In the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman"
- a painful examination of American life & consumerism. Opening on Broadway the following year Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman his destructively insecure anti-hero Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life.'"