The horror film is now one of the most popular & talked-about film genres & yet outside of the Hammer studio very little has been written about British horror. Going beyond Hammer British Horror Cinema investigates a wealth of horror filmmaking in Britain from early chillers like The Ghoul & Dark Eyes of London to acknowledged classics such as Peeping Tom & The Wicker Man. Contributors explore the contexts in which British horror films have been censored & classified judged by their critics & consumed by their fans. Uncovering neglected modern classics like Deathline & addressing issues such as the representation of family & women they consider the Britishness of British horror & examine sub-genres such as the psycho-thriller & witchcraft movies the work of the Amicus studio & key filmmakers including Peter Walker. British Horror Cinema also features a comprehensive filmography & interviews with key directors Clive Barker & Doug Bradley. Chapters include: *the Psycho Thriller *the British censors & horror cinema *femininity & horror film fandom *witchcraft & the occult in British horror * Horrific films & 1930s British Cinema * Peter Walker & Gothic revisionism Brigid Terry Steve Chibnall Ian Conrich Leon Hunt Peter Hutchings Mark Kermode Kim Newman Marcelle Perks Julian Petley Steven