The B+W UV-Haze XS-PRO Digital Filter blocks the invisible UV component of light from the sky, which can cause blur & to which many colour films react with a blue cast. UV Filters are ideal for photography in high altitudes, by the sea & in regions with very clean air. Photographs gain brilliance & blue casts are avoided. Because the glass is colourless, colour rendition is not altered & no increase in exposure is required. That makes a UV Filter suitable for protection of the lens against dust, flying s&, sea water spray & the like, & it can be kept on the lens at all times. It is recommended for analogue colour & black-&-white as well as digital photography. ...

Manufactured in Germany by Schneider Optics, this polarising filter reduces unsightly glare from reflective surfaces
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The B+W 62mm 0.6/4x (102) Neutral Density Filter reduces the light by two f-stops (log density 0.6) & is the most popular ND filter in photographic work. It offers many benefits, for instance f/4 instead of f/8 for selective sharpness instead of a great depth of field, or 1/15 s instead of 1/60 s for a flowing & blurred water instead of a “frozen” waterfall. It has excellent colour neutrality & is recommended as part of a basic outfit. ...

The B+W 62mm 0.9/8x (103) Neutral Density Filter reduces the light intensity by three f-stops (log density 0.9) but still features very good colour neutrality. This ND filter is especially appropriate for use on video cameras when the lens cannot be stopped down sufficiently in great brightness or when a deliberately low depth of field is desired. It can also be used creatively for long exposure photography. ...

The B+W Neutral Density+6 F-PRO Digital Filter reduces the light by six f-stops. With this filter & without changing the f-stop, a shutter speed of 1/60 s is changed to a full second, thus requiring the use of a tripod. Moving water is rendered as blurred & flowing in the photo, & people moving in streets are dissolved in unsharpness or become invisible. Because of its higher transmission in the red beyond 660 nm, this filter brings a slightly warm tone to color photographs. If this effect is undesirable, a B+W UV-/IR-Blocking Filter 486 in front of the neutral density filter (not behind it) remedies that situation. The filter factor is 64x. ...

The B+W Circular Polariser XS-PRO Digital Filter increases colour saturation & reduces reflections. Circular polarizing filters are made for all cameras with beam splitters in the light paths of their TTL exposure meter & with autofocus lenses. Circular polarization has the same pictorial effect as linear polarization, but allows for proper exposure metering and/or autofocus distance settings. ...

The B+W Clear Glass XS-PRO Digital Filter fulfils the desire of many photographers for pure lens protection without a filter effect. Its only function is to keep dirt, s&, or splashes away from the front lens. The extremely clear special glass with high transmission is MRC-finished. ...

The B+W 62mm Clear UV Haze (010) Filter blocks the invisible UV component of light from the sky, which can cause blur & a blue cast. UV Filters are ideal for photography in high altitudes (in the mountains), by the sea & in regions with very clean air. Because the glass is colourless, colour rendition is not altered, aside from the elimination of the unwanted blue cast, & no increase in exposure is required. That makes a UV Filter very suitable as protection of the front element of the taking lens against dust, s&, sea water spray & the like, & it can be kept on the lens at all times. ...

The B+W 62mm Close-Up +3 (NL3) Filter provides a near-focusing distance that begins at 33cm (13 inches) from the front rim, regardless of the focal length of the main lens. When close-ups have to be taken because of the wide-angle effect of a 35mm lens, the NL 3 close-up lens is ideal for a seamless extension of the normal close-up range up to Approx. 1:5.5. ...

The B+W 62mm Close-Up +4 (NL4) Filter is the right power for closer focusing with a 50mm lens (up to Approx. 1:3) when you have reached the limit with the NL 2 lens. With 85mm (up to Approx. 1:2.1) & 100mm (up to Approx. 1:1.9) telephoto lenses, it is the highest power, & it should be used with the main lens stopped down to at least f/8. ...