The classic past meets the digital present & future in the new CFV-50c back. The new CMOS sensor-based CFV-50c back enables history to look to the future – brilliantly blending classic & iconic design with advanced imaging technology. Just like its H5D-50c companion the CFV-50c provides outstanding performance at all ISO settings. Lower noise levels enables shooting at higher ISO values, guaranteeing crisp clean images & picture-perfect colours. The CFV-50c comes with a cutting edge CMOS sensor (just like its H5D-50c sibling) offering photographers outstanding performance at all ISO settings. Now dedicated V System users – even those with cameras going back as far as 1957 – have access to the very latest imaging technology from the world’s leading medium format camera maker, but can still revere & cherish V System classic design & feel. The CFV-50c celebrates almost sixty years of V System history but now offers users instant access to the revelations of today’s progressive imaging environment. Photographers can now embrace the wealth & bandwidth of latest photo know-how & employ it with ease to fully exploit the potential for their older cameras. Breathtaking results from a world-beating digital back. It’s Hasselblad genius at your fingertips. CFV-50c key features at a glance: •CMOS sensor with ISO values up to 6400 provides lower noise levels, guaranteeing crisp clean images & picture-perfect colours. • Long exposures with clean, noise-free images. • Simple operation: no external cables required. (The CFV is the only digital back to offer this for V cameras) • Live Video in Phocus in

Colour: Plus much higher frame rate than earlier CCD-based CFV backs. • Larger LCD screen with higher resolution. • New menu system & button layout. • Ninety degree viewfinders. Now photographers can use the PM90 & PME90 viewfinders. (Easier portrait or vertical shooting) •12.5 MPixel JPEG option (in addition to the RAW file); • New programmable button – a shortcut to a photographer’s most frequently used function. • Classic Hasselblad square crop option. • Remote control option from Phocus using a 500EL-type or 503CW with winder.

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Eizo have released the latest version of their 24” CG Series monitor, the CG247, this replaces the CG246. Built for professionals in printing, photography, & post production, the Color Edge CG247 combines a built-in calibration sensor with 99% Adobe RGB coverage & uniform brightness for outstanding colour. Like the CG246 the 277 has built in hardware calibration & produces 99% of Adobe RGB over the 97% of the 246, & comes with monitor hood & Colour Navagator software.

Features: Built-In Self Calibration Sensor Automate your calibration with the built-in Self Calibration sensor that is housed within the monitor's bottom bezel & swings up onto the screen only when calibrating. This sensor eliminates the need for a third-party calibration device & even operates in portrait mode. Correlation with External Sensors The monitor can be correlated to the measurement results of an external calibration sensor. After correlating, the built-in sensor will automatically recalibrate to the settings. This is convenient if the monitor is used in a work environment with other monitors & one measurement device must be used as a standard for all calibration. Reproduces 99% of the Adobe RGB Color Space colorgamut An IPS panel with a wide color gamut reproduces 99% of the Adobe RGB color space so images shot in RAW can be converted to Adobe RGB or images shot in Adobe RGB will be displayed correctly. The colors seen in photos of vibrant blue skies & lush green forests will be reproduced faithfully. The wide color gamut also ensures that the monitor reproduces almost the entire ISO-coated & US web-coated CMYK color spaces used in printing as well as 93% of the DCI used in post production. Stable Display within Seven Minutes of Startup From the time it is turned on it typically takes 30 minutes or longer for a monitor’s brightness, chromaticity, & tone characteristics to stabilize. EIZO has shortened this warm-up time by more than 75% to a mere 7 minutes. For confirming your work in a photo studio or taking your monitor with you on location, you can get to work right away. Predictable Color with Any Media With content published on so many different types of printed & digital media it's critical to know how your clients will see color. A Color Edge monitor & the bundled Color Navigator software let you do just that as they are designed for both softproofing & digital device emulation. So now you can "predict" how color will appear to your clients whether you produce content for printed media like books & magazines or for digital media devices like tablets, smart phones, & notebook computers.

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Color Edge CG277 27" (68cm) Hardware Calibration LCD Monitor Built-In Self Calibration Sensor: Automate your calibration with the built-in Self Calibration sensor that is housed within the monitor's bottom bezel & swings up onto the screen only when calibrating. This sensor eliminates the need for a third-party calibration device & even operates in portrait mode. Using either the OSD menu or the bundled Color Navigator software, you can schedule the monitor to self-calibrate at specific times. Even if the monitor is switched off or not connected to a computer, it will stick to its preset schedule & self-calibrate. Correlation with External Sensors: The monitor can be correlated to the measurement results of an external calibration sensor. After correlating, the built-in sensor will automatically recalibrate to the settings. This is convenient if the monitor is used in a work environment with other monitors & one measurement device must be used as a standard for all calibration. What’s New with the Color Edge CG277: Reproduces 99% of the Adobe RGB Color Space; An IPS panel with a wide color gamut reproduces 99% of the Adobe RGB color space so images shot in RAW can be converted to Adobe RGB or images shot in Adobe RGB will be displayed correctly. The colors seen in photos of vibrant blue skies & lush green forests will be reproduced faithfully. The wide color gamut also ensures that the monitor reproduces almost the entire ISO-coated & US web-coated CMYK color spaces used in printing as well as 93% of the DCI used in post production. Excellent Tone Display In The Dark: When viewing the screen from an angle in a dimly lit room, dark tones typically appear washed out due to the display characteristics of LCD backlights. The monitor maintains a high contrast ratio even from an angle which allows the dark tones to retain their depth. Non-Glare IPS Panel: The IPS (in-plane switching) panel exhibits no glare & allows several people to view the monitor with minimal color shift. LED Backlight Cuts Power by 40%: The LED backlight reduces energy consumption by 40% compared to a conventional backlight. It is also mercury-free for less impact on the environment when it is eventually disposed of. Brightness Modulation Minimizes Flicker: To counteract the flicker that is noticeable by some users at low brightness settings, EIZO uses PWM (pulse width modulation) technology. This helps prevent eye fatigue for a more comfortable work environment. Features for Creative Work: Uniformity from Corner to Corner: Fluctuations in brightness & chromaticity on different parts of the screen are a common trait of LCD monitors. To counteract this, the monitor incorporates EIZO's patented digital uniformity equalizer (DUE) technology to ensure a Delta-E difference of 3 or less across the screen when the monitor leaves the factory. DUE also counterbalances the influences that a fluctuating ambient temperature may have on color temperature & brightness to ensure stable image display. Individually Adjusted at the Factory: The gamma level for each Color Edge monitor is adjusted at the factory. This is accomplished by measuring the R, G, & B gamma values from 0 – 255, then using the monitor’s 16-bit look-up table (LUT) to select the 256 most appropriate tones to achieve the desired value. Stable Display within Seven Minutes of Startup: From the time it is turned on it typically takes 30 minutes or longer for a monitor’s brightness, chromaticity, & tone characteristics to stabilize. EIZO has shortened this warm-up time by more than 75% to a mere 7 minutes. For confirming your work in a photo studio or taking your monitor with you on location, you can get to work right away. 10-Bit Simultaneous Display: Using the Display Port input, the monitor offers 10-bit simultaneous color display* from a 16-bit look-up table which means it can show more than one billion colors simultaneously. This is 64 times as many colors as you get with 8-bit display which results in even smoother color gradations & reduced Delta-E between two adjacent colors.*A graphics board & software which support 10-bit output are also necessary for 10-bit display. Simple & Precise Calibration with Color Navigator: The bundled Color Navigator software makes calibration both simple & quick. Just input target values for brightness, white point, & gamma. The built-in sensor directly utilizes the monitor's look-up table & creates an ICC profile within minutes. You can always download the latest version of Color Navigator for free here on eizo.com. Predictable Color with Any Media: With content published on so many different types of printed & digital media it's critical to know how your clients will see color. A Color Edge monitor & the bundled Color Navigator software let you do just that as they are designed for both softproofing & digital device emulation. So now you can "predict" how color will appear to your clients whether you produce content for printed media like books & magazines or for digital media devices like tablets, smart phones, & notebook computers.   ...

Canon CG-800 Battery Charger is compatible with all Canon 800 series batteries. This charger requires a power input of 100-240V & provides a power output of 8.4V. ...

Canon CG-A10 Dual Battery Charger for EOS C300 MKII The new CG-A10 charger powers up the BP-A30 & BP-A60 batteries for use with the EOS C300 Mark II. ...

CG318-4K 31.1" (79 cm) Hardware Calibration LCD Monitor Quadruple the Resolution of Full HD. & Then Some. The Color Edge CG318-4K displays the DCI 4K standard (4096 x 2160) which is more than four times that of full HD (1920 x 1080). It's ideal for creating, editing, & referencing with 2D & 3D CGI, VFX, compositing, & color grading. Large 31.1" Screen Whether you are creating, editing, or checking your work, this screen offers ample space to focus on 4K content. At a dense 149 ppi, it’s suited for not only video but also photo retouching & printing. Reproduces 98% of DCI-P3 This wide-gamut monitor faithfully reproduces almost the entire DCI-P3 standard used in digital cinema. It also covers 100% of the Rec. 709, EBU, & SMPTE-C standards & 99% of Adobe RGB. What's more, it reproduces the sky blues & lush greens that standard s RGB monitors cannot. Self Calibration Sensor for Hassle-Free Maintenance Automate your calibration with the Self Calibration sensor that is housed within the monitor's top bezel & swings down onto the screen only when calibrating. This sensor eliminates the need for a third-party calibration device & works with EIZO’s Color Navigator 6 & Color Navigator NX software Colour Management Software For individual users such as photographers that require multiple options for monitor profiling & print matching. Colour Management Software For organizations that want to conduct color management from one location. True Blacks with 1500:1 Contrast Ratio In compliance with the DCI standard, the contrast ratio is a high 1500:1. This produces true blacks that are otherwise difficult to display on a typical LCD monitor. Even when viewing the screen from an angle in a dimly-lit studio the dark tones retain their depth. Also, you can prioritize a high brightness & contrast ratio over the screen brightness uniformity by pressing a button on the front of the monitor. Uniformity from Corner to Corner Fluctuations in brightness & chromaticity on different parts of the screen are a common trait of LCD monitors. To counteract this, EIZO's patented digital uniformity equalizer (DUE) technology ensures a Delta-E difference of 3 or less across the screen when the monitor leaves the factory. DUE also counterbalances the influences that a fluctuating ambient temperature may have on color temperature & brightness to ensure stable image display. 10-Bit Simultaneous Display With 10-bit simultaneous color display* from a 16-bit look-up table, the CG318-4K can show more than one billion colors simultaneously. This is 64 times as many colors as you get with 8-bit display which results in even smoother color gradations & reduced Delta-E between two adjacent colors. *A graphics board & software which support 10-bit output are also necessary for 10-bit display. Equipment that supports Deep Color is necessary with the HDMI inputs. ...

Panasonic CGA-D54SE 5400mah LI-ION Battery. ...

Eizo CH6 Monitor Hood for CS230 Monitor This light-shielding hood effectively prevent glare on the monitor's screen caused by ambient lighting. ...

These monitor hoods reduce light reflection for on screen color consistency. Size is adjustable to fit each monitor. The photo sensor can be attached to the monitor & removed with the hood in place thanks to a sliding plate at the top. The inside of the hood is made with anti-glare material. The CH7 can be used in portrait mode as well. ...

Chamber Clean™ has been specifically developed to aid in the reduction of dust within the chamber area. It not only cleans away dust & oils that accumulate on the walls & mechanisms but also provides anti-static properties to reduce further build up. Chamber Clean™ is specifically formulated to have the following characteristics: Antistatic
- to prevent dust accumulation Cleaning
- helps remove stubborn flecks, dust & liner fabrics Lubricant
- to reduce flecks by reducing friction Chamber Clean™ solution is filtered to less than 0.2 micron, 40 times smaller than 8 micron pixel size. Visible Dust does not recommend using other cleaning solutions which may contaminate the sensor.  


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