
When Celine's first novel, Journey to the End of the Night was first published in 1932 it created an instant scandal, being extravagantly praised by its supporters & savagely attacked by its horrified opponents. Four years later came the sequel, Death on Credit. Both were a new kind of novel, frank about the author's thoughts & actions in a ways that readers had never encountered, ultra-realistic, & full of incidents that could not possibly be true to life, characters that stretched the imagination in spite of their having obviously been drawn from life. In Death on Credit Ferdinand Bardamu, Celine's alter ego, is a doctor in Paris, treating the poor who seldom pay him but who take every advantage of his availability. The action is not continuous but goes back in time to earlier memories & often moves into fantasy, especially in Bardamu's sexual escapades; the style becomes deliberately rougher & sentences disintegrate to catch the flavour of the teeming world of everyday Parisian tragedies, struggles to make a living, illness, venereal disease, the sordid stories of families whose destiny is governed by their own stupidity, malice, lust & greed. This fascinating book by one of the greatest 20th Century novelists is an unforgettable experience for the reader.