If you use a 35mm full frame format camera body, this award-winning* lens offers an ideal balance of brightness, zoom range & image quality for a wide range of situations you’re likely to encounter in everyday shooting. The fact that it features a constant, bright F2.8 maximum aperture at all focal lengths offers significant advantages for hand held & low light shooting, as well as for creating gorgeous defocused backgrounds. But you never know when you might need to go a bit longer, so if there’s room in your bag consider taking the 75–300mm SAL75300 along as well: the SAL2875 plus SAL75300 combination gives you a full-frame focal length range from 28mm to 300mm. ...

Fast & compact, the AF-S NIKKOR 28mm F/1.8G is a great choice for photographers who want to shoot wide-angle images, & get the best out of a high-resolution D-SLR. The 28 mm focal length is ideal for shooting in confined spaces, capturing stunning vistas or photographing cityscapes & street scenes. The large f/1.8 aperture delivers sharper shots in low light & achieves a perfect balance of sharpness & bokeh, singling out subjects beautifully. The fast aperture also provides a bright viewfinder image.   Broad advantage   Equipped with a brand new optical design, the AF-S NIKKOR 28mm F/1.8G supports the increasing resolution of modern D-SLRs with sharp, beautifully rendered stills & movies. Two aspherical lens elements effectively minimize aberrations & correct the distortion that can occur with a wide angle of view. Nikon’s exclusive Nano Crystal Coat reduces ghost & flare, & Silent Wave Motor (SWM) ensures discreet but accurate autofocus.   Compact & durable   With a weather-sealed mount & weighing just 330g, the AF-S NIKKOR 28mm F/1.8G is a solid yet lightweight & compact option that will fit easily into any kit bag. Compatible with Nikon FX-format D-SLRs, it offers a 42 mm (equivalent) focal length when used with Nikon DX-format D-SLRs & is fully compatible with entry-level models that do not have a built-in autofocus motor. ...

Considered the standard wideangle lens, this 28mm gives you a picture angle of 74°, & a fast f/2 maximum aperture for easy focusing even in very dim light. Ideal for candids, cityscapes & travel photography. Compact, lightweight wideangle lens 74 Degrees picture coverage for superlative flexibility Focuses down to 0.25m ...

A standard wideangle for general photography.   Compact, lightweight wideangle lens 74 Degrees picture coverage for superlative flexibility Focuses down to 0.25m ...

Hasselblad 28mm f/4 HCD Lens This retro focus lens has a 95’ diagonal angle of view making it the most extreme wide-angle lens presently available in the medium-format. Outstanding results are achieved throughout the focusing range exhibiting excellent corner-to-corner sharpness. The HCD 28mm f/4.0 Wide Angle Prime Lens from Hasselblad is a rear-focusing lens designed specifically for digital use on H-series Hasselblad cameras, including the H3D, HD4 & H2F. Because of this, the lens is not compatible with the Hasselblad 1.7x Converter, or the HM 16-32 & HMi 100 film magazines. All HCD lenses have electronic shutter mechanisms & feature Multi Coating for efficient stray light elimination, an integral focus drive motor, & instant access to manual focus without switching between manual & auto focus It is constructed with metal wherever possible, rather than plastic, in order to ensure reliability & durability year after year. In addition, the special optical design of the lens provides a uniquely soft, smooth quality to the blurred or out-of-focus areas of the image. It supports 95mm threaded filters &

Includes:: lens shade & bayonet mount & can be reverse mounted for transport.

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The Carl Zeiss range of T* lenses offers the highest possible standards in terms of performance, reliability &, of course, image quality. Quite simply, they are superior in every way. This compact, moderate wide-angle lens is optimized to reduce stray light & reflections & is well suited for difficult lighting conditions. The combination of focal length & lens speed makes it suitable for a broad spectrum of applications. In the half-light of dawn or at dusk, or in interior spaces, the Distagon T* 2/28 lens is the perfect companion for the more daring photographer. It is at its best when the lights are low. Without forcing itself into the foreground, it discovers & highlights the details that would otherwise be lost in the dark. When wide angle views go to extremes & beg the control via an SLR viewfinder, which means that the back focal distance has to be much larger than the focal length, a retrofous design called Distagon is the right choice. Manually focusing a lens means controlling the image result from your fingertips. A good ergonomic design makes all the difference. ZEISS SLR lenses stand out with their large rotation angle which enables precise focusing. Changes are immediately visible in the viewfinder. The high-quality focusing mechanism moves smoothly without play, thus also supporting the intuitive interaction with the focal plane. The precise engraving in meter & feet, & the depth of focus scale provide additional support for manually focusing. You can count on highly advanced flare control for crisp & brilliant images, for example. & virtually zero geometric distortion, ensuring precise accuracy when reproducing shapes – especially useful when photographing products & architecture. ...

There is nothing that beats natural light when it comes to creating a powerful, authentic impression. But to make the most ...

Manfrotto 290 Aluminium Monopod
- MM290A4 The 290 aluminium monopod is a lightweight, 4-section monopod that is the best solution
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Manfrotto 290 Carbon Monopod
- MM290C4 The 290 Carbon monopod has a 4-section carbon composite leg that’s both lightweight & rigid
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Manfrotto 290 Dual Aluminium 3 Section Tripod
- MT290DUA3 The new 290 Dual is a combination of sturdiness & innovative high-end
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