Raymond Carver said it was possible `to write about commonplace things & objects using commonplace but precise language & endow these things
- a chair, a window curtain, a fork, a stone, a woman`s earring
- with immense, even startling power`. Nowhere is this alchemy more striking than in the title story of Cathedral in which a blind man guides the hand of a sighted man as together they draw the cathedral the blind man can never see. Many view this story, & indeed this collection, as a watershed in the maturing of Carver`s work to a more confidently poetic style.