Commissioned in 1750 the Palazzo Venier was planned as a testimony to the power & wealth of a great Venetian family but the fortunes of the Venier family waned & the project was abandoned with only one storey complete Empty unfinished & in a gradual state of decay the building was considered an eyesore Yet in the early 20th century the Unfinished Palazzo's quality of fairytale abandonment & its potential for transformation were to attract & inspire three fascinating women at key moments in their lives Luisa Casati Doris Castlerosse & Peggy Guggenheim Each chose the Palazzo Venier as the stage on which to build her own world of art & imagination surrounded by an amazing supporting cast from d' Annunzio & Nijinsky via Noel Coward & Cecil Beaton to Yoko Ono Luisa turned her home into an aesthete's fantasy where she hosted parties as extravagant & decadent as Renaissance court operas
- spending small fortunes on her own costumes in her quest to become a 'living work of art' & muse to the artists of the late belle epoque & early modernist eras Doris strove to make her mark in London & Venice during the glamorous hedonistic interwar years hosting film stars & royalty at glittering parties In the postwar years Peggy turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists & art-lovers from around the world Mackrell tells each life story vividly in turn weaving an intricate history of these legendary characters & the Unfinished Palazzo that they all at different times called home