Liberation

A slip of a wild boy: with quick silver eyes as Virginia Woolf saw him in the 1930s Christopher Isherwood journeyed and changed with his century until by the 1980s he was celebrated as the finest prose writer in English and the Grand Old Man of Gay Liberation. In this final volume of his diaries capstone of a million-word masterwork he greets advancing age with poignant humour and an unquenchable appetite for the new; aches illnesses and diminishing powers are clues to a predicament still unfathomed. The mainstays of his mature contentment his Hindu guru Swami Prabhavananda and his long term companion Don Bachardy draw from him an unexpected high tide of joy and love. Around his private religious and domestic routines orbit gifted friends both anonymous and infamous. Bachardys burgeoning
career pulled Isherwood into the 1970s art scene in Los Angeles New York and London where we meet Rauschenberg Ruscha and Warhol (serving foetid meat for lunch) as well as Hockney (adored) and Kitaj. Collaborating with Bachardy on scripts for their prize-winning Frankenstein and their Broadway fiasco A Meeting by the River" extended ties in Hollywood and the theatre world. John Huston Merchant and Ivory John Travolta John Voight Elton John David Bowie Joan Didion Armistead Maupin each take a turn through Isherwoods densely populated human comedy sketched with both ruthlessness and benevolence against the background of the Vietnam War the Energy Crisis the Nixon Carter and Reagan White Houses. In his first book of this period Kathleen and Frank Isherwood unearthed the family demons
that haunted his fugitive youth. When contemporaries began to die he responded in "Christopher and His Kind" and "My Guru and His Disciple" with startling fresh truths about shared experiences. These are the most concrete and the most mysterious of his diaries candidly revealing the fear of death that crowded in past Isherwoods fame and showing how his life-long immersion in the day-to-day lifted him paradoxically towards transcendence."