Merton the Mudskipper learns that it is actually quite good to be different in this charming picture storybook.
Perfect
John David Rhodes' illuminating study of Maya Deren's mesmerising short Meshes of the Afternoon (1943) places the film in the context of European modernism & as a pivotal text for the pre- & post-War history of the cinematic avant garde. Rhodes also explores the film's use of point of view, repetition & visual symobolism.