The B+W T-Pro 010 UV Protection Filters are now slimmer & lighter than ever before featuring an innovative titanium finish, a robust brass mount & MRC Nano coating. The filters are dirt-repellent & scratch-resistant. This high-transmission UV filter offers outstanding protection to your lens, preventing damage such as scuffs. Manufactured with the meticulous German craftsmanship, these filters are exceptional for wide-angle lenses. ...

The B+W UV-Haze XS-PRO Digital Filter blocks the invisible UV component of light from the sky, which can cause blur & to which many colour films react with a blue cast. UV Filters are ideal for photography in high altitudes, by the sea & in regions with very clean air. Photographs gain brilliance & blue casts are avoided. Because the glass is colourless, colour rendition is not altered & no increase in exposure is required. That makes a UV Filter suitable for protection of the lens against dust, flying s&, sea water spray & the like, & it can be kept on the lens at all times. It is recommended for analogue colour & black-&-white as well as digital photography. ...

Manufactured in Germany by Schneider Optics, this polarising filter reduces unsightly glare from reflective surfaces
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This ND 0.3 to ND 1.5 variable filter is manufactured by Schneider Optics in Germany, to exacting standards. With a simple twist, the filter may be adjusted from +1 f/stop through to +5 stops. The filter is multi-coated to reduce reflections & resist abrasion, & the additional ?nano' coating helps to bead & repel moisture. The XS-Pro Digital mount is manufactured from brass for durability, with a black anti-reflective coating & a narrow design to reduce vignetting. ...

The B+W 52mm 0.3/2x (101) Neutral Density Filter is the lightest B+W Neutral Density Filter & reduces the light by one f-stop (log density 0.3). This can be beneficial for the correct exposure when the brightness of the subject is still too high for the fastest shutter speed & the smallest aperture. ...

The B+W 52mm 0.6/4x (102) Neutral Density Filter reduces the light by two f-stops (log density 0.6) & is the most popular ND filter in photographic work. It offers many benefits, for instance f/4 instead of f/8 for selective sharpness instead of a great depth of field, or 1/15 s instead of 1/60 s for a flowing & blurred water instead of a “frozen” waterfall. It has excellent colour neutrality & is recommended as part of a basic outfit. ...

The B+W 52mm 0.9/8x (103) Neutral Density Filter reduces the light intensity by three f-stops (log density 0.9) but still features very good colour neutrality. This ND filter is especially appropriate for use on video cameras when the lens cannot be stopped down sufficiently in great brightness or when a deliberately low depth of field is desired. It can also be used creatively for long exposure photography. ...

The B+W Neutral Density+6 F-PRO Digital Filter reduces the light by six f-stops. With this filter & without changing the f-stop, a shutter speed of 1/60 s is changed to a full second, thus requiring the use of a tripod. Moving water is rendered as blurred & flowing in the photo, & people moving in streets are dissolved in unsharpness or become invisible. Because of its higher transmission in the red beyond 660 nm, this filter brings a slightly warm tone to color photographs. If this effect is undesirable, a B+W UV-/IR-Blocking Filter 486 in front of the neutral density filter (not behind it) remedies that situation. The filter factor is 64x. ...

With a light intensity reduction of ten f-stops, this B+W Neutral Density Filter has a slightly stronger warm tone than the ND 6 stop filter. Its principal field of application is the observation & documentation of industrial processes with extreme brightness, such as steel furnaces, incinerators, glowing filaments in halogen- & other bulbs. However, it is being increasingly used in artistic photography to blur motion or render moving elements invisible. The filter factor is 1000x. ...

The B+W 52mm Black (093) Infrared Filter blocks the entire visible spectrum, so to our eyes it looks completely opaque. Iit makes pure infrared photographs possible without the visible red component. Its transmission only begins to exceed 1% at 800 nm, rising to 88% at 900 nm, & remains that high far beyond the upper limit of sensitisation covered by infrared films. This filter is used less frequently in pictorial photography because of the dramatic loss of effective ISO. But in the scientific field, materials research & forensics, the limitation to a strictly infrared range is often important. The filter factor is very dependent on the illumination & on the characteristics of the film. ...