Billy Monk worked as a bouncer in the notorious Catacombs club in the dock area of Cape Town South Africa during the 1960s. He originally began taking pictures in the club with the intention of selling the photographs to the customers
- the people he was photographing. His aim was not to make a social statement but his money-making scheme quickly turned into something else as he increasingly captured the raw energy of the club its decadence & tragedy its humanity & joy. As someone who shared the experiences of those club-goers he was trusted by them & was able to convey their world & their experience with great energy & honesty. As David Goldblatt has written These are photographs by an insider of insiders for insiders. If inhibitions were lowered by the seemingly vast quantities of brandy & Coke that were imbibed trust nevertheless is powerfully evident. Not simply in the raucous tweaking of bared breasts or the more guarded but evident togetherness of two bearded men as well as the open flouting of peculiarly South African sanctions such as prohibitions on interracial sex. It is also present in the quiet composure of many of the portraits. People seemed to welcome & even bask in Monks attentions." Monk stopped photographing at the club in 1969. Ten years later his contact sheets & negatives were discovered & in 1982 the work was exhibited at the Market Gallery in Johannesburg. Monk could not make the opening & two weeks later en route to seeing the show he became involved in an argument. A fight broke out Monk was fatally shot in the chest & never saw his exhibition."