To live well in the world one must be able to enjoy it: to love Freud says & work. Dejection is the state of being in which such enjoyment is no longer possible. There is an aesthetic dimension to dejection in which the world appears in a new light. In this book the dark serenity of dejection is examined through a study of the poetry of Hopkins & Coleridge & the music of depressive black metal artists such as Burzum & Xasthur. The author then develops a theory of militant dysphoria via an analysis of the writings of the Red Army Fractions activist-theoretician Ulrike Meinhof. The book argues that the cold world of dejection is one in which new creative & political possibilities as well as dangers can arise. It is not enough to live well in the world: one must also be able to affirm that another world is possible.