to trap out moisture & dirt, then packed in a sturdy tube or carton for maximum protection during shipping. Note: While every effort was made to ensure accurate colour reproduction of the products shown here, some variances may occur on screen. ...

A changing bag is probably the most essential piece of equipment a photographer can carry, & it is also one of the most simple. Having a changing bag to hand means that a jammed or partly exposed film can be safely removed from the camera & shooting can continue & it will allow a film to be loaded into a developing tank without having to first find a darkroom. The Paterson changing bag is small enough to fit into a camera bag, yet large enough to allow a camera back to be fully opened once inside or a film to be loaded into a tank. It has a fail-safe double skin with a double zip closure & the inner lining is specially designed to avoid perspiration in prolonged use. ...

Calumet's Background Paper has a high-quality, fine-tooth nonreflecting surface that enhances your photography. Just add a background stand & these rolls instantly become sweeps. We make an extra effort to make sure your background paper arrives safely. Calumet Background Paper is wrapped in a plastic sleeve to trap out moisture & dirt, then packed in a sturdy tube or carton for maximum protection during shipping. Note: While every effort was made to ensure accurate colour reproduction of the products shown here, some variances may occur on screen. ...