This is a love story. It's the story of how The Clash fell in love with America & how America loved them back. The romance began in full in 1977 when select rock journalists & DJs aided the band's quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s & culminates with their September 1979 performance at the Palladium in New York City. This concert broadcast live on WNEW concluded with Paul Simonon treating his Fender bass like a woodsman's axe. The performance produced one of the most exhilarating Clash bootleg recordings & the photo of Simonon's outburst
- which graced the cover of the London Calling LP
- was recently deemed the greatest rock 'n' roll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band vying between conviction & uncertainty before they became a seriously brilliant rock group.