A series of filters that add a white misty, dreamlike effect to portraits & landscapes. The effect it highened by backlighting. Fog filters come in five strengths from Fog 1 (mildest) to Fog 5 (strongest) & my be used alone or in combination of 2 or more for extreme effect. ...

A series of filters that add a white misty, dreamlike effect to portraits & landscapes. The effect it highened by backlighting. Fog filters come in five strengths from Fog 1 (mildest) to Fog 5 (strongest) & my be used alone or in combination of 2 or more for extreme effect. ...

A natural fog causes lights to glow & flare. Contrast is lower, & sharpness may be affected as well. Fog filters mimic the effect of atomised water droplets in the air. These filters can take the edge off excess contrast & sharpness. Lee Fog filters are available in grades 1-5, with 5 having the strongest effect. ...

A series of filters that add a white misty, dreamlike effect to portraits & landscapes. The effect it highened by backlighting. Fog filters come in five strengths from Fog 1 (mildest) to Fog 5 (strongest) & my be used alone or in combination of 2 or more for extreme effect. ...

A series of filters that add a white misty, dreamlike effect to portraits & landscapes. The effect it highened by backlighting. Fog filters come in five strengths from Fog 1 (mildest) to Fog 5 (strongest) & my be used alone or in combination of 2 or more for extreme effect. ...

The Lee 253 Hampshire Frost Full Sheet is a versatile diffusion filter that helps enhance your lighting, offering a subtle & diffused effect. The full-sheet size provides ample coverage for various lighting setups. Ideal for photography, film, & stage productions, it softens & scatters light, creating a gentle & flattering glow. ...

Some photographic situations require specific colour corrections. For example, when shooting daylight film under fluorescent lighting, some magenta correction is needed in order to remove the greenish tint that would otherwise appear. The amount of colour correction required is most accurately measured via a colour temperature meter. Colour Compensating filters are available in the three primary colours: Red, Green, & Blue; & in the three secondary colours: Cyan, Magenta, & Yellow. A typical designation for one of these filters is CC30M. The "CC" stands for Colour Compensating. The "30" stands for a density of 0.30 & the "M" is for magenta. Lee colour compensating filters are made in the following increasing densities: 0.025 (CC025), 0.05 (CC05), 0.10 (CC10), 0.15 (CC15), 0.20 (CC20), 0.25 (CC25), 0.30 (CC30), 0.40 (CC40), 0.50 (CC50). You can sandwich as many as three Lee polyester filters together without a noticeable loss of image quality. ...

Some photographic situations require specific colour corrections. For example, when shooting daylight film under fluorescent lighting, some magenta correction is needed in order to remove the greenish tint that would otherwise appear. The amount of colour correction required is most accurately measured via a colour temperature meter. Colour Compensating filters are available in the three primary colours: Red, Green, & Blue; & in the three secondary colours: Cyan, Magenta, & Yellow. A typical designation for one of these filters is CC30M. The "CC" stands for Colour Compensating. The "30" stands for a density of 0.30 & the "M" is for magenta. Lee colour compensating filters are made in the following increasing densities: 0.025 (CC025), 0.05 (CC05), 0.10 (CC10), 0.15 (CC15), 0.20 (CC20), 0.25 (CC25), 0.30 (CC30), 0.40 (CC40), 0.50 (CC50). You can sandwich as many as three Lee polyester filters together without a noticeable loss of image quality. ...

Often it is necessary or desirable to balance the light intensity in one part of a scene with another. This is especially true in situations where you dont have total light control, as in bright contrasty landscapes. Sometimes it is also desireable to add colour to part of the photograph. For example, to add blue to only the sky. Lee Colour Graduated filters are half-colour, half-clear, with a graduated transition for blending into the scene. They are available in an array of colours. Lee colour graduated filters are available with soft or hard transitions from dark to clear. The soft edge is recommended for wide angle lenses & the hard edge is recommended for normal & longer lenses. Lee graduated resin filters are 4 x 6" (100 x 150mm) x 2mm thick. The 6" length allows for adjustment of the filter within the holder. ...

The Lee Filters resin filter range

Includes:: colour effect, graduated, striped & special effect filters,

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