Ingmar Bergman (Sweden 1918-2007) is in the world of cinema a giant whose stature is comparable to that of Beethoven or Dostoyevsky. He made around fifty feature films that caught the spirit of his times while endlessly reworking his private obsessions & anguish in the face of a silent God. In Summer with Monika (1953) Harriet Andersson plays a scandalously unconventional & sensual young woman a breath of freedom epitomizing a new modernity in film. The 1960s saw Bergman in experimental mode with Persona (1966) one of the most powerful depictions of the ambiguity of evil. Later in Scenes from a Marriage (1973) he offers a lucid examination of a couple whose mutual attraction turns to destruction while Fanny & Alexander (1982) is a joyful & nostalgic evocation of childhood memories. Bergmans last film Saraband (2003) is a spare masterpiece at once an object lesson in how to make a film & an existential exploration.