Tamron‘s All-In-One zoom lens evolution continues with this exceptional lens for full-frame DSLRs. In response to the growing popularity of full-frame digital SLR cameras, Tamron has launching this new, fullframe, high-power zoom incorporating PZD (Piezo Drive), a standing-wave ultrasonic motor system optimized for swift, quiet autofocus, along with the acclaimed VC (Vibration Compensation) mechanism plus a new upscaled cosmetic design & finish. This All-In-One 28-300mm lens delivers superb image quality in a remarkably compact, lightweight package, & is the fruit of Tamron‘s program of extensive technological development over the years. ...

Tamron‘s All-In-One zoom lens evolution continues with this exceptional lens for full-frame DSLRs. In response to the growing popularity of full-frame digital SLR cameras, Tamron has launching this new, fullframe, high-power zoom incorporating PZD (Piezo Drive), a standing-wave ultrasonic motor system optimized for swift, quiet autofocus, along with the acclaimed VC (Vibration Compensation) mechanism plus a new upscaled cosmetic design & finish. This All-In-One 28-300mm lens delivers superb image quality in a remarkably compact, lightweight package, & is the fruit of Tamron‘s program of extensive technological development over the years. ...

If you use a 35mm full frame format camera body, this award-winning* lens offers an ideal balance of brightness, zoom range & image quality for a wide range of situations you’re likely to encounter in everyday shooting. The fact that it features a constant, bright F2.8 maximum aperture at all focal lengths offers significant advantages for hand held & low light shooting, as well as for creating gorgeous defocused backgrounds. But you never know when you might need to go a bit longer, so if there’s room in your bag consider taking the 75–300mm SAL75300 along as well: the SAL2875 plus SAL75300 combination gives you a full-frame focal length range from 28mm to 300mm. ...

Fast & compact, the AF-S NIKKOR 28mm F/1.8G is a great choice for photographers who want to shoot wide-angle images, & get the best out of a high-resolution D-SLR. The 28 mm focal length is ideal for shooting in confined spaces, capturing stunning vistas or photographing cityscapes & street scenes. The large f/1.8 aperture delivers sharper shots in low light & achieves a perfect balance of sharpness & bokeh, singling out subjects beautifully. The fast aperture also provides a bright viewfinder image.   Broad advantage   Equipped with a brand new optical design, the AF-S NIKKOR 28mm F/1.8G supports the increasing resolution of modern D-SLRs with sharp, beautifully rendered stills & movies. Two aspherical lens elements effectively minimize aberrations & correct the distortion that can occur with a wide angle of view. Nikon’s exclusive Nano Crystal Coat reduces ghost & flare, & Silent Wave Motor (SWM) ensures discreet but accurate autofocus.   Compact & durable   With a weather-sealed mount & weighing just 330g, the AF-S NIKKOR 28mm F/1.8G is a solid yet lightweight & compact option that will fit easily into any kit bag. Compatible with Nikon FX-format D-SLRs, it offers a 42 mm (equivalent) focal length when used with Nikon DX-format D-SLRs & is fully compatible with entry-level models that do not have a built-in autofocus motor. ...

Considered the standard wideangle lens, this 28mm gives you a picture angle of 74°, & a fast f/2 maximum aperture for easy focusing even in very dim light. Ideal for candids, cityscapes & travel photography. Compact, lightweight wideangle lens 74 Degrees picture coverage for superlative flexibility Focuses down to 0.25m ...

Hasselblad 28mm f/4 HCD Lens This retro focus lens has a 95’ diagonal angle of view making it the most extreme wide-angle lens presently available in the medium-format. Outstanding results are achieved throughout the focusing range exhibiting excellent corner-to-corner sharpness. The HCD 28mm f/4.0 Wide Angle Prime Lens from Hasselblad is a rear-focusing lens designed specifically for digital use on H-series Hasselblad cameras, including the H3D, HD4 & H2F. Because of this, the lens is not compatible with the Hasselblad 1.7x Converter, or the HM 16-32 & HMi 100 film magazines. All HCD lenses have electronic shutter mechanisms & feature Multi Coating for efficient stray light elimination, an integral focus drive motor, & instant access to manual focus without switching between manual & auto focus It is constructed with metal wherever possible, rather than plastic, in order to ensure reliability & durability year after year. In addition, the special optical design of the lens provides a uniquely soft, smooth quality to the blurred or out-of-focus areas of the image. It supports 95mm threaded filters &

Includes:: lens shade & bayonet mount & can be reverse mounted for transport.

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Diagonal fisheye auto-focus lens. This diagonal fisheye lens has an angle of view of 180 in the diagonal direction as well as minimum shooting distance of 15cm. The minimum shooting distance of this lens is only 15cm (5.9 inch) & it has maximum magnification of 1:3.8. Minimum shooting distance of 15cm (5.9in.) & large depth of field allow close up photography that covers the objects surrounding the photographic subject like an insect or flower. This lens is supplied with a gelatin filter holder at the rear, allowing the use of gelatin filters. Digital SLR, that has smaller image sensor size than 35mm film cameras. Therefore, angle of view of 180 cannot be obtained with Digital SLR cameras. However, it uses only the centre part of the frame, therefore, peripheral distortion will be very small. You can shoot as normal ultra wide angle lens. ...

The Carl Zeiss range of T* lenses offers the highest possible standards in terms of performance, reliability &, of course, image quality. Quite simply, they are superior in every way. This compact, moderate wide-angle lens is optimized to reduce stray light & reflections & is well suited for difficult lighting conditions. The combination of focal length & lens speed makes it suitable for a broad spectrum of applications. In the half-light of dawn or at dusk, or in interior spaces, the Distagon T* 2/28 lens is the perfect companion for the more daring photographer. It is at its best when the lights are low. Without forcing itself into the foreground, it discovers & highlights the details that would otherwise be lost in the dark. When wide angle views go to extremes & beg the control via an SLR viewfinder, which means that the back focal distance has to be much larger than the focal length, a retrofous design called Distagon is the right choice. Manually focusing a lens means controlling the image result from your fingertips. A good ergonomic design makes all the difference. ZEISS SLR lenses stand out with their large rotation angle which enables precise focusing. Changes are immediately visible in the viewfinder. The high-quality focusing mechanism moves smoothly without play, thus also supporting the intuitive interaction with the focal plane. The precise engraving in meter & feet, & the depth of focus scale provide additional support for manually focusing. You can count on highly advanced flare control for crisp & brilliant images, for example. & virtually zero geometric distortion, ensuring precise accuracy when reproducing shapes – especially useful when photographing products & architecture. ...

There is nothing that beats natural light when it comes to creating a powerful, authentic impression. But to make the most ...

Manfrotto 290 Aluminium Monopod
- MM290A4 The 290 aluminium monopod is a lightweight, 4-section monopod that is the best solution
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