
Regarded as the quintessential work of the Beat Generation’s literary output, Jack Kerouac wrote On the Road in a marathon peyote-fuelled writing session on one long piece of paper, prompting Truman Capote to remark ” That’s not writing, that’s typing”. Even today though, whichever view you take of this influential generation, On The Road remains a vivid, blood-thumping & at times lucid account of this most experimental group of writers. On the Road swings to the rhythms of 1950s underground America, jazz, sex, generosity, chill dawns & drugs, with Sal Paradise & his hero Dean Moriarty, traveller & mystic, the living epitome of Beat. Now recognized as a modern classic, its American Dream is nearer that of Walt Whitman than Scott Fitzgerald, & it goes racing towards the sunset with unforgettable exuberance, poignancy & autobiographical passion. Kerouac’s face-paced method of writing evokes the bebop jazz of the time, a sharp contrast to the methodical, constructing lyricism of the jazz-age greats that preceded him.