` It`s only after our death that we shall really be able to hear`. The measured tone of hopeless nihilism that pervades ” The Counterfeiters” quickly shatters any image of Andre Gide as the querulous & impious Buddha to a quarter-century of intellectuals. In sharp & brilliant prose a seedy, cynical & gratuitously alarming narrative is developed, involving a wide range of otherwise harmless & mainly middle-to-upper-class Parisians. But the setting could be anywhere. From puberty through adolescence to death, ” The Counterfeiters” is a rare encyclopedia of human disorder, weakness & despair.