Garth Evans is a sculptor as capable of evoking intimacy & simplicity as he is of dealing with the monumental & the timeless. This complete survey of his unique career is long overdue & reveals a wealth of innovative & powerful work much of it previously unseen in print. As narratives of British sculpture are reconsidered Evans is emerging as one of the most creative & influential artists to bridge the generation of Antony Caro & Philip King with that of Tony Cragg Richard Deacon Antony Gormley Alison Wilding & Bill Woodrow. This investigation into Evans' hugely varied visually eventful & challenging practice explores connections across geographies & timeframes as well as contextualizing major changes & new departures in his work. Garth Evans was born in Manchester in 1934 & settled in the USA at the midpoint of his career. He has exhibited widely in Europe & America since the early 1960s & his work is represented in major public & private collections in Australia Brazil Portugal USA & UK (including the Arts Council Collection Leeds City Art Galleries the British Museum the V&A & Tate). Evans has been the recipient of numerous awards as well as holding a number of distinguished teaching positions. Since 1988 he has taught at the Studio School in New York City where he is head of sculpture.