Lee 105mm rotating polarisers are attached to the filter system via a special ring (sold separately) that is fitted to the front of the holder (sold separately). This allows the polariser to be rotated independently of any grads used & is ideal for landscape photography where extra flexibility is required. These high quality glass filters manage the waveforms of light travelling to the camera from most reflective surfaces. Glare & reflected light can be altered by rotation of the polarising filter. The effect can be seen through the lens of reflex cameras as the filter is rotated. When used outside on sunny days, polarising filters have the effect of saturating colours & deepening blue skies. They can also be used in conjunction with other filters (although the polariser should always be placed in front of polyester filters to ensure it functions correctly). ...

These high quality glass filters manage the waveforms of light travelling to the camera from most reflective surfaces. Glare & reflected light can be altered by rotation of the polarising filter. The effect can be seen through the lens of reflex cameras as the filter is rotated. When used outside on sunny days, polarising filters have the effect of saturating colours & deepening blue skies. They can also be used in conjunction with other filters (although the polariser should always be placed in front of polyester filters to ensure itfunctions correctly). Polarising filters are available in two types, linear & circular. This is not referring to the physical shape of the filter, but to the way the filter changes the light waves thereby achieving the polarising effect. The type of polariser required (linear or circular) depends entirely on the type of camera the photographer is using. Modern reflex cameras with autofocus or complex metering systems, if used with apolariser, will only function co ...

Designed for long-exposure photography, the Lee 100 x 100 mm Little Stopper reduces the light entering the lens by up to 6 f-stops. Lee's Little Stopper is for low-light conditions at dawn & dusk (when the Big Stopper's 10 stops may be too much), allowing you to enjoy increased flexibility with exposure lengths & create ghostly, time-passing effects (e.g. water, clouds, people etc.). ...

Low contrast filters more evenly spread light so that brightly lit areas share their light with the darker areas. The result is a lowering of the contrast & a slight halation or flare effect around light sources. Highlighted areas are still well lit but the dark areas now show more detail. Although designed for Hollywood, video photographers use them for more of a 'movie' look. This is the strongest effect filter. ...

Low contrast filters more evenly spread light so that brightly lit areas share their light with the darker areas. The result is a lowering of the contrast & a slight halation or flare effect around light sources. Highlighted areas are still well lit but the dark areas now show more detail. Although designed for Hollywood, video photographers use them for more of a 'movie' look. This is the second strongest effect filter. ...

Lee Low Contrast filters work by spreading light from the highlights to the shadowed & darker areas, leaving the bright areas of the image bright. The dark areas become lighter, enabling you to see more detail in the shadow areas. As there is no F-stop compensation, you will not overexpose any portion of the image. This filter also creates a very slight flare or halation around hot spots & individual light sources. This feature is a useful effect. The more light there is for the filter to work with, the greater the effect. This filter is very popular with people who shoot video but who want to achieve more of a film look to their images. Lee Low Contrast filters are available in grades from 1/4 through 1 1/2, with the 1 1/2 having the heaviest effect. ...

Lee Low Contrast filters work by spreading light from the highlights to the shadowed & darker areas, leaving the bright areas of the image bright. The dark areas become lighter, enabling you to see more detail in the shadow areas. As there is no F-stop compensation, you will not overexpose any portion of the image. This filter also creates a very slight flare or halation around hot spots & individual light sources. This feature is a useful effect. The more light there is for the filter to work with, the greater the effect. This filter is very popular with people who shoot video but who want to achieve more of a film look to their images. Lee Low Contrast filters are available in grades from 1/4 through 1 1/2, with the 1 1/2 having the heaviest effect. ...

These filters control the spectrum by reducing the transmission at specific wavelengths. They are primarily used to colour balance films, the required filter being determined as a result of tests, or as specified by the manufacturer. They can also be useful for correcting light sources for which no one conversion filter exists, or for adding a deliberate colour bias. ...

These filters control the spectrum by reducing the transmission at specific wavelengths. They are primarily used to colour balance films, the required filter being determined as a result of tests, or as specified by the manufacturer. They can also be useful for correcting light sources for which no one conversion filter exists, or for adding a deliberate colour bias. ...

These filters control the spectrum by reducing the transmission at specific wavelengths. They are primarily used to colour balance films, the required filter being determined as a result of tests, or as specified by the manufacturer. They can also be useful for correcting light sources for which no one conversion filter exists, or for adding a deliberate colour bias. ...