Some photographic situations require specific colour corrections. For example, when shooting daylight film under fluorescent lighting, some magenta correction is needed in order to remove the greenish tint that would otherwise appear. The amount of colour correction required is most accurately measured via a colour temperature meter. Colour Compensating filters are available in the three primary colours: Red, Green, & Blue; & in the three secondary colours: Cyan, Magenta, & Yellow. A typical designation for one of these filters is CC30M. The "CC" stands for Colour Compensating. The "30" stands for a density of 0.30 & the "M" is for magenta. Lee colour compensating filters are made in the following increasing densities: 0.025 (CC025), 0.05 (CC05), 0.10 (CC10), 0.15 (CC15), 0.20 (CC20), 0.25 (CC25), 0.30 (CC30), 0.40 (CC40), 0.50 (CC50). You can sandwich as many as three Lee polyester filters together without a noticeable loss of image quality. ...

Some photographic situations require specific colour corrections. For example, when shooting daylight film under fluorescent lighting, some magenta correction is needed in order to remove the greenish tint that would otherwise appear. The amount of colour correction required is most accurately measured via a colour temperature meter. Colour Compensating filters are available in the three primary colours: Red, Green, & Blue; & in the three secondary colours: Cyan, Magenta, & Yellow. A typical designation for one of these filters is CC30M. The "CC" stands for Colour Compensating. The "30" stands for a density of 0.30 & the "M" is for magenta. Lee colour compensating filters are made in the following increasing densities: 0.025 (CC025), 0.05 (CC05), 0.10 (CC10), 0.15 (CC15), 0.20 (CC20), 0.25 (CC25), 0.30 (CC30), 0.40 (CC40), 0.50 (CC50). You can sandwich as many as three Lee polyester filters together without a noticeable loss of image quality. ...

Often it is necessary or desirable to balance the light intensity in one part of a scene with another. This is especially true in situations where you dont have total light control, as in bright contrasty landscapes. Sometimes it is also desireable to add colour to part of the photograph. For example, to add blue to only the sky. Lee Colour Graduated filters are half-colour, half-clear, with a graduated transition for blending into the scene. They are available in an array of colours. Lee colour graduated filters are available with soft or hard transitions from dark to clear. The soft edge is recommended for wide angle lenses & the hard edge is recommended for normal & longer lenses. Lee graduated resin filters are 4 x 6" (100 x 150mm) x 2mm thick. The 6" length allows for adjustment of the filter within the holder. ...

The Lee Filters resin filter range

Includes:: colour effect, graduated, striped & special effect filters,

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The Lee Guides are designed to be attached to the Lee 100mm Filter Holder, to modify the holder so that it can accept additional or differently sized filters. The guides are attached to the holder via brass screws (not included), but you may require longer screws (3/4 inch) for fitting three sets of 2mm Side Blades to the Lee holder at once. One pair of guides will create one filter slot. ...

A spare set of filter guides for using extra filters. ...

Lee HPS (high pressure sodium )
- B Specialist Filter ...

Designed to compliment the landscape, whether rural, suburban or busy city centre. The set contains Real Blue 2 Grad which gives a deeper hue to blue or grey skies, a Straw 3 Grad, which when inverted adds warmth to the foreground, & a Sepia 2 Grad, a deep chocolate colour which enhances rocks, foliage & fallen leaves. ...

The Lee LED to Tungsten Lighting Filter Pack overcomes one of the common issues affecting people using LED lighting in that the white light is very blue, making it look cold in comparison to a Tungsten light. These filters will convert white LED sources (colour temperatures ranging from 5000-7000K) to the equivalent of a 3200K Tungsten source. This means that different types of luminaires can now be blended together without the viewer of the digital camera seeing a difference. The pack contains twelve 250x 300mm gel filters (2 of each of the following 622, 624, 626 & 628 colour conversion & 2 of each diffuser 216 & 250) & a handy cutter to resize them as required meaning they can be used with a variety of light sources. ...

By popular dem&, Lee have produced a lens cap allows the adaptor ring to be left attached at all times whilst keeping the front element clean & safe. Made from white polypropylene, they can be written on to identify lenses whilst in the camera bag. ...