We Can Be Heroes

In the early 1980s when a small group of misfits began acting out their nocturnal fantasies London nightlife blossomed and fashion music and clubbing would never be the same again. Against the backdrop of recession-hit Britain this was the birth of club fashion style magazines futuristic synth pop and blue-eyed funk. Energised by punks do-it-yourself attitude and David Bowies ceaseless image shifting a new generation of pop stars designers journalists artists and filmmakers emerged adopting wild theatrical attire and an ethos of continual change. Led by the enigmatic Steve Strange and the ever dapper Chris Sullivan their scene flourished in a succession of legendary clubs: from Billys and the Blitz via Le Beat Route and the Mud Club to the Wag and the Dirt Box. It gave us stars including
Boy George Sade and Spandau Ballet as well as the faces who would shape London nightlife up to the rave era. The press dubbed these nightbirds the New Romantics; in truth this was just one stage of their endless reinvention. Together with his schoolmate future broadcaster Robert Elms and art-school buddy Chris Sullivan Graham Smith was at the centre of this creative cult. He designed its record sleeves cultivated its graphics and captured its characters taking extraordinary pictures throughout the period most of which have never been reproduced before. There are interviews with all the major players incendiary and hilarious text by Chris Sullivan an introduction by Robert Elms and forewords by Boy George Steve Strange and Spandau Ballets Gary Kemp. This beautiful book is the first insider
account of this uniquely creative time.