Lee resin filters are made from lightweight, optically polymeric materials, which makes then touch, easy to handle & they can be wiped clean. Every filter is individually hand made by skilled technicians & is the passed through a rigorous quality control system to ensure 100% accuracy & consistency.A real blue filter to add realistic colour to flat skies & is available in three strengths 1 being the most subtle to 3 being the strongest. Graduated filters feature an area of colour at one end of the resin, with the opposite end remaing clear. This enables the colour or effect to be placed in a specific area of the frame by the positioning of the filter either up or down in the holder. The transtion from colour to clear can be either fast (hard grad) or slow (soft grad). ...

Lee resin filters are made from lightweight, optically polymeric materials, which makes then touch, easy to handle & they can be wiped clean. Every filter is individually hand made by skilled technicians & is the passed through a rigorous quality control system to ensure 100% accuracy & consistency.A real blue filter to add realistic colour to flat skies & is available in three strengths 1 being the most subtle to 3 being the strongest. Graduated filters feature an area of colour at one end of the resin, with the opposite end remaing clear. This enables the colour or effect to be placed in a specific area of the frame by the positioning of the filter either up or down in the holder. The transtion from colour to clear can be either fast (hard grad) or slow (soft grad). ...

Lee resin filters are made from lightweight, optically polymeric materials, which makes then touch, easy to handle & they can be wiped clean. Every filter is individually hand made by skilled technicians & is the passed through a rigorous quality control system to ensure 100% accuracy & consistency.A real blue filter to add realistic colour to flat skies & is available in three strengths 1 being the most subtle to 3 being the strongest. Graduated filters feature an area of colour at one end of the resin, with the opposite end remaing clear. This enables the colour or effect to be placed in a specific area of the frame by the positioning of the filter either up or down in the holder. The transtion from colour to clear can be either fast (hard grad) or slow (soft grad). ...

Lee resin filters are made from lightweight polymeric materials, which makes them easy to handle & wipe clean. Every filter is individually hand made by skilled technicians & is the passed through a rigorous quality control system to ensure 100% accuracy & consistency. The real blue filter adds realistic colour to flat skies & is available in three strengths 1 being the most subtle to 3 being the strongest. Graduated filters feature an area of colour at one end of the resin, with the opposite end remaining clear. This enables the colour or effect to be placed in a specific area of the frame by the positioning of the filter either up or down in the holder. The transition from colour to clear can be either fast (hard grad) or slow (soft grad). ...

Lee resin filters are made from lightweight, optically polymeric materials, which makes then touch, easy to handle & they can be wiped clean. Every filter is individually hand made by skilled technicians & is the passed through a rigorous quality control system to ensure 100% accuracy & consistency.A real blue filter to add realistic colour to flat skies & is available in three strengths 1 being the most subtle to 3 being the strongest. Graduated filters feature an area of colour at one end of the resin, with the opposite end remaing clear. This enables the colour or effect to be placed in a specific area of the frame by the positioning of the filter either up or down in the holder. The transtion from colour to clear can be either fast (hard grad) or slow (soft grad). ...

Some photographic situations require specific colour corrections. For example, when shooting daylight film under fluorescent lighting, some magenta correction is needed in order to remove the greenish tint that would otherwise appear. The amount of colour correction required is most accurately measured via a colour temperature meter. Colour Compensating filters are available in the three primary colours: Red, Green, & Blue; & in the three secondary colours: Cyan, Magenta, & Yellow. A typical designation for one of these filters is CC30M. The ""CC"" stands for Colour Compensating. The ""30"" stands for a density of 0.30 & the ""M"" is for magenta. Lee colour compensating filters are made in the following increasing densities: 0.025 (CC025), 0.05 (CC05), 0.10 (CC10), 0.15 (CC15), 0.20 (CC20), 0.25 (CC25), 0.30 (CC30), 0.40 (CC40), 0.50 (CC50). You can sandwich as many as three Lee polyester filters together without a noticeable loss of image quality. ...

Lee Red 40 Polyester Colour Correction Filter. ...

Containing reflectors in mirror gold, mirror silver, soft gold & soft silver, the sheets are all manufactured from the same high quality, lightweight & flexible material that you would expect from Lee Filters. They can be used as they are or mounted on polystyrene or board for added rigidity. They are ideal to be used in both the studio or out on location. Pro-pack & reflector packs are available in 610mm x 530mm sheets. ...

The Lee Reverse ND 0.6 (2 stop) 100x 150mm is a neutral density filter with a smooth transition from dark to light from the middle of the filter upwards. It is particularly useful for seascapes when shooting bright horizons at sunrise or sunset, & is designed to give a more pleasing & natural balanced exposure to the sky. This filter is also available in 0.9 & 1.2 ND strengths. ...

The Lee Reverse ND 0.9 (3 stop) 100x 150mm is a neutral density filter with a smooth transition from dark to light from the middle of the filter upwards. It is particularly useful for seascapes when shooting bright horizons at sunrise or sunset, & is designed to give a more pleasing & natural balanced exposure to the sky. This filter is also available in 0.6 & 1.2 ND strengths. ...