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How To Look At A Painting

Which of us in the presence of a painting has not felt that we lack the keys to decipher it? We feel an emotional response but the work still seems to evade our understanding. Francoise Barbe-Gall combines a nuanced understanding of the way viewers respond to paintings with a rich knowledge of their context and circumstances of their creation. The result is like a tour of an extraordinary museum in the company of a gentle yet authoritative guide. A fascinating range of works are grouped in six thought-provoking chapters that examine our different responses to the ways in which paintings define reality. The author takes as her point of departure the impressions that we all feel when confronted by a canvas and takes us on a voyage of discovery fired by her own passionate enthusiasm for the
subject. What is the painting's relationship with the real world? Has the artist idealized nature or distorted it? Did they want to shock the viewer or provide consolation? With a clear approach and straightforward yet subtle analysis the meaning of each work slowly becomes clear. From Raphael's penetrating character study of Castiglione through Hopper's cinematic take on the wee small hours of the morning Barbe-Gall begins by covering a number of ostensibly realistic works made from the stuff of everyday life. Going in quite the other direction she then looks at the way paintings can express moments of heightened reality from the perfection of Boticelli's Primavera to the arresting glance of Vermeer's Girl with the Pearl Earring. She discusses paintings that distort the visible world
(Parmigianino's Madonna with an improbably long neck Dali's melting clocks) and those that sow confusion to make us pay closer attention to the real world (Cezanne's depiction of a forest glade a mysterious fifteenth century altarpiece). Questions of history style iconography and composition are dealt in context of the paintings she discusses. Lavishly illustrated and featuring thirty-six fascinating works from Raphael to Rothko Breughel to Bacon this is also a magnificent art book.
  • Availability: In Stock
  • Supplier: WHSmith
  • SKU: 9780711232129
Availability: In Stock
£11.51

Product Description

Which of us in the presence of a painting has not felt that we lack the keys to decipher it? We feel an emotional response but the work still seems to evade our understanding. Francoise Barbe-Gall combines a nuanced understanding of the way viewers respond to paintings with a rich knowledge of their context & circumstances of their creation. The result is like a tour of an extraordinary museum in the company of a gentle yet authoritative guide. A fascinating range of works are grouped in six thought-provoking chapters that examine our different responses to the ways in which paintings define reality. The author takes as her point of departure the impressions that we all feel when confronted by a canvas & takes us on a voyage of discovery fired by her own passionate enthusiasm for the subject. What is the painting's relationship with the real world? Has the artist idealized nature or distorted it? Did they want to shock the viewer or provide consolation? With a clear approach & straightforward yet subtle analysis the meaning of each work slowly becomes clear. From Raphael's penetrating character study of Castiglione through Hopper's cinematic take on the wee small hours of the morning Barbe-Gall begins by covering a number of ostensibly realistic works made from the stuff of everyday life. Going in quite the other direction she then looks at the way paintings can express moments of heightened reality from the perfection of Boticelli's Primavera to the arresting glance of Vermeer's Girl with the Pearl Earring. She discusses paintings that distort the visible world (Parmigianino's Madonna with an improbably long neck Dali's melting clocks) & those that sow confusion to make us pay closer attention to the real world (Cezanne's depiction of a forest glade a mysterious fifteenth century altarpiece). Questions of history style iconography & composition are dealt in context of the paintings she discusses. Lavishly illustrated & featuring thirty-six fascinating works from Raphael to Rothko Breughel to Bacon this is also a magnificent art book.

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Jargon Buster

Forest - A area with a high density of trees
Canvas - A heavy duty plain woven fabric. Used on tents, footwear and painting
neck - A part of the body distinguishing the head from the torso.
History - Anything that happens in the past. An acedemic subject.
World - A physical grouping, commonly used to describe earth and everything associated with ti
Felt - A non woven cloth made from compressed wool
Small - something that takes up less space than normal.
Composition - A way in which something is made up.
Museum - A building which exhibits old artefacts for viewing of people who show interest.
Subtle - Something that is delicate and not to harsh, can be difficult to describe.

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